'Candy Crown' by NeonViperX

Spotify: https://open.spotify.com/track/1woQmcHE34tGmnWEifPZqh
YouTube: https://youtu.be/iKirWr9g6Zk
YouTube Music: https://music.youtube.com/watch?v=NwPsqTyDaaw&si=AMkIA7HNv_7lEZti

℗ NVX Records

#NeonViperX #Music
#Opera
#UKDrill
#BubblegumPop

Candy Crown

: : : ...but a creative artist – Marino Zuccheri, Maestro Di Suono

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for Mat

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Secrets of the New Machines – Musica Elettronica, Explained 1972

PHCD131 presents Francis Poulenc’s powerful monodrama La Voix Humaine, performed by soprano Carole Farley with the Adelaide Symphony Orchestra conducted by José Serebrier. Poulenc’s setting of Cocteau’s one‑act drama captures the raw emotional landscape of a woman’s final telephone conversation with her lover. Farley’s interpretation brings immediacy and expressive depth to this landmark 20th‑century work, supported by Serebrier’s sensitive and atmospheric orchestral direction. www.phoenixcd.com

Francis Poulenc,  La Voix Humaine

La Voix Humaine by Francis Poulenc - Allo Allo

Buy PHCD 131

Je Ne Sais Pas Encore

La Voix Humaine by Francis Poulenc - Je Ne Sais Pas Encore

The Silver Strings of Chaos

Voice of the Earth

Vox Terrae

Gargyzaa (Kim Grönholm)
A new remastered version.  Sound was rather muddy before and volume was way too low!
Please use nice headphones or proper speakers for much better listening experience!
Play at Maximum Volume!

#psychedelic #operetta #experimental #freaky #one-man-band #prog #crooners #punk #Kim #freaky #occultism #lo-fi #phantasmagorical #Suvela #gothsoul #singer-songwriter #world #Takabuti  #outsider #alternative #lotus #learning #suburban #noise #art-rock #kokeellinen  #troubadour #Hekate #maverick #theater  #carnival  #cinematic #analog #underground #Inconvenient #ascension #kotidemo  #Finland  #grotesque  #acidrock #Mahakali


A shout out and respect to certain online clairvoyants&"white witches" and to some angelic beings as well. Your content&astral bulletins have helped me to get through this everyday balderdash/boredom and it has exposed some fraudulent&hateful activities (targeting me etc.) happening behind the scenes.
On the other hand, I knew what was going on. It is up to you guys where you go for lunch&dinner, hehehe. You can definitely count me out and if there would be a chair reserved for me it will always be empty.
This track could somehow be weirdly dedicated to the true friends plus to the frenemies and to the double-dealers&dusty diamonds in Perugia. Love you all! Maybe so.....hehehe.
And at the same time it is a campy homage to the total boredom called Finland, hahaha.
A nighmarishly dull place where you cant truly trust nobody or talk to nearly anyone.
Hallelujah!
En ole muuten ennen tiennyt että laulaminen on tällä tavalla fyysistä. No, olen vasta viime aikoina alkanut panostaa enemmän näihin lauluosuuksiin.
Toisin sanoen "annoin kaikkeni" äänittäessäni tätä kyseistä biisiä. Sitä sopii arvostaa tai sille voi avoimesti nauraa. Toisten mielipiteet eivät luonnollisesti ole minun henkilökohtainen ongelmani.
Seuraavaan kappaleeseen tulee myös tangoa. Suomalaista tai pikemminkin Suvelalaista tangoa absurdeilla, kenties jopa toisia ihmisiä jossain määrin loukkaavilla lyriikoilla. Tangokuningas Kim kulahtaneet tangat jalassa? Ylilääkäri Kim, Jenkkakahvankulman hilpeän hurmaavalta hullujenhuoneelta?
Mikä teitä oikein vaivaa? Otamme siitä kunnolla selvää....kenties teen toisen kammottavan ja auliisti ammottavan biisin pelkästään siitä.
Kuten Jimbo aikoinaan pultsarimaisesti (Englanniksi: in a drunkard-like manner) pölisi ja höpisi.......tämän on se loppu. Kaunis tai ei, kuka välittää. En ainakaan minä. Loppu kuin loppu. Hakiksen ranta, Fordin nokka tai kenties juuri se Vihreän Vehreä Paratiisisaari?
Vaiko jonkun aivan uuden alkamisvaihe? Kalliolta kukkulalle, prosessista prosessiin?
Tästä maasta jota kutsun "piereskelijöiden paratiisiksi" olen saanut jo täysin tarpeekseni. Ei ihan se minun luontainen ympäristöni tai preferenssini.
Onko kyseessä pikemminkin ajanmukaisemman ja jopa elegantimman pahuuden sikiäminen?Vai ehkäpä sittenkin uutta hyvyyttä tosiasiallisesti pukkaa?
Sitä alituista ylösnousemusta ja kaikkea muutakin hubaisan huisaa?
Diddeli daddeli duu, eipä juuri kukaan muu....tiedä sitä ei

I am the Green Paradise Island

FDO_beta

Epitaph of the Everbound tells the story of a cursed immortal—condemned to outlive every soul he loves across endless time. As memory becomes burden and rebirth becomes cruelty, compassion erodes into something far more dangerous: the belief that true mercy lies not in preserving life, but in ending the cycle of loss itself.

