My Way - Omar Kamal - Live at Ramallah Cultural Palace

Softly As I Leave You

It's not goodbye covered by Duong boo

الثلاثي جبران (بالفرنسية: Le Trio Joubran) فرقة عود موسيقية فلسطينية، من مدينة الناصرة. يتألف هذا الثلاثي من الإخوة جبران، سمير (1973)، وسام (1983) وعدنان (1985). جميعهم يتقنون التأليف الموسيقي والعزف على آلة العود، بينما يتولى الشقيق الأوسط صناعة آلاتهم، هذه الحرفة التي ورثها عن والده وطوّرها بالدراسة في معهد أنطونيو ستراديفاري في إيطاليا. وهي أول فرقة في تاريخ الموسيقى الشرقية تضم ثلاثة عازفي عود.
اتخذ الثلاثي، باريس مكانا لإقامتهم ومنها ينتقلون ويجوبون العالم. وقد رافق الثلاثي جبران الشاعر الراحل محمود درويش ثلاثة عشر عاماً، في أكثر من 30 عرضا في معظم دول العالم، وكانوا قد كسبوا من خلالها رواجا وشهرة تجاوزت المحيط إلى العالمية.

Masar - Majaz (Trio Joubran)

You walked in wrapped in perfume smoke,
with stories you rehearsed in gold,
your smile, too polished, too composed,
I almost saw the cracks unfold.
Velvet words on trembling glass,
echo soft, but they never last.
I taste the shine, I taste the lie,
in your reflection, I see why.

You hide in glitter, whisper sin,
your truth dissolved beneath your skin.
But every shimmer that you cast
I see the ghost behind the glass.

Your crystal mask, it shatters slow,
a thousand lies in afterglow.
Transparent heart, so paper-thin,
I breathe, you break, I see within.
Your crystal mask, how fragile grace,
I watch it fall across your face.
You think you shine, but light reveals,
the love you fake, the wounds you steal.

You love the stage, the mirrored eyes,
you choreograph your thin disguise.
But I can hear the hollow hum,
beneath the charm, beneath your tongue.
You wear your guilt like stolen pearls,
you cage your shame in plastic worlds.
But truth is patient, truth is kind—
it waits for glass to realign.

The way you talk, the way you gleam,
like static caught inside a dream.
But darling, I was never blind
I see the fractures you designed.

Your crystal mask, it shatters slow,
a thousand lies in afterglow.
Transparent heart, so paper-thin,
I breathe, you break, I see within.
Your crystal mask, how fragile grace,
I watch it fall across your face.
You think you shine, but light reveals,
the love you fake, the wounds you steal.

I hear the echo of your pride,
like glass collapsing from inside.
The sound is cruel, but almost sweet
a quiet end beneath my feet.
And maybe love was never real,
just shards of what you tried to feel.
I touch the truth, it cuts my palm
but pain can be a kind of calm.

Your crystal mask, it melts away,
no script, no shine, no masquerade.
I see you now, the boy beneath,
no throne, no crown, just shattered teeth.
Your crystal mask, so clear, so thin
I watched it fade, I let you in.
But now the glass is all I see
a mirror cracked, reflecting me.

Crystal boy, crystal lie,
you tried to glow, you tried to hide.
But light forgives what glass denies,
and I…
I see you breaking.
I see you breaking.

Crystal Mask

Zbigniew Preisner - The Waltz

Yanni - Felitsa

Margarita Meleschko with The National Academic Symphonic Band of Ukraine (Conductor - Alexey Bazhenov)

Lara Fabian - Je Me Souviens

I Think Of You Perry Como Cover Franc Beltrami

JUAN COLE Wrote describing Belaaks "One of the more original Arabic music albums of 2009 was Jean-Marie Riachi’s “Belaaks,” a hybrid of jazz, gypsy, Latin American and other influences performed by some of today’s leading Lebanese singers. The CD exemplifies the role of Beirut in not just transmitting culture between east and west but in achieving creative syntheses that underline the more positive side of globalization.

The title single– “Belaaks” [On the Contrary]- Arab jazz from – Jean Marie Riachi Feat. Rami Ayach & Abir Nehme — is an Arabic version of of the 1947 hit, “Quizás, Quizás, Quizás,” by Cuban songwriter Osvaldo Farrés, which has been covered by many artists, including Cole Porter, Doris Day, Celia Cruz, Samantha Fox and the Pussycat Dolls."

Belaaks Recorded at JMR studios - Beirut and studio val d'orge - Paris
Mixed By: Xavier Escabasse at JMR studios
Mastering: The big sound by florent sabaton
concept, design and art direction: Lama Riachi

11 Bhebbak

An Instrumental Cover for The Song "Hello" By Lionel Richie
Its a Mix between the original melody and arabic eastern instruments

Drums: Nadim Nakhla
Oud: Dr. Alaa Saber
Qanoun: Dr. Wael El-Mahallawy


It's not goodbye covered by Duong boo

Dương boo