An audio render of my semi-regular new livestream, "For Love and Streaming." All but one of the tracks are brand new to me this week (October 2021) and they cover a range of deep, trippy, weird dance music going from 100bpm to 120, all with a heady, trippy vibe. Enjoy!

TRACKLIST
Dan Wainwright -The Universal Energy (Mytron Remix
Nour - Fauda (DJ T remix)
Languages - Sleep Stream (Ewan Pearson Instrumental Remix)
Alejandro Molinari - Antares
Superpitcher - Sometimes
Be Svendsen - Nemrut (extended version)
MI.RO - Conversation (Tronik Youth Remix)
Radical Gaze - Totem Echoes (You Man Remix)
Iorie -What is Downtempo (Club Mix)
Bernardo Pinheiro - Run Free (Carrot Green Remix)
KAMM - CCBPG  (Dave Aju Remix)
Russian Chandeliers - Be Seeing You
Wolfgan Flu, Newman -Futur I (Fabrizio Mammarella Remix)
Tulioxi - Late Night Tortures (Durand Remix)
Red Axes - Skulls
DRUBON - Snareman
Harry Shanti -Sivapuranum (Anatolian Weapons Remix)
Kinsbury, Sarah Wild -Monte Verde (Benjamin Frohlich Remix)
Robert Babicz - Golden Days
Trent Cantrelle - Originate (Theus Mago Remix)
Kiko, Watervelt - Violent Location
Echonomist -Sapien
James Harcourt -Bloodflame
Memoryman AKA Uovo, Rogue D -Electric Safari (Roman Flugel Remix)
Stephan Bodzin - Astronautin
Marc Romboy - Empathy
Stephan Bodzin - Dune
Sasha - The Tet Offensive
WhoMadeWho - Mermaids (DJ Tennis Remix)
Red Axes - Some Lights
Cowboy Rhythmbox - 6am (Adlib's Why Is This So Short Edit)

For Love and Streaming October 2021 Livestream

A live hardware track, done in two takes. A little rough mix-wise but I kinda like the energy that results. 

Gear used: Poly Evolver, MS-20, Microbrute, Volca Beats, Rhythm Wolf, Zoom MS-70CDR, Behringer EM600 Echo Machine, Ibanez AD202. Mixed in Ableton Live.

Backfire Effect

All roland synthesizers.  SH-101, D-50, JV-1080!

NOSTALGIA

🇮🇹 Some words about the mix from Marco 🇮🇹

The mixtape faces the mediterranean coasts of the southern Italy, the place where I was born and where now I’m based. It’s a mix of sounds, musics and tunes coming from that area, but it’s also a time-travel through the Arabic, Persian and African dominations and their musical influences - typical all over the southern due to the Italy's geographic position in the center of the Mediterranean Sea. Also Greek and Slavic migration created new ethic group since the 15th century, such as Arbëreshë, the Albanians of Italy. 

My home country (Salento) was part of the Kingdom of the Two Sicilies (1816-1861), the largest state of Italy before the unification, it was formed as a union of the Kingdom of Sicily and the Kingdom of Naples. Here life and music are rich in folklore, religion, philosophy and esotericism. Sun makes very hot summers and creates human warmth and rare chemistries. Sea does everything else! 

The traditional southern Italian music is Tarantella, accompanied by tambourines. It’s connected within the Tarantism, a sort of ritual - with ancient roots in the Greek mythology - during which an hysterical and agitated victim of a tarantula spider bite had to start a frenetic dance with appropriate music to be revived and treated. Music transported the victim in a 'trance' until exhaustion and it appeared to be the only way of combating that strange disease. Another musical tradition in Southern Italy is the zampogna, a form of bagpipe originally played by the shepherds during the farm works. 

@goldfinger35
@commonseries

🎛 https://commonseries.bandcamp.com/ 🎛

Mediterranean Whispers

MCT018 - Marco Erroi - Mediterranean Whispers

From Kaifeng via Vancouver here comes Second Circle friend and artist Yu Su (@yu_su) with her contribution titled Freedom Is Nothing Left To Lose. Q&A (excerpt) here below.

www.musicfrommemory.com

MFM: Hi Yu Su, thanks for joining the mix series. So, could you please first tell us a bit about your background and how you got into making and playing music?

YS: I was born in Kaifeng, China, where it was Chinese pop like Jay Chow and Faye Wong that I listened to the most. I have been living in Vancouver, Canada, since 2013 and got into electronic music just shortly after the move.

MFM: You are a trained piano player, does it help you writing your music these days?

YS: Yes, since I was three until high school, in Kaifeng :) It for sure does, I take influences from Debussy a lot of the time, it feels rewarding something I invested so much time and money into when I was little can contribute so much to my current work.

