Dyan K was born in Cuba on february 1986, he was very interested in music since childhood. When he was 10 years old his parents moved him to Costa Rica, there he felt in love with electronic music and that involved him as a DJ in local clubs & lounges. In 2016 he had the opportunity to have a set in Frisky Radio. He also had the chance to play at important Costa Rican parties/clubs and he did the opening for a recognized international female DJ in Torre Geko. His producer career started since 2007, combining electronic music with percussions & ethnic sounds from around the world. He is interested in projecting an outstanding sound quality on his labels/productions and create healing beats for the crowd to release stress and problems from daily life. In 2015 Richie Hawtin featured on his twitter a mastering done by Dyan K on Bruno Furlan's track "Better than carnival" from his label Side B Underground and nowadays you can find him on the organic & afro beatport tops, some of his releases still come back to the tops even a year after releasing.

Spotify:

https://open.spotify.com/artist/0XSfQMzI1E2x9esLxn8HWt

Promo & Contact email:  ethinicrecords@hotmail.com

Start of dj career - 1993. DJ Artem Drive was a resident of Friday & Saturday in 3rd opened techno-club Pilot in Moscow, where he was playing with Paul Oakenfold in 1994 at Britronica Festival Then resident at the main Moscow clubs like Slava, also a lot of gigs all over the Russia. Club Slava has one of the most equipment in that time in Europe, where Artem played back 2 back with Nick Warren, Anthony Pappa, Quivver, Circulation in 2000-2003. November 2003 set with Timo Maas @ Warehouse; 2004 Artem Drive prize-winner of Cafe Del Mar dj festival. From 2005 - seasons of Goa : Arambol Freak Carnaval 2007; From 2008 resident of Technokitchen (with Dj Kick, Goa); November 2009 set with Neil Quigley @ Jet Set Moscow. May 2010 Victory Day party in SOS Supper club (Bali); 2011 - Russian Christmas; jan 2011 - Russian Christmas in Ku De Ta (Bali); july 2011 set with Dj Ravin (Buddha Bar), 2013 - Kazantip SlowDance at Space Bar, Prostranstvo; november 2016 - Abundance vol.1 with Guy Mantzur, december - New Year's eve with Komaroff.  From 2014 till now resident of Wicked Fridays @ Waters and frequently joined lineups of Marbela, ReFresh, Curlies and other clubs in Goa. Artem's style is diffusion of electronica, techno, deep, progressive, ethno, always full of melodic sequencies, vocal accents, atmospheric pads, energy basslines punctured by fat rhythms.

CONTACT:
<a href="mailto:backroomreality@hotmail.com" rel="nofollow" target="_blank">backroomreality@gmail.com</a>
<a href="http://www.backroomreality.com" rel="nofollow" target="_blank">www.backroomreality.com</a>

Backroom Reality is an artist from Melbourne, Australia, created by Matthew Drape. It all started out as a rendezvous with friends, mixing tracks in the backroom of his home.
From there, he has spawned his own sound -- his own music, trying to incorporate the sounds that he loves and wants others to be apart of!
So show your support for the music if it tickles your fancy and leave a comment or two and keep up to date by following the Backroom.
A selection of music will be download-able for your listening pleasure and there will also be some DJ sets here too!
Enjoy!
Matthew Drape
Backroom Reality



Soundcloud page for KOMPLEX / Gregory S 

In house sound design/production/mastering. 

Contact for services and collaboration.

