Buy: http://darla.com/index.php?fuseaction=item_cat.ecom_superitem_detail&item_cat_id=43946


A new remastered and expanded edition of the most popular of Manual records - the 2005 shoegaze classic Azure Vista. Jonas Munk aka Manual remastered the original six album tracks and added seven live tracks performed in Chicago and Los Angeles on Manual's 2007 US tour. Long time friend and partner in music Jakob Skott redesigned the artwork for this 2xCD edition, which comes in a six panel Eco-wallet.

 10 years after its release, Azure Vista still feels like a bold, and highly original work that's near-impossible to categorize. There's a definite dream-pop influence, occasionally recalling Robin Guthrie's most panoramic guitar work in Cocteau Twins, as well as Slowdive's oceanic euphoria. But this is far from being another shoegaze-homage. What really sets this set apart is the earnest and completely un-ironic incorporation of 1980s fm-radio sounds and John Hughes soundtracks, which Jonas Munk absorbed throughout his childhood and early teens - ghosts of Tears for Fears, New Order, Simple Minds and The Cure can all be heard throughout these six abundant, adventurous compositions, enveloping the ambience and electronics in a strange, nostalgic haze.

 The album was partly written and conceptualized during a three month trip to California, when Munk was 22, and comes off as a crazed, innocent celebration of youth, freedom, sun and sea  gradually unfolding over the course of 47 blissful minutes. If one senses a conceptual similarity to M83's indie hit record Sartudays = Youth (as well as one or two similar synth-riffs) , it's worth noting that Azure Vista was released three years earlier (!).

 The second disc features 7 live cuts performed with Jakob Skott (aka Syntaks) on synths and samplers. There's a previously unreleased track included (Untitled) as well as radically different versions of Marbella – a track Munk originally wrote with Robin Guthrie – and Rise (a Syntaks track), as well as Sal Paradise (from the collaborative Manual & Syntaks effort Golden Sun).

Manual: Azure Vista 2015 remaster

random

@bulentalkan @NiklasIbach #DanReeder @ulrichschnauss #JonasMunk @DanThompsonDJ @djtalla2xlc @Maxdenoise @ronskispeed @HBeltagui_Music @shannonhurley @RazNitzan @DavidGravell @DRYMmusic  @Cathy_Burton

My Dream The Blues Azure Vista #1505

Ambient

R.I.P. PETER STEELE (1/4/1962 - 4/14/2010

*All Rights Go Exclusively to "Road-Runner Records","Warner Music Group" and Type O Negative (1991-2010)
*The First 38 seconds is a joke track so if you want to skip it:  0:38
*Please buy the record if you love this music! http://www.amazon.com/October-Rust-Ty...

October Rust:
-Track Listing times-

01 - Bad Ground (Joke Track): 00:00
02 - Untitled: 00:38
03 - Love You to Death: 00:59
04 - Be My Druidess: 08:08
05 - Green Man: 13:34
06 - Red Water: 19:21
07 - My Girlfriend's Girlfriend: 26:10
08 - Die With Me: 29:57
09 - Burnt Flowers Fallen: 37:10
10 - In Praise of Bacchus: 43:19
11 - Cinnamon Girl: 50:56

12 - The Glorious Liberation of the Peoples
Technocratic Republic of Vinnland
by The Combined Forces of the United Territories of Europa: 54:57

13 - Wolf Moon: 56:04
14 - Haunted: 1:02:42
15 - Untitled (Peter talking): 1:12:49

Type O Negative - October Rust - full Album

Manual: "Clear Skies Above The Coastline Cathedral"

Manual: "Summer Of Freedom"

Manual: "Twilight"

Manual: "Tourmaline"

Manual: "Neon Reverie"

Manual: "Azure Vista"

Preview of "Passage" - the second collborative effort from London-based synth wiz Ulrich Schnauss and Danish producer Jonas Munk!

The album will be out January 20, 2017 on CD and LP (limited to 500 copies) via Azure Vista Records, and digitally via Pedigree Cuts.

www.azurevistarecords.bandcamp.com
www.facebook.com/azurevistarecords

Info:

Following the release of ‘No Further Ahead Than Today’ last November Ulrich Schnauss (now a member of Tangerine Dream) wastes little time in bringing us the long awaited sequel to his 2011 eponymous collaboration with Jonas Munk.

There's a prismatic, multi-dimensional quality to these 11 tracks, most likely stemming from the fact that these two producers have each worked with a wide range of styles and musicians throughout their 15+ year careers: Ulrich cut his teeth as a drum and bass producer in Berlin, before releasing a string of highly influential neo-shoegaze records on labels such as Domino and City Centre Offices. Since moving to London in 2006 he's been a member of the bands Engineers and Longview, remixed many artists (from Depeche Mode and Pet Shop Boys to Mojave 3) and since 2013, been a member of legendary band Tangerine Dream. 

