The beginning of "Just can't get enough 09", live @ Waggon Offenbach
March 09 2024

Just can't get enough 09

Loud E giving a master class in cosmic Euro disco vinyl splicing at a recent Diskomo Anti Scoial Club party.

Thanks to Benji & Rena for such a fun wig out xxx

Basement Parties 

Loud E - Diskomo Anti-Social Club @ Sameheads 22.11.24

DJ Hell @ Tanztag XMAS SPECIAL 25.12.24

Recorded live at the k hole disco (Lunacy party), Angel Bar, 2025.

Aradea Barandana, widely known as Dea, began his DJ career in high school, spinning records as background music for a breakdance crew. What started as a casual exploration of rhythm soon blossomed into a passion for building community through music. Dea launched his own club night in Jakarta, where his eclectic taste began to take shape.
While studying in London, Dea delved deep into the world of underground and obscure cosmic sounds, honing a style that defies strict categorization. His sets are a rich tapestry of exotic psychedelia, infused with electronic grooves that transcend traditional genre boundaries.
Dea has released numerous records under his own name and as part of projects like Precious Bloom and Zatua. His collaborations span diverse fields, from co-creating a short film soundtrack with DJ Harvey to contributing to albums by A Mountain of One and Ricardo Villalobos. He also made waves with an EP released on Peggy Gou’s Gudu Records.
Looking ahead, Dea is set to release his highly anticipated solo album on Rush Hour Records in summer 2025, a testament to his ever- evolving artistry and deep connection to the global music scene.

H.A.N.D. MIX 068 : Dea Barandana

tracklist:
1 Stargaze “You Can’t Have It (Instrumental)” [TNT]
2 The Mighty Zaf & Linkwood “Thinking About Phlash” [‘80s]
3 Zafra Bros “Will You See Me Tonight (Special Mix)” [Eastbourne]
4 Jaymz Bedford “Happy Music” [Gold Mink / Expansion]
5 Alain Mion “Pheno-Men” [Caravage]
6 Tony Wilson “Hangin’ Out In Space (Dub Mix)” [Connection]
7 Magnum Force “Girl You’re Too Cool” [Kelli-Arts]
8 Jimmy Williams “All My Lovin’” [Rams Horn]
9 Tony Adderly “I Ain’t Mad At You (Instrumental)” [Clockwork]
10 Donna McGhee “You Should Have Told Me (Disco Mix)” [Obago]
11 Brenda Watts “Love Treatment” [A&B]
12 Lama “Love On The Rocks” [Numero Uno]
13 Alston and The Fremantle Doctor “Dreamtime Trance Theme” [Thank You]
14 Scoop “Say You Go” [The White Dog]
15 Whodamanny “Volveran (Club Mix)” [Biloba]
16 DJ Steef “B1” [BIOMIX Edits Vol 7]
17 Al Zander “Dexter’s Morning” [AZ]
18 Tazz feat Baacanito “Underground 11” [Underground Quality]
19 Rheji Burrell presents The Utopia Project “Ephiphany” [Running Back]
20 Aaron Smith “Sometimes I Wonder” [Vibe]

February 2025 DJ Mix

+++ fan upload, please contact me if any issue! +++
26.10.2005
Laurent Garnier ist nicht nur der dritte Pariser, der Ramona in diesem Monat beehrt, sondern auch der – mit Verlaub – sagenhafteste. Im Manchester der späten Achtziger hat es den begeisterten Musikliebhaber und damaligen Gastronomie-Azubi per Zufall hinter die Plattenteller eines namenslosen Clubs verschlagen, wo er den Hunger der anwesenden Meute mit allerlei Gedöns zwischen Abba und Zappa stillen musste. Nachdem er sich dort die Hörner abgestoßen hatte, folgte der nächste Club mit besserem Musikprogramm und auch heute noch klingendem Namen.
In der Hacienda durfte Garnier neben Mike Pickering und Graeme Park an dem Soundtrack einer Stadt Teil haben, die zwischen New Order und den Happy Mondays schlichtweg in afroamerikanische Tanzmusik verliebt war. So drehten die überspannten Clubkids umhüllt von der schwarz-gelben Nuklearästhetik des Clubs, Woche für Woche Pirouetten zu Songs von Carly Simon, Jomanda, oder dem FPI Project und Tracks von Adonis, Derrick May und DJ Pierre.
Zurück in Paris und derart geschult, wollte Laurent Garnier auch Frankreich den „Summer Of Love“ bringen. Einem Club namens „Wake Up“ und seinem nicht zu bremsenden Enthusiasmus sei Dank, sollte er nicht nur dieses Vorhaben in die Tat umsetzen, sondern auf dem Label FNAC bzw. F-Com Platten veröffentlichen, Techno in Frankreich installieren, mit seinem Plattenkoffer durch die Welt reisen und schließlich mit „Electrochoc“ ein Buch veröffentlichen, von dem sich einige DJ-Autoren ein Scheibchen abschneiden könnten. Eine der letzten wirklich großen DJ-Figuren unserer Zeit, dabei grundsympathisch und zwischen Techno und King Tubby auch noch musikalisch versiert wie kaum ein zweiter DJ. Was für ein homme du métier!

Laurent Garnier Live @ Robert Johnson, 26.10.2005 (7.5 hrs!)

Got another 4:32 minutes of spare time ? This is a new short´n quick run through my works as a film composer.. feel free to check the 2016-edition, too to get other colours of my work. Most of the tracks can be found here in a long version on this soundcloud-page of mine, as well as further informations. If you need pictures to the samples, too, you´ll find a lot of things on my homepage www.hardly-listening.com

running order: Tatort: Kontrollverlust (2023) - Documentary "Menschen hautnah: Schwiegermütter (2021) - Tatort: Murot und das 1000jährige Reich (2024) - Documentary "Ich, Frauke Petry" (2018) - Not A Single Day (2021) - Toulouse (2017) - Größer als im Fernsehen (2018) - Frau Fleischer will sterben ! (2023) - Documetary: "Der Einsturz des Kölner Stadtarchivs" (2019) - Die letzten Menschen (Outtake from "Die toten Vögel sind oben" (2022)

Picture ©Manuel Miethe

Introducing Denzel 2025

https://soundcloud.com/moscatello-music
https://soundcloud.com/finn_johannsen

2025-04-12 Live At Power Disco (Filippo Moscatello, Finn Johannsen)

Richard Zepezauer @ Panorama Bar Berlin (8am - 11 am)

CENTER YOURSELF is a podcast series curated by Robert Johnson. Each episode is created by one of our regulars—some are made for this occasion and some are hand-picked from the club's own archive.

"Recorded at Robert Johnson on the 8th of November in 2014, this mix is a mix (tautology!) of ambient appetizers, typical starter records, dance floor advances, introspective interludes and a slow approach to debauchery that followed. Or to be intellectually more lowbrow or honest and to prevent a sophomore essay about the art of the warm up: music that sounds good at the start. Thank you for listening." Gerd Janson

Just can't get enough 09

B-Tracker