Awakenings

Rebirth

Dead Heat - The Dam(Original Mix)

Recondite - Caldera

This an unreleased, unofficial remix by comet David August, it's incredible! Hope to make it official soon

Pulsing Ft. Nina K (David August Remix)

@rauschhaus

A soundtrack between smooth deepness and bleeping tech. An epic melody and long lasting hook. Welcome Rauschhaus with a first EP on Einmusika. “Folded Skies“ reminds you of summer nights and sunshine. More clean and sorted comes “Elysion“ which brings you back to the club and “Spectrum“ delivers the coldness of techno but keep some melodic moments.

Folded Skies EP | Einmusika113

Folded Skies EP

Rauschhaus - Folded Skies

To celebrate our Broken Paradise single being released this Friday 13th April, we have put together a mixtape of tunes we like in this genre including our new single.  Enjoy!  :)

Double Touch - Broken Paradise Mixtape

Mathame’s highly-anticipated ‘Nothing Around Us’ arrives on Afterlife Recordings this September 7th.

The richly talented duo Mathame featured on the second Realm Of Consciousness compilation and have since been regulars in the sets of Tale Of Us with some sought-after, unreleased tracks. Their distinctive treatment of vocals marks their tracks out instantly, nowhere more so than on ‘Nothing Around Us’, with the cyber voice of the young Italian artist Lyke. The top quality production and original sound continue with the more understated ‘22’ and end with another prime example of Mathame’s vocal work, ‘Fade Into You’. This EP is a bold statement that crystallises the well-deserved excitement around Mathame.

Mathame - Nothing Around Us EP (AL018)
A Nothing Around Us (with Lyke)
B1 22
B2 Fade Into You

Available on 12” vinyl and digital from September 7, 2018.

Nothing Around Us

Pre-Order

Mathame - Nothing Around Us (with Lyke)

Pional joins Brazilian DJ-producer Davis for an inspired split EP titled 'Time Of The G's / Clone Heart' for the twelfth release on Fort Romeau's Cin Cin imprint.

Ahead of the four-track release on November 23, Pional has shared the single 'Time of the G's' - a roving and hazy club jam with beguiling vocal work that slowly descend into an abiding and disorienting chord arrangement.

Pional and Davis' 'Time Of The G's / Clone Heart' EP drops on November 23 via Cin Cin.

Pre-order: https://bit.ly/2OM5ADI

Pional / Davis - Time Of The G's / Clone Heart

More exclusive music

Premiere: Pional 'Time Of The G's'

Glowal - Cries

Tesseract

Stavroz - The Ginning EP - out on Délicieuse Records.
Stream ☞ smarturl.it/TheGinning

@stavroz
@d-licieusemusique-records

Ijsbrand & Gert had always wanted to create balkan inspired music, and hence came the duo Stavroz. Beyond just sharing the same musical tastes, these two buddies bond over both being sound engineers (live for Ijs, studio for Gert), which makes them real "goldsmiths" behind each and every production (such can be seen in this short clip which presents their title 'The Ginning'). 
Their music is imprinted with original inspirations while keeping to a jazzy/burlesque influence, leaving little to be left displeased. The bridge, so it seems, borderlines between minimal and jazz-house.

The first title of the EP, 'The Ginning' is constructed around guitarist, Max Honckelinx. The track’s instrumental harmony is skilfully constructed by the duo as they borderline minimal and deep house.

The second original title of the EP, 'The Finishing' is merely a dialogue between a rhythmic stratospheric universe and the sax of Nathan Daems, well preserved from the first studio recording. The end result leaves us with 8 minutes of lyricism soaked in sophistication and technicality.

In regards to the remixes, Felkon, who has been presented several times before on the Délicieuse, takes on 'The Ginning' by including vocals which create a more dance-like ambiance. 
Britta Arnold, a legendary pioneer from Bar 25 and Katerholzig, worked on 'The Ginning' as well with Sascha Cawa. They delivered a version more obscure yet wickedly effective.

As for the remixes of 'The Finishing', Powel continues to captivate us while executing his deep and melancholic twists. He entirely redesigns the piece’s structure by retiring the "voice" of the sax. 
And then there’s our man, Viken Arman, who spins his version of 'The Finishing' by refiguring the rhythm pattern and adding a new dimension to the bass.

Tesseract

BLECKSON