Second public Track by the Malicks.

Jane Doe was produced during lockdown in Berlin. The Malicks took the depressing feel that came with living in Berlin during that time and brought to thier Songs. Which shifted them from pure Punk to a more dark Version. Jane Doe clearly shows a deeper look into the upcoming nine Song strong EP.

Lyrics by Pierrot B.  
Music by Alexander A.(Guitar, Backvocals), Pierrot B.(Bass, Mainvocals) and Erik M.(Drums)
Produced by Lex Malone

Lyrics

verse1:
somewhere outside, hide in a place that no one knows
there is a carcass, covered by a blanket
no one will find you, or even know your name
cause there is no one looking for you, oh jane doe

pre chorus:
how could this happen to you, oh Jane doe, how could this happen to you

verse2:
i need to find you, before you completely decomposed
i feel you are close to me, and also far away
i slowly go crazy, there is no way out of this maze
cause there is no one looking for you, oh Jane doe

pre chorus,
chorus: 
oh Jane doe, tell me what can i do, oh Jane doe, please help me to find you
it feels like a gun in my hand the finger on the trigger directed to my head
oh Jane doe, tell me what can i do, to find you

bridge:
even when i sleep, i see you in my dreams, in the silence i hear your voice, the darkness surrounded me
i see your silouette, everywhere i go, why you lost without a trace? Jane doe

Chorus2:
oh Jane doe, tell me what can i do, oh Jane doe, please help me to find you
i cant get you out of my mind, the pieces of the puzzle i know i will never find
oh Jane doe, it is sad but its true, oh Jane doe, that i havent found you, 
oh Jane doe!

Jane Doe

I lost the engineer I had access. Soo the mixing and editing is not good..changing first verse



this song is getting out of the wilderness and finding a foundation.

Cant Go Back

Resurgence Theme

CompleteSystemsRevisions

An instrumental progressive rock, instrumental, alternative.

Desconsiderada

In Another Dimension, progressive rock*

This album is ‘Last Dance’ and my final album of my musical journey and consists of specially selected love ballads that takes you on a nostalgic journey through the years from 1968 to 2024. 

From 2016 to 2025, I have recorded and produced 1,117 songs comprising 51 Albums. It is time to undertake a new journey in my life that will further my growth into other realms. I thank all my fans and supporters who have helped me achieve this amazing milestone and ‘my music’ is a gift to humanity.

‘Those Were the Days’ is a song composed by ‘Boris Fomin’. Welsh singer ‘Mary Hopkin’ covered ‘Those Were the Days’ as her debut single in 1968. 

‘Push the Button’ is a song recorded by English girl group the ‘Sugababes’ for their fourth studio album ‘Taller in More Ways’ (2005).

‘Everywhere’ is a song by British American rock band ‘Fleetwood Mac’ from their 14th studio album, ‘Tango in the Night’ (1987). 

‘Ugly Heart’ is the second single by American British Canadian girl group ‘G.R.L.’ from their self-titled EP. The song was released on Sept 5, 2014.

‘Make It with You’ is a song written by ‘David Gates’ and originally recorded by American pop-rock group ‘Bread’ and was the first single from their Album ‘On the Waters’ and was released in Aug 1970.

‘Some Broken Hearts Never Mend’ is a song written by ‘Wayland Holyfield’ and recorded by American country music artist ‘Don Williams’. It was released in January 1977 as the first single from the album ‘Visions’.

‘Redneck Girl’ is a song written by ‘David Bellamy’ and recorded by American country music duo ‘The Bellamy Brothers’. It was released in September 1982 as the first single from the album ‘Strong Weakness’. 

‘Beautiful Things’ is a song by American singer and songwriter ‘Benson Boone’. It was released on January 19, 2024, as the lead single of his debut studio album, ‘Fireworks & Rollerblades’.

‘Love Yourself’ is a song recorded by Canadian singer ‘Justin Bieber’ for his fourth studio album ‘Purpose’ (2015). 

‘Calm Down’ is a song by Nigerian singer ‘Rema’, from his debut studio album ‘Rave & Roses’ (2022).  A remix of ‘Calm Down’ with American singer ‘Selena Gomez’ was released on 25 August 2022.

‘Lay Back in the Arms of Someone’ is a song co-written by ‘Nicky Chinn’ and ‘Mike Chapman’, performed by the English band ‘Smokie’ and released in 1977.

‘50 Ways to Say Goodbye’ is a song by American pop rock band ‘Train’. It is the second single from their sixth studio album, ‘California 37’. It was released in the on June 11, 2012.

‘Sara’ is a song written by singer-songwriter ‘Stevie Nicks’ of the British American band ‘Fleetwood Mac’, which was released as a single from the 1979 ‘Tusk’.