Epitaph of the Everbound [Remastered]

Continuing from my 'Godfather Waltz' with this similar but cautionary tale of Pandora's Box.  Enjoy!

Pandora's Waltz

Envy AI isn’t here to follow trends, it’s here to destroy them. Born from years in the scene as Nebula! and forged through a lifelong obsession with heavy music, digital chaos, and sonic experimentation, Envy AI merges the brutality of metalcore and deathcore with the precision of dubstep, drum and bass, and cinematic sound design.

Every track is a controlled detonation, guttural bass drops, distorted synths, and emotional melodies colliding in an industrial storm built for dark clubs, festival stages, and the apocalypse in between.

This is AI with a pulse and a temper, not a gimmick, but a new breed of artistry born from code and chaos. Backed by years of production experience and a deep love for both music and technology, Envy AI pushes the edge of what’s possible, one destructive drop at a time.

Welcome to the next evolution of heavy electronic music. Envy AI, where man uses machine.

Phoenix USA Recordings is an independent American label dedicated to preserving and presenting exceptional performances across classical, jazz, film music, and instrumental traditions. The catalog spans newly restored historical recordings, important contemporary releases, and rare archival material rescued from private collections, radio broadcasts, and long‑unavailable LPs.

With a focus on clarity, authenticity, and historical accuracy, Phoenix USA specializes in meticulous audio restoration and authoritative documentation. Its classical catalog highlights major 20th‑century performers and ensembles; its Four Star Jazz and related jazz releases preserve essential American studio and live sessions; and its music‑from‑the‑movies and wide range of instrumental recordings broaden the label’s reach across genres and audiences.

Phoenix USA releases are available worldwide on all major streaming platforms, with physical and digital editions offered through the label’s online store. The mission remains constant: to bring important performances—classical, jazz, cinematic, and instrumental—back into the public ear with the respect and fidelity they deserve.

Mattreya, from Mattreya Studios here, I make AI-Forged music, I create original AI-assisted songs with Suno, with storytelling, lyrics, and worldbuilding developed by myself alongside ChatGPT. Using prompts, auto tuning, ai voice replacement, clipping, vast amounts of editing, and many hours of day's songwriting, I provide you with music you can't believe until you hear it. Turning visions, experiences, and lore into Cinematic Sound! If you're drawn to mystery, higher realms, hidden knowledge, and music that feels like a journey... You're in the right place. This Channel is a Gateway. Every Song is a signal - an echo of possible ancient pasts, and possible future worlds. Meant for those who still wonder, still search, still listen. Enter the sound. Follow the story. Welcome beyond the Veil. -Songs for Seekers-

Gargyzaa is a one-man band located in Espoo, Finland.
 I play all the instruments manually (guitars, keyboards, bass, plastic  didgeridoo, Korg monotron duo, fipple flute etc.) and sing all the vocals.  The drum parts are made from simple loops. 
 I have also written all of these batshit crazy lyrics and the peculiar poetry/dialogues you hear (in Finnish&English).
Some people have asked me who plays the instruments and I have answered them several times that it´ is only me who is responsible for all this trippy noise and musical weirdness.
It has been quite tedious and more or less irritating to explain this relatively often, hahaha.
Even some" friends" were spreading lies about me. Telling people that I cant possibly make this music. It is not me or it has been created with samples and so on. 
 Without any proof that is. Now they are ex-friends.
Well, the envy is so ugly. Those embittered and simple minded folks go only as low as they really are.
Additionally , it has amused me. Often I have chuckled to myself.
Those haters cant hear that my tracks are manually played (minus the drums). So they cant be very musical or understand much about music.
Definitely they do not know anything about the recording processes. 
Futhermore my tracks are lo-fi and utterly mad. Not even many people listen to my bizarre stuff. If my creative output and persona irritates some narrow-minded pseudo-individuals I will take it as a compliment, hahaha.
I am also a self taught "musician" and "vocalist". I play by ear.
The drum parts are made from short loops with Audacity and then the so called rhythm track is upoaded to my Zoom R-24. After that I will start recording the instruments/vocals on top.
I don't  have or play drums. Well, maybe one day. However I happen to own a Tamil temple drum which I have occasionally used in my tracks.
So basically I use Zoom R-24 to record and even master these tracks. I bring the finished "product" to SoundCloud through Audacity.
My equipment is very amateurish, cheap and in some cases semi-broken. 
I use those infamous progressive rock structures, but deliver them with a punk rock attitude/gear, hehehe.
The cover art/design is just basically a few collages/paste-ups, psychedelically distorted&enhanced pics and a couple of random photos I took. Nothing special.
This is a non-profit project. Enjoy!
Many thanks to all of my listeners and followers!
PS. On Youtube there are only a couple of playlists of mine. Music I listened to years ago and some new interesting artists as well!
Most probably I am not going to upload any of my tracks over there.
Regardless of that, check out my spaced-out music here on Souncloud!
Btw, because of my creative output (obviously because of my complicated character as well, hehehe), I have lost friends (fake ones,  of course), been mocked ("Koirat haukkuu ja karavaani kulkee"), been sabotaged in real life and have become an outsider pretty much everywhere, hahaha. Except on Sirius and in the underworld!
Other stuff I have experienced during my life was much more hardcore. Wont specify it here in public.
Because I keep a low profile, dont have desperation in my soul and dont show off to anyone people usually misunderstand me totally. Good.  I will have the upper hand because of their arrogance, stupiditity and shallowness.
Besides, say no to the convenience culture!
Cheers!

