sky in my face space in my ears entirely up for it God it's a good day to have my feet off the ground

We're getting ever so close to ethereal bliss-perfection! Wonderful sounds again Ulrich! :-)

schön! das ende gefällt mir fast am besten... :)

"Collider" is a collaborative track between Christopher Willits, Heathered Pearls, and The Sight Below made using Splice (https://splice.com/) to promote Michael Cina and John Klukas' upcoming show in Minneapolis.

Public Functionary
1400 12th Ave NE
Minneapolis, MN 55413
www.publicfunctionary.org

Opening: Saturday, June 7 / 7pm
Closing: Friday July 13

Closing, Friday July 11

Gallery Hours through Saturday July 12:
Thursday: 12pm-7pm
Friday: 7pm-11pm (PF Takeovers)
Saturday: 12pm-4pm

Michael Cina & John Klukas: She Who Saw The Deep

A stunning intersection of photography and painting amalgamated into something fresh and new, Cina and Klukas present 20 unique and beautiful works resulting in an undefinable medium that can only be described as digitally hand-crafted. She Who Saw The Deep is a collaborative exploration of darkness and light, a seamless combination of the visions of two artists and their personal understanding of what it means to pass through chaos and be reinvented.

Christopher Willits / Heathered Pearls / The Sight Below - Collider

lovenote

Sinq

Taken From The new Album ''After Noon'' on Sun Sea Sky Productions.
Released on 24th May 2011.

Video Link :https://www.youtube.com/watch?v=KvEL3PR-8vo

Inside Your Dream

Jesus Drone - Uncharted

Ulrich Schnauss & Jonas Munk: "Passage" out now on CD/LP (via Azure Vista Records) and digital (via Pedigree Cuts)!

Order here: www.azurevistarecords.bandcamp.com

Info:

Following the release of ‘No Further Ahead Than Today’ last November Ulrich Schnauss (now a member of Tangerine Dream) wastes little time in bringing us the long awaited sequel to his 2011 eponymous collaboration with Jonas Munk.

There's a prismatic, multi-dimensional quality to these 11 tracks, most likely stemming from the fact that these two producers have each worked with a wide range of styles and musicians throughout their 15+ year careers: Ulrich cut his teeth as a drum and bass producer in Berlin, before releasing a string of highly influential neo-shoegaze records on labels such as Domino and City Centre Offices. Since moving to London in 2006 he's been a member of the bands Engineers and Longview, remixed many artists (from Depeche Mode and Pet Shop Boys to Mojave 3) and since 2013, been a member of legendary band Tangerine Dream.

While Jonas initially became known to the electronica community via his Manual albums on Morr Music and Darla Records, he also has a career as a noted producer on the European psych scene, as well as working on film soundtracks and experimental minimalism.

Fans of the first album’s euphoric and blissful moments will find much to love here, but also themes that gradually unfurl into crisp, symphonic soundscapes. The album is perfectly titled - it certainly has the feel of a journey but not in a literal sense. It feels like an ‘emotional passage’ or one that plays out via a series of dreams.

Opener ‘Amaris’ has many of the Schnauss hallmarks that we’ve come to enjoy from his many shoegaze collaborations and Munk is the perfect foil for this side to his oeuvre - the track chimes and sways beautifully before one of his trademark melodies hits and leaves you breathless. Munk introduces a more progressive aspect to the release than previously heard by the pair on 'genau wie damals', which recalls several 70’s guitar based giants, though in 2016 this is somehow a natural diversion for a record bearing Ulrich’s name.
Mst’ is certainly one for those yearning for the open armed rush of the first album will surely embrace - 80’s guitars and electro drums set the scene for some of the most gorgeous sequencing and melodic synth work on the album. In truth though, there’s no shortage of highlights. The retro futurism of ‘Spellbreaker’ is awesomely addictive and modest standout ‘Caffeine blues’ combines tasteful guitar strokes with a standard of Berlin school sequencing that surely only a member of one of the scene’s key exponents could summon.

Ulrich Schnauss & Jonas Munk: "Ao Hinode"

'Emptiness Is Form' is the follow up of the last Purl album 'Form Is Emptiness', released last year on Archives.
A collection of remixes by Logic Moon, Powlos, Moshimoss, Darren McClure, SVLBRD and new versions by the own Purl. 

Written and Produced by Ludvig Cimbrelius. 
Remixes by Moshimoss, Logic Moon, Powlos, Darren McClure and SVLBRD. 
Photography by Alexander Kopatz | www.go70north.com 
Mastering by Rob Small. 
Archives37 // ArchivesCD018

Buy CD/Digital

Purl - Vissna (Logic Moon Remix)

taken from album 'A To B'

http://miwon.bandcamp.com/album/a-to-b

They Leave In Autumn

A soundtrack for a Blade Runner-type ripoff movie I imagined in my head.

If I had any skill I'd mix it into something continuous, but those talents evade me.  Any takers to string this all together?

Ulrich Schnauß - Monday-Paracetamol

Available on The Ambient Zone compilation on Just Music via the link below and all the usual digital outlets!

http://www.justmusic.co.uk/store/TAO050/various-artists-the-ambient-zone-just-music-cafe-vol-4/

The Ambient Zone Just Music Cafe Vol 4

Little Rays

DOWNLOAD NOW

http://blog.iso50.com/31127/seagrammuralsjacob-2-2nobodybeltran

Touched-up version featured on the Moodgadget 10th anniversary compilation release 'Dynamo'

 Buy: https://itunes.apple.com/us/album/dynamo/id951868702

Stream: http://blog.iso50.com/34135/premiere-10-years-of-moodgadget/

Mock Turtle

Azure Vista Records is an independently owned and operated label based in Odense, Denmark with a strong focus on blissed-out electronic sounds!

Ulrich Schnauss & Jonas Munk: "Ao Hinode"

Azure Vista Records

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