APPX:10

Cypher – Glasgow

(Cypher is @aradacid @exael @mutate3k & @specialguest-dj)

Tracklist:
01 ground
02 fold
03 give
04 fall in

All profits to be donated to the APPX:Fund.

Written & Produced by Cypher
Additional mixing by Amos Turner & Ike Zwanikken
Mastered by @ikezwanikken
Digital art by @amos-turner

Released by:
APPX: (Appendix.files) subsidiary of INDEX:Records

Contact:
indexrecords@cyborgorgy.com

Glasgow

digis & lathes

APPX:10 – Cypher – Glasgow (previews)

Essaira releases her first drops through this limited series of 50 clear vinyls, with silkscreened and numbered covers and inserts, available exclusively via Bandcamp and in a few select shops. It is just a taste of its sonic dimension. Started in a living room in 2023, a series of tracks were churned out exclusively out of hunger. The darker sides were exposed, like wounds under the sun, their colour turning to rust.
Warm sounds blend with raw electronic rhythms, vocals overlap with taut synthesisers, pierced by sharp guitars, while industrial rhythms mark the darkness and power of this time. Pay attention.

Dramla is a lament from the belly, an existential annoyance that stems from an awareness of how a capitalist society inevitably pilots some of our daily choices. Facing the stares of those who do not understand but still place production expectations on us. The only thing worth investing in is feeding the strays.

Xirxe is a hymn to weirdness, to the monstrous feminine. An overturning of the vision of the woman-victim that comes to us from Greek mythology, in which courage to distance oneself from toxicity is interpreted as escape, weakness. In which defiance of patriarchal Olympian rules is seen as an act of vicious disobedience and not as vindication of one's own choices. Xirxe takes a voice, recounts her choices, her courage and her vulnerability. Through self-awareness, she moves her choices and shapes her surroundings, dancing around obstacles, defining limits to be defended at all costs if violated Every body, in order to be crossed, needs consent. 

Music and Artwork by Essaira, Bologna 2023 – 2024.
Mastered at Sensorium.
Cutted at Vinylab.
Raw Culture, Roma 2024.

Dramla / Xirxe

[RWCLTR026] Essaira - Dramla / Xirxe [50 Limited Vinyl Edition]

Download/Stream >> https://fanlink.tv/RS2406

Following up a stellar contribution to the ‘In Order To Dance 4.0’ album with his track ‘Structured Chaos’, UK producer Dharma returns to R&S Records with a 4 track EP brimming with forward thinking electronic sounds.

Having previously released on esteemed labels such as Lone Romantic, Permanent Vacation and Man Power’s Me Me Me imprint, the Sunderland born producer stacks up four tracks of colourful and urgent dance on the ‘Gracie’ EP.

From the opening title track to the EP’s closing number ‘Ratchet’, Dharma takes kaleidoscopic melodies and analogue motifs and melds them around futuristic breaks and intelligent rhythms, resulting in a bright and exuberant collection of tracks.

Download/Stream

Dharma - Globeship (RS2406) [clip]

Unconscious Self

Listen to "Non Mai" by Eomac Fr. Wihtner FaGo taken from "Wihtner FaGo - Non Axebo Redit VA" out on 31 August via Behuá Icára

Bandcamp: https://behuaicara.bandcamp.com/album/wihtner-fago-non-axebo-redit-va

The third release of Behua Icára is an EP - VA of reworks from the album “Non Axebo” by Withner FaGo, an activist and rapper from the Shipibo Konibo Xetebo community. Singing in his native language, FaGo narrates myths and legends, as well as stories of cultural and environmental resistance from his community in the central Peruvian Amazon.

Some of these stories emerge from the collective’s imagination and worldview of his community, such as “Chaikonibo,” which refers to enchanted men who protect the jungle; “Non Nete” - Our World - which describes the four indigenous worldviews of the community: Jakon Nete (The Upper World), Non Nete (The Earthly World), Pashin Nete (The Underworld), and Jene Nete (The Water World); and “Mai Yoshin” - Land of Demons - a generational tale from Pucallpa.

“Non Mai” - Our Land - a protest song against oil companies and deforestation, has been reinterpreted by Eomac, with a harsh and frantic percussive syntax, making it the perfect soundtrack for frontline defense.

Links:
Wihtner FaGo
https://soundcloud.com/wihtnerfago
https://www.facebook.com/erickwihtner.fasabigonzales
https://www.youtube.com/channel/UCx6Xukb5h3W57Mg1s6eYmbg
Eomac
https://soundcloud.com/eomac
https://eomac.bandcamp.com
https://www.instagram.com/ianmcdonnellmusic
Behuá Icára
https://behuaicara.bandcamp.com
https://www.instagram.com/behua_icara

Wihtner FaGo - Non Axebo Redit VA

bandcamp

Eomac Fr. Wihtner FaGo - Non Mai (Behuá Icára)

@camayos1703 presents a new mix of "ROOMSERVICE!!!"
@virtualpublicnetwork

ROOM SERVICE! W/ Camayos - virtualpublic.net - 07/09/2024

Xan Bishop (US) and RAVETOMBS (UK) may be separated by 5,911.46 kilometres, but distance means nothing when souls are bound by the pulse of broken beats and dark, dynamic energy.

Together, they’ve fused their creative forces into a sonic entity—a banshee born over the depths of the North Atlantic, hellbent on delivering an auditory experience like no other.

Xan Bishop brings the grit of Detroit’s underground, blending modern and old-school electro into a fresh, hard-hitting sound. Meanwhile, RAVETOMBS infuses the second half of the project with an uplifting yet uneasy mood, perfectly encapsulating and rounding off this edition of XP.

All profits from this release will be donated to Pay The Rent

paytherent.net.au

BPS acknowledges the vast history of the Wurundjeri Woi Wurrung people of the Kulin Nation as the original custodians of the unceded land on which we live and work and we pay our respects to their Elders past, present and emerging.
credits

Support

Xan Bishop - Solve For X [BPS:XP:2]

L/F/D/M - GHOST LOVERS

Deadlocked [OUT NOW]

4:46 AM [155 BPM]

Inferno Core

For Inquiries email: backpocketslammers@gmail.com

@xysid x @myboyfriendbps

https://linktr.ee/Backpocketslammers

Backpocket Slammers acknowledges the Wurundjeri Woi Wurrung people as the Traditional Custodians of the lands and waterways. We pay respect to their Elders past, present, and emerging, as well as to all First Nations communities who significantly contribute to the life of the area.

Sovereignty was never ceded. Our music is conceptualised and recorded on STOLEN LAND.