music licensing & production:  info @ justisntmusic.com
bookings: kuedo.info@gmail.com

Chestplate // 2019 Audio

www.2019audio.com

District is a producer from the UK. His dark, bass-heavy productions have appeared on releases for Chestplate and Osiris Music UK, shaking the chests of dubstep crowds since 2011.

Alongside rattling chests with his DJ sets, District has created tracks for private events and festivals, drawing from his extensive library of handmade sounds.

In the background, he has been sharing his production methods in classrooms and online via the youtube channel 'District's Lab'.

for bookings contact: 
kpristolic@gmail.com

i like a lot of death metal and grind as well as jazz and classical so because i listen to them in my spare time i try not to write music like death metal etc because i would get bored very quickly of the music i love. most if not all the music i create is not mixed well or produced well because im a fan of human error and im lazy... so very lazy so in a lot of my demos/songs there are mistakes so view it like an online vinyl... also most things on here took a day because if i dont write/record and mix a song in a day i will forget about it and never go back to it... im like a 5 year old child with my attention span.. so after all that crap i hope you listen and enjoy what i create and if not lie to my face i have an ego to feed. cheers from Oli 

Tom Day is a solo artist residing in Millgrove, Australia and has been creating ambient and electronic music since 2005. Characterised as “effortless and raw”, Tom’s tracks couple elegant beats and piano melodies to an array of personally-collected field recordings, his style alternating between promising swells and restful plateaus.

Having grown up on a farm on the Mornington Peninsula, Tom is strongly influenced by the ocean beaches and natural openness of his hometown. Other influences include cinematic scores by Alan Silvestri, Jóhann Jóhannsson, Thomas Newman, Hildur Guðnadóttir, John Barry, Clint Mansell, Austin Wintory & John Williams, as well as modern classical and electronic artists such as Ólafur Arnalds, Jon Hopkins, Tourist, DjRUM, The Cinematic Orchestra, Segal, Nils Frahm & Bonobo.

The music of Tom Day has been used in independent film and documentaries from around the world, with clients including National Geographic, Volvo, New York Times, Momondo, Holden, Juice Media, GetUp and Tourism Victoria.  Having worked on an array of joint projects with other musicians and visual artists, Tom is deeply drawn to the synthesis of sound and image.

In 2018, Tom launched an ambient and drone side project under the alias sɹoɹɹᴉɯ.

Front of House / Studio Engineer — Village Church

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