Jonny Bee / DJ / Producer / Remixer

Since I was very young, I have been a “lover” of the music: was very amazing and funny to play my compositions on the old keyboard “BONTEMPI”. With my “powerful” trumpet I learned all I needed to know about classical music.
In the 90’s the electronic music hit the ceiling so I dipped myself into this kind of sounds.
My name’s Giovanni but now I am Jonny Bee in “London” style and more fresh.
House music makes me feel good.
Mr Joe T.Vannelli with his Exogroove woke me up and now I feel better!
With some friends of mine I share my music and I try to produce for the first time with no budget (or very low budget !): Yamaha synthesizer, Personal Computer, eletronic drum machine… It’s all very exciting but I have not yet the power of the PRODUCER.
My path goes on in a hard way.
Trance and Progressive music become for me like an obsession.
Hornbostel drives me through nord-europe sounds but only by listening radio.
What a pity !
Now I am not yet a simple listener but I want to create and produce my sensations, share emotions and the power of the dance with other persons.
Now I like also funky groove and soul.
All my friends that wrote to me from all parts of world, taught me to call what I am writing with a better name: Deep House. This is my music.
Now it’s the time to show to all world and to all people my talent…
Don’t stop your dreams, baby!
Please keep in mind that all works posted here are not mastered and are used only for demo purposes.
The final mastered works will only be posted here as promotional copies when they are released.
Thanks for your visit.
All comments are welcome.
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LABELS:
* I- Records! (USA)
* Deep Nota Records (NEW YORK)
* BRM Electro (UK)
* Badaboom Recordings (UK)
* Reel House (UK)
* Emmestudio Records (ITALY)
* Sharm74 Records (Sharm El Sheik)
* The Sound Records
* Soluble Recordings (Slovakia)
* Movierecords (Spain)
* Audio Bite Records (USA)
* UM Records (New Zeland)
* SavoireFaire Musique (UK)
* Deep Wit Recordins (Denmark)
* Snake Beat Records (ITALY)
* UM Records (New Zeland)
* Deep Site Recordings
* Lens Media Music (Croazia)
* Cromarti Records (USA)
* Deep Class Records (Spain)
* EME (Spain)
* ITOM RECORDS (Ungheria)
* Grouper Recordings (Miami)
* 5 And Dime Recordings (USA)
 * Kolour Recordings (NYC)
 * Lucid Flow (Germany)
 * HEAVY (USA)
    And More...
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Plain Folly is many things. Unadjusted, thoughtful, sometimes dreamy, sometimes eruptive. But above all: DIY as fuck exclusively. Irina Kühn aka Plain Folly writes her own songs, plays almost all instruments herself, even partly produces her own music. Her melancholic pulsating indie prism creates its very own niche between Fiona Apple, Phoebe Bridgers and Florence + the Machine, carried by her versatile voice and her artful piano craft. Thus, her music becomes strikingly deep, a surging ocean of associations and emotions, sometimes beautiful and sometimes threatening. There is light, but not without shadow. There is pain, but not without hope. Sometimes shape-shifting as feather-light, sometimes as driving indie pop with a focus on her powerful voice and her great talent on the black and white keys, sometimes as an eruptive rock catharsis, and sometimes as an urban trip-hop fairy-tale. Her album "Tales Of A Hundred Thoughts" sets self-doubt and transience to music, boldly facing the storms of life alone despite all their heaviness – a wholesome, musically beguiling act of self-empowerment. Plain Folly: against all odds forevermore. And a fabulously exciting indie discovery.

20 years old, classical piano student, multi-instrumentalist, athlete, adventurer. Anything here is of no real value to me, and generally doesn't represent my music at all. But whatever

Tom Day is a solo artist residing in Millgrove, Australia and has been creating ambient and electronic music since 2005. Characterised as “effortless and raw”, Tom’s tracks couple elegant beats and piano melodies to an array of personally-collected field recordings, his style alternating between promising swells and restful plateaus.

Having grown up on a farm on the Mornington Peninsula, Tom is strongly influenced by the ocean beaches and natural openness of his hometown. Other influences include cinematic scores by Alan Silvestri, Jóhann Jóhannsson, Thomas Newman, Hildur Guðnadóttir, John Barry, Clint Mansell, Austin Wintory & John Williams, as well as modern classical and electronic artists such as Ólafur Arnalds, Jon Hopkins, Tourist, DjRUM, The Cinematic Orchestra, Segal, Nils Frahm & Bonobo.

The music of Tom Day has been used in independent film and documentaries from around the world, with clients including National Geographic, Volvo, New York Times, Momondo, Holden, Juice Media, GetUp and Tourism Victoria.  Having worked on an array of joint projects with other musicians and visual artists, Tom is deeply drawn to the synthesis of sound and image.

In 2018, Tom launched an ambient and drone side project under the alias sɹoɹɹᴉɯ.

Grandiosa & Mochi balls, logic pro, Axiom 25, NI softsynth´s, Traktor s4, BD dt770 -edfones

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