- a collection of songs, written from 2023-2024

w/ @oatmilkandcodeine

lyrics:
She sleeps so silently at night
Arms filled with nails 
Don't look so pale
Eyes wide, she couldn't cry
Needles in her cells 
tell her why x2

[davidkratomerg]

Let her cry
Let her try 
A feather in a courtroom
A tether that holds her down

[davidkratomerg]

She Couldn't Cry W/ DavidKratomberg

After all the celebrations due to our 50th release, what better way to come back than with Ozcän Saraç.
This artist who has been on our radar for some time due to his excellent releases on Kaer'Uiks, Superpang or Tokinogake presents us a selection of tracks which in my opinion are connected to each other.

Throughout the listening of this album you will appreciate how the palette of sounds that Özcan plays with is present in almost all if not all the compositions, this conceptual form of sound treatment creates a link between the listener and the artist as it requires an active listening to understand the journey that Özcan is inviting us to.

One of the impressions I had after the different listens I have had of the album is that if you want to get the same sensations you have to repeat the journey again.
Once you get on board it's hard to get out of that enveloping sound that all the tracks are endowed with, it becomes addictive honestly.

A great album to enjoy long walks, or long trips will also be very appreciated for audiophiles, the sound treatment is excellent.

Özcan Saraç - HE0450-2958

D!ANA always moves me but this time it’s inward. Contemplation is also a dance. Reflection is a murkier pool. Looking at and in and back and up—we’re facing something. Perhaps the huge spiral down which we’ve tumbled and now must claw back up. Perhaps a great cloud of garbled messages stuck on loop, on a broken machine (the mind is a broken machine, and thus a perfect one). 

Feels desolate when any answer is, in an instant, undone by another. When water tastes like metal questions clang through hard pipes. Like, how to move forward when stuck in the mud of perpetual regret? Wonder. Am I moving forward or circling some far off conclusion? Delineation. What space is there, suspended here: a tear for bliss, a haunting.

-Natalia Panzer

Concept, cover and booklet design by D!ANA
Mastering by Swan Meat
Disc and jewel case pringing and music transferring by Natalia Panzer
Drawings by hideousarmor
Funded by Lynn & No Catharsis

D!ANA - who by fire

samples: @caine-stone
contest: @speedcomp

Cockroach Waltz (SC56)

WE ARE THE RESISTANCE

HLLSTR*

Speak Thy Queens

Malvert Pee Red - I Watch the Birds And Wonder If They Recognize Me

Artist : ALL IN THIS & VINKA WYDRO 

Title : Make me wet 

BPM : 165

ALL IN THIS & VINKA WYDRO - MAKE ME WET [FREE DL]

Pom Poko stands for fast, energetic sounds moving between trance, psychedelic, and tribal. Dark textures merge with distorted, strange soundscapes and transformed real-life samples, creating an organic yet driving experience.

Marek began in the techno scene but was soon drawn to faster rhythms and more complex structures - a natural evolution toward a denser, more intense sound. His experimental, not by textbook way of producing often feels chaotic yet always finds its own logic.

Constantly evolving and exploring, his music hovers between hypnosis and madness - restless, raw, and full of energy.

Follow the artist: @pompokodj

pom poko - backjump [TELA019]

2manydrugz

feel free for asking *.WAV files of the downloadable stuff or check bandcamp for lossless

⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣼⣿⣧⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢸⣿⣿⣿⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⣿⣦⣄⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢸⣿⣿⣿⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣠⣶⣿
⣿⣿⣿⣷⣄⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢸⣿⣿⣿⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣰⣾⣿⣿⣿
⣿⣿⣿⣿⣿⣧⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢸⣿⣿⣿⡇⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣼⣿⣿⣿⣿⣿
⣿⣿⣿⢿⣿⣿⣷⡄⠀⠀⠀⠀⠀⠀⠀⠀⢸⣿⣿⣿⡇⠀⠀⠀⠀⠀⠀⠀⠀⢠⣿⣿⣿⠿⣿⣿⣿
⣿⣿⣿⠀⠹⣿⣿⣿⡄⠀⠀⠀⠀⠀⠀⠀⢸⣿⣿⣿⡇⠀⠀⠀⠀⠀⠀⠀⢰⣿⣿⣿⠃⠀⣿⣿⣿
⣿⣿⣿⠀⠀⠹⣿⣿⣿⡀⠀⠀⠀⠀⠀⠀⢸⣿⣿⣿⡇⠀⠀⠀⠀⠀⠀⢠⣿⣿⣿⠃⠀⠀⣿⣿⣿
⣿⣿⣿⠀⠀⠀⢻⣿⣿⣧⠀⠀⠀⠀⠀⠀⢸⣿⣿⣿⡇⠀⠀⠀⠀⠀⠀⣾⣿⣿⠇⠀⠀⠀⣿⣿⣿
⣿⣿⣿⠀⠀⠀⠈⣿⣿⣿⠀⠀⠀⠀⠀⠀⢸⣿⣿⣿⡇⠀⠀⠀⠀⠀⢰⣿⣿⣿⠀⠀⠀⠀⣿⣿⣿
⣿⣿⣿⠀⠀⠀⠀⣿⣿⣿⡆⠀⠀⠀⠀⠀⢸⣿⣿⣿⡇⠀⠀⠀⠀⠀⢸⣿⣿⡏⠀⠀⠀⠀⣿⣿⣿
⣿⣿⣿⠀⠀⠀⠀⢻⣿⣿⡇⠀⠀⠀⠀⠀⢸⣿⣿⣿⡇⠀⠀⠀⠀⠀⢸⣿⣿⡇⠀⠀⠀⠀⣿⣿⣿
⣿⣿⣿⠀⠀⠀⠀⢸⣿⣿⣷⠀⠀⠀⠀⠀⢸⣿⣿⣿⡇⠀⠀⠀⠀⠀⣿⣿⣿⠀⠀⠀⠀⠀⣿⣿⣿
⣿⣿⣿⠀⠀⠀⠀⠘⣿⣿⣿⠀⠀⠀⠀⠀⣿⣿⣿⣿⣿⠀⠀⠀⠀⠀⣿⣿⣿⠀⠀⠀⠀⠀⣿⣿⣿
⣿⣿⣿⠀⠀⠀⠀⠀⣿⣿⣿⡇⠀⠀⠀⢸⣿⣿⣿⣿⣿⡇⠀⠀⠀⢸⣿⣿⣇⠀⠀⠀⠀⠀⣿⣿⣿
⣿⣿⣿⠀⠀⠀⣠⣶⣿⣿⣿⡇⠀⠀⠀⣾⣿⣿⣿⣿⣿⣇⠀⠀⠀⢸⣿⣿⣿⣶⣄⠀⠀⠀⣿⣿⣿
⣿⣿⣿⠀⢀⣼⣿⣿⡿⠋⠉⠁⠀⠀⣰⣿⣿⡿⠀⣿⣿⣿⡆⠀⠀⠈⠉⠙⢿⣿⣿⣦⠀⠀⣿⣿⣿
⣿⣿⣿⣿⣿⣿⣿⡏⠀⠀⠀⠀⠀⢰⣿⣿⣿⠁⠀⠘⣿⣿⣿⡄⠀⠀⠀⠀⠀⣿⣿⣿⣿⣿⣿⣿⣿
⣿⣿⣿⠛⠻⣿⣿⣿⣄⠀⠀⠀⣠⣿⣿⣿⠃⠀⠀⠀⠹⣿⣿⣿⡄⠀⠀⠀⣠⣿⣿⣿⠛⠛⣿⣿⣿
⣿⣿⣿⠀⠀⠹⣿⣿⣿⣿⣶⣶⣿⣿⣿⡃⠀⠀⠀⠀⠀⢹⣿⣿⣿⣶⣶⣿⣿⣿⡿⠃⠀⠀⣿⣿⣿
⣿⣿⣿⠀⠀⠀⠀⠙⠻⠿⢿⣿⣿⣿⣿⣿⣶⣄⣀⣠⣾⣿⣿⣿⣿⣿⡿⠿⠛⠉⠀⠀⠀⠀⣿⣿⣿
⣿⣿⣿⠀⠀⠀⠀⠀⠀⠀⣼⣿⣿⠋⠙⠻⣿⣿⣿⣿⣿⠟⠋⢻⣿⣿⡇⠀⠀⠀⠀⠀⠀⠀⣿⣿⣿
⣿⣿⣿⠀⠀⠀⠀⠀⠀⠀⣿⣿⣿⠀⠀⠀⠘⣿⣿⣿⠃⠀⠀⢸⣿⣿⡇⠀⠀⠀⠀⠀⠀⠀⣿⣿⣿
⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿
⠛⠛⠛⠛⠛⠛⠛⠻⠛⠛⢿⣿⣿⡿⠿⠿⠿⣿⣿⣿⠿⠿⠿⣿⣿⣿⡿⠛⠛⠛⠛⠛⠛⠛⠛⠛⠛
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠁⠘⣿⣿⣷⠀⠀⠀⣿⣿⣿⠀⠀⢠⣿⣿⣿⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢻⣿⣿⣇⠀⠀⣿⣿⣿⠀⢀⣼⣿⣿⠏⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⢻⣿⣿⣧⡀⣿⣿⣿⢀⣾⣿⣿⠏⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠹⣿⣿⣿⣿⣿⣿⣿⣿⡿⠋⠀⠀⠀⠀⠀⢀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⠛⢿⣿⣿⣿⡿⠛⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠁⠁⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠙⠿⠋⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
moscovia delenda est

Cockroach Waltz (SC56)

backslash zero