CWP007A1_BLAP_Speaking In Tongues

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Virtual Underground : How has this BRÄLLE story started ?
BRÄLLE : Began back in 2017 on the heels of my touring days winding down. I spent the previous 10 years touring with another band, and I needed to do something on my own, completely outside my comfort zone.

Virtual Underground : Where do you generally draw your inspiration from ?
BRÄLLE : This is a difficult question to summarize, but the one thing that’s stayed true through all my musical experiences is to draw inspiration from outside your own scene. Shoegaze, Ambient, Black Metal, Goth Rock, or Synth Pop all play their own role in my songwriting process.

Virtual Underground : Could you describe your music selection and mixing process ?
BRÄLLE : This mix took a second to really find my stride, as is usually the case. You play with tone and groove a lot in the beginning until finally finding your path. I think of it like walking in the dark when you turn off the lights, it takes a second until your eyes adjust in the darkness before knowing where you should go.

Virtual Underground : Which software/hardware did you use for this set ?
BRÄLLE : This was recorded on my cd’s at home into Logic X, where I add various atmospheric layers on-the-fly as the mix progresses.

Virtual Underground : What about the scene in Brooklyn?
BRÄLLE : The scene in Brooklyn is healthy and exciting for a newcomer. There is a lot of impressive local talent, innovating after-hour crews and a solid stream of underground acts every weekend. It is certainly the best scene within North America.

Virtual Underground : What are your next plans ?
BRÄLLE : My next plans are to focus more on live performance and Dj’ing within my scene and work on releasing the mountain of tracks that I have finished. I tend to stockpile my creations until I get lost in them. Lots more to come!

Follow BRÄLLE @bralletechno

Podcast #106 - BRÄLLE [US]

Hey Guys, 

I scrolled through my recordbox last night and created a folder for this afternoon. Just a little freestyle session but I liked the result. I played a lot of this tracks only one/two times or never in the club. It was awesome for me to play well below 140 BPM again. Atmospheric, deep, with a lot of percussion or some breakbeat. In times of the lockdown, I just come back to playing other sounds. I love the industrial rave music (there will be another set, too soon) but for me there is a lot more than that. I hope you like it.

Never or rarely played tracks from my recordbox

Ruben Ganev - Shodo (Snippet)

** Originally released on Subspec Records Podcast. 

AXKAN hybrid set recorded live opening for Rebekah at Open Studios - February 24, 2018, Vancouver, CANADA.

Bookings: ben@stockade-agency.com

Subspec presents...

AXKAN @ Vancouver CA - 2018-02-24 [Proper with Rebekah]

Here's the latest transmission from RIOT HQ with resident Nomad show-casing his very 1st release on his own RIOT Radio Records label starting with 'Nannou In Waveland' from his 'Scream!!!' EP which is available to buy on pre-sale NOW on our Bandcamp page, shipping 13th August. Enjoy ............... LOUD.

 Track List:

Nomad – Nannou In Waveland
Another Alias – Heave
Mickey Nox – Zurich Exchange
Cold Dust – Wolfman Jack (Paul Damage Mix)
Oliver Ho – Untitled
Mark Hawkins – Hammer
Carsten Rechenberger & Recall B – Amplification
Hypnotizer – Move: Don’t Stop
Group X – Thunder Drums
Jerome Hill – Breakneck Rhumba
Chrissy – Truth Bomb
Mute – Alistair’s Theme
Mescalinum United – We Have Arrived (Aphex Twin QQT Mix)
Polygon Window – Quoth
Mike Dunn – Magic Feet (Edge Of Motion Mixx)
TSR – Eat Da Poo Poo
Robert Armani – Let Me Hit That
Paul Johnson – Let Me See You Butterfly

RIOT Radio Show

Buy @ RIOT

Nomad DJ set on RIOT - 31st July 2020

Enjoy the Track? Click the [Repost] 🔁 button so more people can hear it!

