Don’t Wanna Go to Work (acoustic)

My music career began at the age of 6 when I received a guitar from my parents. I learned two chords and formed my first band. Our equipment was a puppet piano, two washing drums and a guitar. Between the ages of 12 and 15 I played in several bands with friends. Big role models were Jimi Hendrix, Doors, Janis Joplin, Alwin Lee etc. I was mainly influenced by Krautrock bans like Can, Groschnitt and Eloy. In the meantime I was able to improvise a few barre chords, mainly using the blues scale. But practicing was never my thing. So I automatically only progressed a step further when I liked a new riff. Music has always been an integral part of my work with children and people with disabilities. In 1990 I founded the band “Kroklowafzi” with friends, and later I played in the “Karl Grass Companie” purely for the joy of music, without any professional ambitions (audio samples are available on YouTube on my SoundCloud channel). During this time I had the opportunity to record my music in multiple tracks for the first time. Everything was still very amateurish and chaotic. After a divorce, I ended up on the streets and went into a psychotic episode. I now had 6 children to support but couldn't work. During this time, my brother gave me a music program that I could use to remaster my recordings from the last few years.

We have some nice, selfmade videos at YouTube. Check 'em out

. . . 

8 days of 'like block' still counting

You can watch the video clip "Reflection" on my channel YouTube.
All for the sake of experiment. Attempts to master neural engines through practical experience and turn them into works of art.

From the Rocky Mountains to the streets of Boston, CYFR 360 ( DRO) is a forward-thinking producer and artist pioneering a new wave of sound. Blending dark melodic trap, acoustic textures, and cutting-edge AI tools, CYFR 360 is redefining how music is created and experienced. With deep roots in Colorado’s introspective energy and Boston’s gritty innovation, CYFR 360 ( DRO)crafts emotionally charged, genre-blurring tracks that push boundaries and resonate with a new generation of listeners. This isn’t just music—it’s a movement shaped by code, soul, and raw storytelling. We Keeping It Spinning! 

https://www.beatstars.com/po301757 

https://distrokid.com/mymusic/

Love many kinds of music, try myself to bring out some spiritual and soulful tunes to reflect or simply to have fun in producing. Doing nightshifts so sometimes if I can focus and "enjoy" and when its a silent night I can listen halfway carefully or in the morning I repeat and hear via headphones without interrupt and in a very relaxed mood, often till my handy fell on my face 

freestyle lyrics and instruments

15 years of standup comedy, ending in Barcelona, morphed into musical comedy or something like that…. Im just trying to have some fun and create some new sounds. 

former Silicon Valley engineer, walked away from the corporate world to live dreams.


Success is not happiness, happiness is success.  



listen to your spirit

it speaks in silence.  

❤️

info:   sandshaark@gmail.com (Dave)


And where did the band name bad endings come from ?    Well, a lot of our songs had bad endings and didn’t finish well so I named it after that.

Jesús Bellota was born in Spain. He studied Law and an MBA in Birminghan University, United Kingdon. He also did studies at Professional Pioneer DJ  player at INTED Elecronic Music School, Madrid. He began his profesional career as residente DJ in Club Epoka, Madrid in 2.016.  His sets create a unique ambiance with a powerful and well-rounded sound; invoking  house, tech house, techno ... references without forgetting other vanguard tones.
For details or to book Jesus Bellota please contact jbellota2017@gmail.com

Artist: TripTunez
Composer: Rob DeLegge
Genre: Chiptune(8-Bit / MIDI) / Electronic / Dance / Techno / Instrumental 

Hope you enjoy the tunez! Any support is greatly appreciated

Hello :) Here is a collection of my tunes & artworks spanning the years in which I've been a long-time poet, more recently lyricist & soundational explorer. Why ask why with sound? No delusion has been prescribed to me which I cannot pour into a cup we can share then someone complains of bitterness yet we're satiated. Why not dismiss the diss, exist? I expect nothing but to keep on in my cellular rhythm, a singular song that takes many forms. ❣️🎼🏵

Hey Rockers, Ravers and Sinners! 

💯❤️💯💙💯🎶💯🎵💯🎧💯

DJ/Producer/Drummer. Born in Hammersmith (London) in 26/06/1975

Embraced music as soon as I opened my eyes to a world what was new to me, was scared of everything so delicate and fragile. But Always knowing that music would always look after me. I felt safe and happy 🌏❤️💙

Music is very important to us! So embrace it, like a nice cuddle from a polar bear in the north pole. If you have it in your soul! Then your the lucky ones!! Because not everyone does! Paint music with vision! Not just with your ears!! 💥💥

When I reach 2000 followers, and I did mention 800 followers before, And now my track "I'm So Free" is professionally mastered and in the next few days I want to give away as a freebie, So please hold tight.

Never enough hours in a day, especially juggling work, family, friends and studio time.

So I'm hoping to get my album out as soon as it's ready.

I'm also in the process of making my own music channel on u tube as soon as some of my tracks are nearly ready for release.

Thanks for waiting for me guys ;-)

CALLING All DJs, Radio stations and Producers.

Let's connect, I'm currently promoting " Brand New Music " and would love to send it over to you. Looking to make friends.
Leave me a message, Swap tracks, Ideas, and general enjoyment of music  💙

Leave comments.
Will try and reply to everyone.

Being a DJ/Producer isn’t just about the music anymore. These days.. Staying relevant means constantly creating content, engaging, and keeping up with a dam algorithm.
To be honest with you, it's bloody exhausting. I didn’t get into this to spend hours figuring out how to “perform” for social media.
I got into this because I love music! The time I spend stressing over posts is time I could be spending making tracks, mixing down my music and refining my skills as a producer.
But if you don’t post, you risk fading away and being forgotten. It’s a cycle that can be draining...and honestly, my heart really just isn’t in it right now.
It hasn't been for a while and I'm really struggling with it. I know I’m not the only one who feels this way.
This kind of pressure can take the joy out of what we love. So if you see me posting less, please just know..
I’m still here, still creating, still putting my energy where it really matters.. into the music! 
So much Big love to everyone who supports me for the art, not just the algorithm.

Also all my tracks i upload to SoundCloud are not mastered on a professional level but still decent enough for all you beautiful people to hear what it sounds like! And when I start to get a few more finished I will do them good enough to share to the world via Spotify and other leading platforms when the time is right!

Music was my first love and it will be my last,
Music of the future and music of the past,
To live without my music would be impossible to do,
For in this world of troubles,
My music pulls me through.

Coral 💯💙🎶💯❤️👊

L'Orastrana è un collettivo mutaforma fluido e instabile che nasce nel 1993 come laboratorio di musica e poesia ad opera di Carlo Natali e Marco Corsetti con l'intento di dedicarsi all'approfondimento dell'interazione tra la musica e la poesia attraverso l'improvvisazione.
Questa pagina è un piccolissimo catalogo di esempi di performance dell'Orastrana.
Dettagli e nomi dei musicisti coinvolti nelle registrazioni sono indicati nelle didascalie dei brani.
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L'Orastrana is a fluid and unstable shapeshifter collective that started its activity in 1993 from the mind of Carlo Natali (Cnat) and Marco Corsetti, which main goal it's the dedication to poetry and to improvvisation music.
This page is a very small catalog of examples of Orastrana performances.
Details and names of the musicians involved in the recordings are indicated in the song descriptions.

Don’t Wanna Go to Work (acoustic)

💕 Bad endings 💕