Neurofunk/hard DnB - part 2

// label
facebook.com/Eatbra1n
twitter.com/eatbrain_now
instagram.com/eatbrain

//artist
@mob-tactics
facebook.com/MobTacticsMusic
twitter.com/Mob_Tactics
instagram.com/mobtacticsuk

Release dates/
Beatport exclusive: 10.02.23
Worldwide: 24.02.23

The GRAVE DIGGER sighed as he planted his shovel firmly into the muddy soil of a new plot in the cemetery, exhausted from the endless toil that had been forced upon those of his profession.Though it had only been days since an outbreak of a strange new disease had swept over the city, it felt as though an eternity had passed. The countless graves that had been dug now threatened to merge beneath his feet, their dividing walls weakened by the torrential rains that seemed to swirl endlessly in the sky above and the space between each had begun to shrink out of necessity. Under these rains it seemed the work could never end, for the graves never truly settled. Many had been found eroded by the flooding, revealing the contorted and rotted forms of their inhabitants which jutted through the sludge at odd angles. Indeed, so heavily did it seem to pour that some graves remained empty after the night, the corpses formerly within them unable to be accounted for amidst the inundated ground. 

For all the years he had spent in this position, the GRAVE DIGGER had not seen a worse combination of conditions. It felt as though the world itself was conspiring against the inhabitants of his city, who could scarcely see their dead who had been with them in life merely hours ago. He expected to join them soon enough, having handled the corpses of those who had passed for days on end. Perhaps, he mused, he already had. With so many empty graves, and no bodies to be found, who was to say that one wasn’t his? Where had he been before this had begun? Memory hardly seemed to matter anymore. If the dead truly did shamble among the living within this cursed city, perhaps he should count himself lucky to be amongst those who lived on in death above the ground.

MOB TACTICS return to EATBRAIN with GRAVE DIGGER, a three track EP filled with revenant rhythms set to revitalize the ears of the EATBRAIN horde. From the dancefloor oriented sonics of “Mescaline Dream” to the frenzied flurry of “Straitjacket”, the duo deliver well-honed neurofunk that finds a welcome home amidst EATBRAIN’S ever-expanding catalog

Grave Digger

Grave Digger EP

Mob Tactics - Grave Digger (Eatbrain 154)

zonedout - WEBCORE TRACK 454 (prod. phntmzn bR)

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Dark City

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Magnetic Premiere: Optiv & BTK - Dark City [Blackout NL]

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Neonlight - Microbots

Obey

Telekinesis - Shut Up

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If you've been feeling the Erb N Dub and Skope combo that's been providing us with a masterful series of technically precocious dancefloor killers, then don't worry. This is the same superhero team-up, it's just that Skope has given himself a new alter-ego, Malux, specifically designed to push this brand of rave-wrecking heaviness onward. So, after this fresh lick of paint to the war-machine, it seems it's time for the shelling to recommence. In fact, you've probably already clocked the almighty remix of TC's “Next Hype” that they and Crissy Criss cooked up which has been shutting down raves and festivals everywhere this summer.

“Dubplate Killer” sees Erb N Dub and Malux recruit Tony Anthem and Navigator to the cause. The team waste no time in demanding our attention with straight up gangsta orchestral stabs. The signal is clear: this is going to be big. And it is. Manic drums provide the artillery, supporting the downright illegal chemical attack from switching and rearranging basslines. This is all about the complex rhythmic interplay between bass and drum, something which has become a trademark of these producers. When the dancefloor needs a wake-up call, here's one to draw for.

The original version of “Drummer” has already proven its credentials as a heavyweight party-hyping monster. This VIP version takes the elements and pushes them quite a few notches more filthy. The unpredictable pitch-warping bass, vying for the spotlight with the frankly insane drum programming makes the drop a screwface moment for ravers and a “WTF?” moment for production geeks. The dance can't possibly be ready for this, it's going to have to be wheeled-up to be believed.

Apparently the artist formerly known as Skope is reserving his old title for more experimental music. This release proves, however, that even as Malux he's not settling for plain normality. Erb N Dub and Malux are making dancefloor D&B, but that definition hasn't confined them, it's just shown which boundaries to push.