While Jonas initially became known to the electronica community via his Manual albums on Morr Music and Darla Records, he also has a career as a noted producer on the European psych scene, as well as working on film soundtracks and experimental minimalism.

Fans of the first album’s euphoric and blissful moments will find much to love here, but also themes that gradually unfurl into crisp, symphonic soundscapes. The album is perfectly titled - it certainly has the feel of a journey but not in a literal sense. It feels like an ‘emotional passage’ or one that plays out via a series of dreams.

Opener ‘Amaris’ has many of the Schnauss hallmarks that we’ve come to enjoy from his many shoegaze collaborations and Munk is the perfect foil for this side to his oeuvre - the track chimes and sways beautifully before one of his trademark melodies hits and leaves you breathless. Munk introduces a more progressive aspect to the release than previously heard by the pair on 'genau wie damals', which recalls several 70’s guitar based giants, though in 2016 this is somehow a natural diversion for a record bearing Ulrich’s name.
Mst’ is certainly one for those yearning for the open armed rush of the first album will surely embrace - 80’s guitars and electro drums set the scene for some of the most gorgeous sequencing and melodic synth work on the album. In truth though, there’s no shortage of highlights. The retro futurism of ‘Spellbreaker’ is awesomely addictive and modest standout ‘Caffeine blues’ combines tasteful guitar strokes with a standard of Berlin school sequencing that surely only a member of one of the scene’s key exponents could summon.

Ulrich Schnauss & Jonas Munk: "Passage" preview

Niklas Ibach just released "The Blues ft. Dan Reeder (Radio Edit)"! 

Listen here: https://niklasibach.lnk.to/TheBluesFtDanReeder!RTST

The Blues

Niklas Ibach - The Blues Ft. Dan Reeder (Radio Edit)

Ulrich Schnauss & Jonas Munk: "Passage" out now on CD/LP (via Azure Vista Records) and digital (via Pedigree Cuts)!

Order here: www.azurevistarecords.bandcamp.com

Info:

Following the release of ‘No Further Ahead Than Today’ last November Ulrich Schnauss (now a member of Tangerine Dream) wastes little time in bringing us the long awaited sequel to his 2011 eponymous collaboration with Jonas Munk.

There's a prismatic, multi-dimensional quality to these 11 tracks, most likely stemming from the fact that these two producers have each worked with a wide range of styles and musicians throughout their 15+ year careers: Ulrich cut his teeth as a drum and bass producer in Berlin, before releasing a string of highly influential neo-shoegaze records on labels such as Domino and City Centre Offices. Since moving to London in 2006 he's been a member of the bands Engineers and Longview, remixed many artists (from Depeche Mode and Pet Shop Boys to Mojave 3) and since 2013, been a member of legendary band Tangerine Dream.

While Jonas initially became known to the electronica community via his Manual albums on Morr Music and Darla Records, he also has a career as a noted producer on the European psych scene, as well as working on film soundtracks and experimental minimalism.

Fans of the first album’s euphoric and blissful moments will find much to love here, but also themes that gradually unfurl into crisp, symphonic soundscapes. The album is perfectly titled - it certainly has the feel of a journey but not in a literal sense. It feels like an ‘emotional passage’ or one that plays out via a series of dreams.

Opener ‘Amaris’ has many of the Schnauss hallmarks that we’ve come to enjoy from his many shoegaze collaborations and Munk is the perfect foil for this side to his oeuvre - the track chimes and sways beautifully before one of his trademark melodies hits and leaves you breathless. Munk introduces a more progressive aspect to the release than previously heard by the pair on 'genau wie damals', which recalls several 70’s guitar based giants, though in 2016 this is somehow a natural diversion for a record bearing Ulrich’s name.
Mst’ is certainly one for those yearning for the open armed rush of the first album will surely embrace - 80’s guitars and electro drums set the scene for some of the most gorgeous sequencing and melodic synth work on the album. In truth though, there’s no shortage of highlights. The retro futurism of ‘Spellbreaker’ is awesomely addictive and modest standout ‘Caffeine blues’ combines tasteful guitar strokes with a standard of Berlin school sequencing that surely only a member of one of the scene’s key exponents could summon.

Ulrich Schnauss & Jonas Munk: "Ao Hinode"

From the new Billow Observatory album "II: Plains/Patterns" out now! 

Get it from www.azurevistarecords.bandcamp.com

Billow Observatory: "Vex"

Another track from the forthcoming Manual mini LP entitled "Awash", coming out on Darla Records on November 6 on CD, LP and digital. LP limited to 300 copies.

Order at www.darla.com

Manual - "Saudade"

Satyricon - Mother North
Instrumental version remixed by me

From the album "Nemesis Divina" (1996)
Norwegian Black Metal

Satyricon - Mother North (Instrumental)

Azure Vista Records is an independently owned and operated label based in Odense, Denmark with a strong focus on blissed-out electronic sounds!