https://linktr.ee/gabrielsaban

Gabriel Saban is a multi award-winning French composer and music producer based in Paris. Born in 1985 and raised in the south of France, he studied piano and clarinet before entering the prestigious Conservatoire National Supérieur de Musique et de Danse de Paris, where he trained in music production and orchestration.

Since 2010, he has composed for film, television and visual media. In 2017, he launched Cézame Trailers with the support of Frédéric Leibovitz — a label dedicated to music for movie trailers — then founded Infinity Scores in 2021 to explore a more personal and eclectic vision of cinematic music.

Blending neoclassical emotion with modern sound design, his music features in major trailers (Oppenheimer, Frozen 2, Avengers, Star Wars, Wednesday, One Piece, Knives Out, Mowgli, Don’t Look Up, Goosebumps 2...), global ad campaigns (Apple TV+, Disney+, Dior, Mercedes-Benz, Mc Donald’s, Indeed, Samsung...), and international shows and events (Super Bowl, Olympic Games, NBA, WWE, Money Heist, Venom 2, The Bureau, FIFA World Cup, NHL...).

He has received multiple Mark Awards, Production Music Awards and a Music + Sound Award, highlighting his stylistic versatility — from suspense to Latin, horror or orchestral drama. Recognized for his contribution to trailer music, his emotional impact and sonic precision have helped shape the genre.

Above all, his music is a language — turning inner worlds into soundscapes that resonate with image, memory and imagination.

“To play a wrong note is insignificant; to play without passion is inexcusable.”- Beethoven

: : : The Great Dance of Existence  
— in the theater of illusions

Without Your Music, There's No fictionalive.
With It, There's Endless Music.

fictionalive /  
popoems series / hyper media reports  
2001 / 2011 / 2024  

// From Divider to Unifier  
– it works. In my world.  

dreamer ⭕️ dream big  

/ to(tally) fictionalive or not  

fictionalive crafts music that’s more than tracks—it’s a simple, living philosophy for our chaotic times: three steps to make sense of it all.  

The Three-Step Framework
fictionalive: Seeds that become trees (all of us)—raw ideas and stories sparking potential in listeners.  
popoems: The water needed to grow, the poetic view on life—emotion and language nourishing the spark into meaning.  
hyper media reports: The earth, the facts the tree grows on—reality’s grounding force of politics, systems, and truth.  

Brain Hop
Brain Hop is a musical genre invented by fictionalive on Monday, December 1st, 2025, at 1:24 PM. It brings depth, intellect, and philosophical reflection into contemporary music, emphasizing thoughtful lyricism, conceptual frameworks, and cognitive engagement across styles. It responds to a world where much music stays on the surface, creating space for artists to explore social, political, and existential themes through innovative production and poetic or experimental vocals.  

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Yours truly,  
fictionalive ✨⭕️

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a voice ⭕️ a bold surprise  

/ to(tally) fictionalive or not  

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// 
Disclaimer  
Let me break it down for you – all tracks are handcrafted.  

An artist is someone who creates or expresses ideas, emotions, or visions through a chosen medium, aiming to communicate, inspire, or evoke a response. This definition embraces all forms of creativity—visual, musical, literary, or performance—and emphasizes the purpose of connection and expression rather than formal titles or external validation.


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New tracks tagged #Opera