Tracklisting:

A. Dubplate Killer feat. Tony Anthem & Navigator
AA. Drummer VIP


For interview requests and further information, contact:

info@techniquerecordings.co.uk

Beatport

Erb N Dub & Malux -Drummer VIP

This is Prolix's We Do Our Thing, taken from his Danger EP. Get the EP here: https://lnk.to/ProlixDanger

Prolix
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Twitter: http://www.twitter.com/prolixdnb
-
Shogun Audio
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Twitter: http://www.twitter.com/ShogunAudio
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Danger EP

Prolix - We Do Our Thing [Bassrush Premiere]

PreOrder - https://Technique.lnk.to/PunkRockso
Out Worldwide 28th April 2017

Sometimes you just have to look at the artist names to know a release is going to be something special. North Base have just nailed one huge collaboration, “Third Eye”, with Turno and Harry Shotta, and now they've arrived on Technique for another. And, when their powers combine with the ultra-technical musicality of Erb N Dub, the results are bound to be explosive.

“Punk Rock” goes straight in with the drama. A layer of distorted rhythm guitar keeps the beat, while huge chords and reverberating percussive strikes build the tension. The dark tinge of wailing guitar and pads in the high end ramp the anticipation even further. Then unashamedly aggressive vocal samples take us to a drop that we already know is going to be carnage.

The rough-hewn grind of the guitars in the intro is transferred to the bass, a serrated edge of fluctuating textures that warps and modulates under neck-snapping beats. Then there are those drum fills every sixteen bars that ramp the energy up to to a brand new level. And don't miss the subtlety in the little sparking delayed and reverbing effects that ride over the top to give that extra push onwards. This is going to hit dancefloors hard.

We don't often see guitar-led music mesh with DnB, but North Base and Erb N Dub have demonstrated just how it should be done. Here, the uncompromising savagery of punk meets precision engineering, and these producers prove, once again, that they're at the top of their game.


Tracklisting:

A. North Base & Erb N Dub – Punk Rock


For interview requests and more information, contact:

info@techniquerecordings.co.uk

PreOrder

ERB N DUB & NORTH BASE - Punk Rock (Friction BBC Radio One - Murky Monday)

Out now on Cause4Concern Recordings


Akrom draws the EP to a close with his remix of ‘World Unknown’. Successions of seriously weighty bass notes push their way through the mix, coming at your ear drums pound after pound. Each shockwave hits your synapses, proving why Akrom is such a sought-after asset across clubs in Europe.

Buy this track here!

Cause4Concern - World Unknown (Akrom Remix)

[CITRUS049] Citrus Recordings NL   

Exhale / The Perfect Host

* Artists: Mefjus & Kung / Place 2B & Paimon

 * Format: 12"

 * Record Label: Citrus Recordings

 * Catalog#: CITRUS049

 * Style: Drum n Bass

 * Country: Netherlands

 * Release date: 2012 (not out yet.)

Place 2b & Paimon - The Perfect Host ( Citrus 12'')

Mizo & oneBYone - Full Control (AKOV Remix)

Black Sun Empire asked me to remix their collaboration with Prolix of their album track "No Advance". Here is my interpretation of it...

https://fanlink.to/bsermx

Find me online:
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The Wrong Room - Remixed

No Advance (Misanthrop Remix)

Buy & Stream:
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Artwork by http://www.yanvfx.com/

Whether it's hard techno, industrial hardcore or drum & bass, dance music producer The Clamps has stayed at the helm of its ever-growing scene. And having such a wide array of influences has helped him to become one of the most notorious players in the darkest realms, having already grown within the trenches of French label Kosen Production, a platform well known for pushing forward likeminded artists. Whether it's his collaborations with the likes of Nick Bee and Redject, or his standalone singles, he's been heralded by many as a pivotal art within the underground, which is why the announcement of his forthcoming album was met with great anticipation from across the market.

Already releasing on the likes Prolix's Trendkill, Invisible, Eatbrain, Titan and Impact Music, he's made his music felt throughout a wide range of imperative labels. The second part of his 'Odyssey LP' sampler packages comes in the form of both 'Looking for Trouble' featuring the notorious Nuklear MC and 'LHS 1140b', which highlight the LP's versatility whilst also engineering two darkly atmospheric cuts which pull you into the sound which The Clamps is renowned for.

