Juliette Herbet, Saxophone

http://www.babelscores.com/en/catalog/instrumental-music/solo-instrument/fluxus

Luis Rizo-Salom - Fluxus

http://www.babelscores.com/en/catalog/instruments-and-electronics/empreintes-digitales

Joakim Sandgren - Empreintes Digitales

http://www.babelscores.com/en/catalog/instrumental-music/ensemble-10-19-instruments/a-bruno-maderna

Paul Méfano - A Bruno Maderna

why the trees were murmuring 
for orchestra, improvising trombonist and two spatial ensemble 
commissioned by Steven and Brenda Schick
soloist: Peter Sloan 
conductor: Steven Schick
written for the La Jolla Symphony
Premiere, San Diego, February 2020 
live-recording
----
some words about the piece: 

Why the trees were murmuring is an appreciation of diversity and community. 
In writing this piece, I was moved to explore these themes from various perspectives. Performers are positioned around the concert hall and sounds are embracing the audience. A unique collection of diverse materials and practices has come together and formed a hybrid assemblage in which different kinds of musical practices such as - improvisation, vocalization, and spatialization have joined the orchestra and created a multi-diverse community. 
 
The composition of the musical material is also influenced and shaped based on the qualities of a diversified community.  Aside from having an improviser soloist on the stage, the spatialized ensemble surrounding the audience, and the extensive exploration of instrumental colors, every group of instruments functions additionally as soloists in one or more parts of the piece. At the same time that everything is precisely notated, there is always a level of freedom in every section, which allows the realization of the piece to be a co-joint act.  
 
 
Why the trees were murmuring reveals a journey of the colorful pallet of instrumental sounds hybridized with the whisperings of the fragmented texts. These snippets of texts are selected from Braiding Sweetgrass, written by Robin Wall Kimmerer, and poems by the iconoclast Iranian poet Forough Farrokhzad. 
The piece unfolds into an improvised coda by the orchestra, amidst the bird calls, various bells, the traces of hope, light, and love from the orchestra and the solo trombone and ultimately the orchestra whispering  … “I will greet the sun again” …
 
****

why the trees were murmuring (2020)

Remember the futur is a sound installaiton staging imaginary places by 3D sound. Real acoustic 3D room impulses reponses are used to transport sounds into places.
Textes and voices by Laure Gauthier give another layer of images, creating a dialogue.
Just relax and let your imagination fly.
Forêt, château d'eau, ruines sans toit de château, Amazon.

Binaural version - Headphones listening adviced

Laure Gauthier, Augustin Muller, Pedro García Velásquez.

Remember The Future | Installation - Teaser audio 🎧

Théâtre Acoustique II : Fête dans le vide, Monodrame pour soprano orchestre de chambre, électronique et système de diffusion sonore 3D. Oeuvre incluant un madrigal de Gesualdo.
Créée le 27 et 28 mars 2015 à l'Athénée Théâtre Louis-Jouvet par Le Balcon et Léa Trommenschlager.
Sur un texte d'Alexandre Salcède.

Enregistrement  : Le Balcon - Baptiste Chouquet

Fête dans le vide (vers. sans électronique)

On a passé 10 minutes avec Tatiana Julien et Pedro Garcia-Velasquez, au Théâtre de la Cité les 30 et 31 janvier, dans le cadre du festival Faits d'Hivers.

+ d'infos ici : http://www.theatredelacite.com/programme/pedro-garcia-velasquez-tatiana-julien
cirque

© Mathilde Delahaye

[DIX MINUTES AVEC...] • Tatiana Julien & Pedro Garcia Velasquez

ensemble of 9 musicians
2017

Talea ensemble (James Baker, conducting)
08/07/2017

Mikropsia

ensemble of 14 musicians
2016

Ensemble Court-circuit, Atelier XX-21 & Thallein ensemble (Daniele Rosina, conducting)
14/07/2018

Magma

Extrait de l’émission À la dérive avec Feu Chatterton de Radio Nova à l'installation  en son 3D "Etudes pour Théâtre Acoustique"  de Pedro et Augustin Muller à l'Ircam.

Rencontre entre Feu Chatterton et Pedro Garcia-Velasquez dans son installation

attrito

music for amplified ensemble and electronic sounds

Text: Giuseppe Ungaretti

Performed by International Contemporary Ensemble (ICE)
April 12th, 2018. Abrons Arts Center, New York 

Video: https://vimeo.com/268033663

Alice Teyssier (flutes and voice) 
David Fulmer (conductor)
Garreth Flowers (flügelhorn)
Josh Modney (violin and viola) 
Levy Lorenzo (percussion) 
Lizzie Burns (double bass)
Ryan Muncy (alto saxophone)

Yi-Wen Lai-Tremewan (sound engineer)
Bernardo Barros (live electronics)

Luis Rizo-Salom - Fluxus

BabelScores

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