Ninth release of the Canadian label Defmain(): signed by the Serbian techno talent Electricity Is Humming.

Emanating from the intercontinental connection of techno music between America and Europe in a globalized style that cherishes nuanced interpretations. It amplifies the cultural synergy between these continents.

Electricity Is Humming reveals with Aradia his vocation for dynamic, dark and full-bodied structure techno. The self-titled opening track uses cycling sequences that are drifting into mantra inducing surroundings. Daunting cymbals and polyrhythm percussion are a constant reminder that everything could change.

The B side track Lilith is characterised by disturbing pads filtered to metallic resonances, the amalgam results in a deep perceptive ambience. The sound is acute and urgent, a combination of almost manic synthwork and menacing progression. Peak time bassline that lays on top of the kick drum that marks time in a reassuring manner.

Artist Quote: "Aradia is my second release as Electricity Is Humming. It is inspired by witchcraft myths and stories. Catalyzing all my energy to create a throbbing beat and hypnotic vibe invoking witchcraft rituals."

Follow Electricity Is Humming
SoundCloud: @electricityishumming:
Instagram: www.instagram.com/electricityishumming
Bandcamp: www.electricityishumming.bandcamp.com

Follow 6AM Group
Website: www.6amgroup.com
Facebook: www.facebook.com/6amgroup
Twitter: www.twitter.com/6amgroup
Instagram: www.instagram.com/6amgroup
SoundCloud: www.soundclod.com/6amgroup
YouTube: www.youtube.com/6amgroup

Aradia

Premiere: Electricity Is Humming "Lilith" -  Defmain()

SGN018_Bernardo Hangar - Everything Has Consequences

For the next release we welcome back one of the Signal favourites Bernardo Hangar. After several releases on well-established techno labels, Bernardo is back on Signal Rec in 2020 with his second EP.

He presents these three deep raw techno cuts created with pounding analogue heart on mind. His productions involve drone sounds,reverberant atmospheres and hypnotic textures in which you could easyly get lost in your deepest thoughts.

A peak time release that will decimate everyone in its path.

All original tracks written and produced by Bernardo Hangar
All tracks mastered by Drop-E
Art Design by Teorema Studio

Bernardo Hangar - Defending (Original Mix)

For this 26th podcast, we invited Dunkel Dame (@dunkeldame) from Argentina.
Born in 87, Dunkel Dame started mixing electronic music in 2013 and from that moment did not stop: she has been seen in almost all the booths and events in Buenos Aires (capital and region). She took her music to some provinces such as Neuquen, Mendoza, Tierra del Fuego and Santa Cruz. She also played in Uruguay and Paraguay.

She told us: “I shared the booth with great national artists such as Pandy, Mariano DC, Miguel Silver, Luis Nieva, Jam’on, Diego Cid, among others and also with some international names such as Scalameriya, Shifted, Juliana Yamasaki and Sheefit.
My podcasts were streamed on many radio shows across the globe.

Since 2016, I have been a producer. My first EP for Clash & Splash came out in Ukraine. I continue to release my music in different parts of the world.
I was always a dark music fan and my love is divided between Acid and Industrial. My sets have fast, electric and energetic rhythms keeping the bpm at speed.
I recently founded NotDolls, a platform that promotes female DJs residing in the country. Making of Not Dolls the first crew of Female DJs in Argentina.”

Be ready!


Follow Dunkel Dame
Facebook Fan Page: https://www.facebook.com/dunkeldameok
Beatport Page: https://www.beatport.com/artist/dunkel-dame/537347
Instagram: https://www.instagram.com/dunkel_dame

Follow Not Dolls
Fan Page: https://www.facebook.com/notdolls
https://www.instagram.com/notdolls.arg

BLVSH Collective 026 • dunkel dame

Live Techno  / Hardware 

From the Blap cave 

Contact / Bookings - blapcave@gmail.com

Enjoy

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