If you're a frequent visitor of the international DJing circuit, you're sure to have heard the sampler's A-side 'Looking For Trouble'. It's a destructive call to arms, one which bares its sonic artillery but first rolls out on strung-out note patterns, a rolling soundscape and an intro which pulls you up an intimidating breakdown. As the track catapults into its first immersive plunge, you're taken for the ride and each constructed hook grabs at you with an intimidating snarl, alongside Nuklear's growling lyricism. 'LHS 1140b' is just as gripping but in its own way, with a heavily distorted bassline and crashing drum sequences which create an effortlessly driving single. This is a secondary sampler proving that The Clamps forthcoming album is a force to be reckoned with. It also pedestals the type of diversity which he's historically championed for, although this can only be expected from an artist who's devoted himself to his craft for such an expansive time frame.


Follow The Clamps: 
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab

Follow Nuklear MC: 
https://www.facebook.com/nuklearmc/
https://soundcloud.com/nuklearmc
https://www.instagram.com/nuklearmc/
https://twitter.com/NuklearMC

Follow Kosenprod: 
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https://soundcloud.com/kosenprod
https://www.facebook.com/KOSEN.PRODUCTION
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod

Odyssey

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The Clamps ft. Nuklear MC - Looking For Trouble [Kosenprod]

Release: 8th Mar  Beatport Exclusive
                22nd Mar Worldwide
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Opera / Blush

Opera

Gridlok - Opera

Buy on Beatport:
https://www.beatport.com/release/i-feel/2539485

French drum & bass producer The Clamps has become more and more of an identifiable force, with his forthcoming EP on veteran Prolix’s Trendkill Records quickening his pace to the top echelons. The Clamps production has often been an enviable trait, something which the artist has been refining over the past few years; this hasn’t gone unnoticed by the heaviest hitters within drum & bass, which is why he came under the radar of Prolix. And The Clamps fits well within Prolix’s growing arsenal of producers, something which the head honcho has also spent years refining. When it comes to the genre’s darker sounds, Trendkill is a go-to imprint, dominating both charts and DJ sets during its expansion. With a host of main-stay labels already ticked off by Prolix himself, it made sense for him to build a musical hub which highlighted the sounds influencing his own output.

Since the late 90s, The Clamps has spent his time pouring over the intricacies of everything from hard techno to drum & bass. After initially making a name for himself on homegrown label Kosen Production, he’s become more and more of a pivotal figure throughout the wider music circuit. Now having released on imprints such as Invisible, Titan, Eatbrain and Impact Music, his forthcoming ‘I Feel’ EP is a return to form, following the explosion of his ‘The Odyssey’ LP in 2018.

First track ‘No Reality’ creates an intro which is instantly encapsulating with its steppy instrumentals and patches of waif-like samples. Once it drops, through its pounding drum stabs, you’re taken directly into the belly of the best. Title-track ‘I Feel’ is just as chaotic, tearing through with robotic vocal interludes. ‘Mind Exploration’ runs through next, with an old-school reminiscing as you’re yet again released against its manic mechanics. ‘Interaction’ is the final track, foreboding as it begins to wheel you towards its first climatic breakdown. Each punching horn takes you in deeper before its sci-fi atmospherics leave you to its driving ferociousness.

Trendkill Records are back, with help from The Clamps - proving that the next year is titled to be one of their biggest yet.

Follow The Clamps: 
https://soundcloud.com/the-clamps
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab

Follow Trendkill Records: 
http://trendkillrecords.com/
https://soundcloud.com/trendkillrecords
https://www.facebook.com/TrendkillRecords/
https://www.instagram.com/trendkillrecords/
https://twitter.com/TrendkillRecs

I Feel

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The first free download for ProtoCode. This one has been a staple in Esym's sets for the last few months and its finally time to let it out into the wild.

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[PRTCDFREE 001] - Esym - Elite VIP

Welcome to Bad Taste Recordings SoundCloud.

Bad Taste Recordings is a Drum and Bass record label established in 2007. Bringing you the latest in underground music.

Send your demos to info@badtasterecordings.com

Gridlok - Opera

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