‘Yellow’ is a song by the British rock band ‘Coldplay’, who wrote the song and co-produced it with British record producer Ken Nelson for their debut album, ‘Parachutes’ (2000). 

‘Baby Can I Hold You’ is the third single released by American contemporary folk artist ‘Tracy Chapman’, released in October 1988. 

‘Little Lies’ is a song by British American rock band Fleetwood Mac from their 14th studio album, ‘Tango in the Night’ (1987). 

‘How Can I Tell Her’ Is a song by American singer-songwriter ‘Lobo’, from his third studio album ‘Calumet’ (1973).

‘Aubrey’ is a song written and composed by American singer-songwriter ‘David Gates’ and originally recorded by the soft rock group Bread and appeared on Bread's 1972 album ‘Guitar Man’. 

‘Lost in Love’ is a song recorded by the British Australian soft rock duo Air Supply from their ‘Life Support’ (1979) album. The song was written by group member ‘Graham Russell’. 

‘Last Dance’ is a song by American singer ‘Donna Summer’ from the soundtrack album to the 1978 film ‘Thank God It's Friday’.

 ‘Every chord I strike is a call to the heart’s deepest desires, a reminder that in the rhythm of life, we find the courage to dance through the darkness and into the light.’

Enjoy!!!

Lost In Love (O'Neill Fernandes)

Why Are You Always Hiding

"Make or Break Up" is a captivating fusion of Deep House, SynthPop, and ElectroPop, blending emotional depth with infectious, danceable beats. Driven by pulsating basslines, warm synth melodies, and a catchy hook, this track captures the intensity of love on the edge—where passion meets uncertainty. The heartfelt vocals tell a story of a relationship at a crossroads, balancing between holding on or letting go.

Whether you're going through your own make-or-break moment or just looking for an uplifting yet emotional anthem, this song delivers the perfect mix of melancholy and energy. Ideal for late-night drives, dance floors, and moments of deep reflection.

break or make up

Verse 1:
I traced my name in the window fog,
A kid with a dream, but the dream felt wrong.
Kept reaching out for a hand to hold,
But every touch left me feeling cold.

Pre-Chorus:
And maybe I built my life like a house of cards,
Chasing hearts that were never ours.
But what if love was never something to chase?
What if it’s been staring me right in the face?

Chorus:
What if I was always enough?
What if I didn’t need to earn their love?
Every word, every move, every battle I fought,
Just a shadow of who I thought I was.
But I’ve been here all along…
I was who I was supposed to love.

Verse 2:
Left every party just a little too soon,
Hoping someone would notice the quiet in the room.
I broke myself just to fit their mold,
Thinking love was something bought and sold.

Pre-Chorus:
And maybe I built my life like a house of cards,
Chasing hearts that were never ours.
But what if love was never something to chase?
What if it’s been staring me right in the face?

Chorus:
What if I was always enough?
What if I didn’t need to earn their love?
Every word, every move, every battle I fought,
Just a shadow of who I thought I was.
But I’ve been here all along…
I was who I was supposed to love.

Bridge:
I see me now, clear as glass,
Every piece I thought wouldn’t last.
I’ve been holding out for someone else,
When I was supposed to love myself.

Chorus:
What if I was always enough?
What if I didn’t need to earn their love?
Every tear, every scar, every moment I lost,
Just proof that I never was lost.
I’ve been here all along…
I was who I was supposed to love.

Who I Was Supposed to Love

Credits: 

Songwriter(s): Chel 10NG, Juslone
Mix Engineer: Chel 10NG
Producer: Young Taylor


Links: 

Deezer: https://www.deezer.com/us/track/1199191162
Apple Music: https://music.apple.com/us/album/blondes-and-bones/1547733113
Spotify: https://open.spotify.com/track/3vsFFfiXThtU0omjarV6l6
YouTube: https://www.youtube.com/watch?v=3qGO2Bi0kwc
Facebook: https://facebook.com/tengninja
Twitter: https://twitter.com/tengninja
Instagram: https://instagram.com/tengninja

Blondes + Bones

Blondes And Bones [Explicit]

Beats Collective is a dynamic studio project that defies genre boundaries, offering an eclectic fusion of R&B, pop, and dance music. By blending smooth beats with infectious melodies, we aim to captivate audiences across a broad spectrum of musical tastes. Our style transcends convention, seamlessly weaving together the rhythmic drive of hip-hop, the soulful essence of R&B, the irresistible hooks of pop, and the electrifying energy of house music.

Rooted in contemporary sounds yet inspired by the past, Beats Collective creates tracks that invite listeners to move, groove, and connect on an emotional level. With a dedication to crafting music that resonates deeply, we strive to redefine what it means to explore and experience modern soundscapes.

break or make up

beats collective