𝖣𝖩 | 𝖫𝗂𝗏𝖾 𝖠𝖼𝗍 | 𝖯𝗋𝗈𝖽𝗎𝖼𝖾𝗋

D𝖾𝖾𝗉 𝖾𝗆𝗈𝗍𝗂𝗈𝗇𝖺𝗅 𝗇𝖺𝗋𝗋𝖺𝗍𝗂𝗏𝖾𝗌 𝗐𝗂𝗍𝗁 𝗍𝖾𝖼𝗁𝗇𝗈 𝖻𝖾𝖺𝗍𝗌, 𝗈𝖿𝗍𝖾𝗇 𝖾𝗑𝗉𝗅𝗈𝗋𝗂𝗇𝗀 𝗍𝗁𝖾𝗆𝖾𝗌 𝗈𝖿 𝗌𝗈𝖼𝗂𝖺𝗅 𝖼𝗁𝖺𝗇𝗀𝖾 𝖺𝗇𝖽 𝗉𝖾𝗋𝗌𝗈𝗇𝖺𝗅 𝗋𝖾𝖿𝗅𝖾𝖼𝗍𝗂𝗈𝗇. 𝖱𝖾𝖿𝗅𝖾𝖼𝗍𝗂𝗈𝗇𝗌 𝗈𝗇 𝗍𝗁𝖾 𝖼𝗈𝗇𝗍𝖾𝗆𝗉𝗈𝗋𝖺𝗋𝗒 𝗐𝗈𝗋𝗅𝖽, 𝗐𝗁𝗂𝖼𝗁 𝗈𝗌𝖼𝗂𝗅𝗅𝖺𝗍𝖾𝗌 𝖻𝖾𝗍𝗐𝖾𝖾𝗇 𝗆𝗈𝖽𝖾𝗋𝗇 𝖾𝗇𝗍𝗁𝗎𝗌𝗂𝖺𝗌𝗆 𝖺𝗇𝖽 𝗉𝗈𝗌𝗍𝗆𝗈𝖽𝖾𝗋𝗇 𝗂𝗋𝗈𝗇𝗒, 𝖻𝖾𝗍𝗐𝖾𝖾𝗇 𝗁𝗈𝗉𝖾 𝖺𝗇𝖽 𝗆𝖾𝗅𝖺𝗇𝖼𝗁𝗈𝗅𝗒, 𝖻𝖾𝗍𝗐𝖾𝖾𝗇 𝗇𝖺𝗂𝗏𝖾𝗍𝗒 𝖺𝗇𝖽 𝗄𝗇𝗈𝗐𝗅𝖾𝖽𝗀𝖾, 𝖾𝗆𝗉𝖺𝗍𝗁𝗒 𝖺𝗇𝖽 𝖺𝗉𝖺𝗍𝗁𝗒, 𝗎𝗇𝗂𝗍𝗒 𝖺𝗇𝖽 𝗉𝗅𝗎𝗋𝖺𝗅𝗂𝗍𝗒, 𝗍𝗈𝗍𝖺𝗅𝗂𝗍𝗒 𝖺𝗇𝖽 𝖿𝗋𝖺𝗀𝗆𝖾𝗇𝗍𝖺𝗍𝗂𝗈𝗇, 𝗉𝗎𝗋𝗂𝗍𝗒 𝖺𝗇𝖽 𝖺𝗆𝖻𝗂𝗀𝗎𝗂𝗍𝗒.

𝖨𝗇𝗇𝗈𝗏𝖺𝗍𝗂𝗏𝖾 𝗌𝗈𝗎𝗇𝖽 𝖽𝖾𝗌𝗂𝗀𝗇, 𝖾𝗑𝗉𝖾𝗋𝗂𝗆𝖾𝗇𝗍𝖺𝗅 𝖺𝗉𝗉𝗋𝗈𝖺𝖼𝗁𝖾𝗌 𝖺𝗇𝖽 𝗆𝖺𝗌𝗍𝖾𝗋𝗒 𝗈𝖿 𝗌𝗍𝗎𝖽𝗂𝗈 𝗍𝖾𝖼𝗁𝗇𝗈𝗅𝗈𝗀𝗒 𝗈𝖿𝗍𝖾𝗇 𝗉𝗎𝗌𝗁 𝗀𝖾𝗇𝗋𝖾 𝖻𝗈𝗎𝗇𝖽𝖺𝗋𝗂𝖾𝗌. 𝖨 𝗎𝗌𝖾 𝖺𝖽𝗏𝖺𝗇𝖼𝖾𝖽 𝗍𝖾𝖼𝗁𝗇𝗂𝗊𝗎𝖾𝗌 𝖺𝗇𝖽 𝗍𝗈𝗈𝗅𝗌 𝗍𝗈 𝖼𝗋𝖾𝖺𝗍𝖾 𝗎𝗇𝗂𝗊𝗎𝖾 𝗌𝗈𝗎𝗇𝖽 𝗍𝖾𝗑𝗍𝗎𝗋𝖾𝗌 𝖺𝗇𝖽 𝖾𝗑𝗉𝗅𝗈𝗋𝖾 𝗇𝖾𝗐 𝗆𝗎𝗌𝗂𝖼𝖺𝗅 𝗍𝖾𝗋𝗋𝗂𝗍𝗈𝗋𝗂𝖾𝗌, 𝖽𝗂𝖿𝖿𝖾𝗋𝖾𝗇𝗍𝗂𝖺𝗍𝗂𝗇𝗀 𝗆𝗒𝗌𝖾𝗅𝖿 𝖿𝗋𝗈𝗆 𝗆𝗈𝗋𝖾 𝗍𝗋𝖺𝖽𝗂𝗍𝗂𝗈𝗇𝖺𝗅 𝗍𝖾𝖼𝗁𝗇𝗈.

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