MFM: Hailing from Kaifeng, can you maybe help us try to understand a bit more how is it for an ambitious person in China to dream and develop creatively while being surrounded by the Great Firewall?

YS: I can only speak for myself since I haven't lived there for a little bit, but I think no matter what you can always find your way around the “Great Firewall” to access this world of endless music database, of course not everyone will have the privilege to travel to the west for better infrastructure, though I believe if you just keep doing what you do, the rest of the world will see it.

MFM: And for those who're not able to travel, does it make them even more eager to learn from each other in a certain way? Like, does the limitation result in a stronger collective feeling of sharing and collaborating?

YS: I think so, perhaps not necessarily this collective feeling but people definitely have to make extra effort to try to make things happen, honestly having lived in the West for so long, sometimes even I take things for granted and I do reflect on that a lot.

MFM: Can you maybe walk us a bit through your process of creating music?

YS: It is probably more or less the same with many other producers and musicians, you start from one sound and develop into something you don’t expect. The only thing specific I would say, is that I prefer to finish my pieces in one sitting, I can be extremely focused for let’s say 8 hrs at once and if a project is going well, it will be done in 8 hrs, I’ll leave the mixing for someone else after.

MFM: When on tour you're mostly DJing, right? As a trained musician and producer, what actually made you decide to DJ instead of performing live?

YS: Yes, mostly DJing. I see producing music and playing records/files as two completely different sides of myself since I’m in a very different mental state of mind when doing both. I wanted to DJ after experiencing this whole new world of music and I love discovering and sharing music made by other people for other people, and I enjoy the role of introducing others to things they have not heard. And at the same time for me DJing on stage is almost like another way of expressing live music, there is a lot to consider with the musical and structural elements of all the tracks and in order for me to form a good narrative, I have to think as if every track is a single channel in a project I work on at home. On the other hand, I have been exploring many mediums of presenting “live music” and I would like to continue exploring more in the area of sound installation and soundscape studies, if you count those as “performing live” also.  

MFM: What's up next, got any exciting things coming up that you'd like to share?

YS: Lots more touring to exciting and new places (thanks to my lovely agent); me and my partner who I also collaborate with will be doing a sound meditation and food/wine pop up at giant steps mid July in partner with Stamp The Wax, I am very much looking forward to that.

MFM Mix 005: Yu Su

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@thelotradio

Thomas Von Party @ The Lot Radio 08 - 15 - 2019

This is a live take of a recent quaranstream set, ranging from really deep house and techno, to acid melodic techno, to classic downtempo, electronica and even a hint of DNB from over the last 25 or so years. I removed the hipster indie rock at the end coz you just had to be there.  Thanks to friends who stuck it out for the four hours live. Hope others like listening as much as  I enjoyed playing!

TRACKLIST:
Der Dritte Raum - Swing Bop - Acid Pauli's Kosmik Remix (Adlib's "oh I started recording my stream a little too late" edit)
Jan Mir - Moby Dick - Lorie and Madmotormiquel Remix
Martin Buttrich - Southwest
Anja Schneider - Run The City
Guy Gerber - Timing - Kollektive Turmstrasse Remix
Alex Niggeman - Birds
Kollektive Turmstrasse - New Star
Der Dritte Raum - Hullapalullah
Blunted Dummies - House for All - Ruede Hagelstein Remix
Nico Stojan - Oktoberfest
Mano Le Tough - Return to Yoz
Chicola - Could Be Heaven - Ruede Hagelstein Remix
D-Nox & Santiago Franch - Radiation
Damian Lazarus - All I Need to Get High - Aether Dreaming Dub Remix
Home Video - That You Might - Sasha Inv2lver Remix
D-Nox & Beckers - Polyacid
D-Nox & Beckers - Cala A Boca - Acid Remix
Reboot - Pollo A Silla - Anna Remix
Der Dritte Raum - Hale Bop - D3R 25 Year Remix
Darren Epsilon, Nick Muir, John Digweed - Tracer - Ruede Hagelstein Remix
Stephan Bodzin - Ix
D-Nox & Beckers - Mondays
Hot Chip - I feel Better - Max Cooper Remix
Lost Souls of Saturn - The Awakening - James Holden's Rave Regression Remix
Daniel Avery - Water Jump
Nathan Fake - the Sky Was Pink - James Holden Remix
Daniel Avery - Drone Logic
Weval - Grow Up
Weval - Half Age
Aphex Twin - Windowlicker - Run Jeromy Remix
FC Kahuna - Hailing - Max Cooper Remix
Boards of Canada - Happy Cycling
Groove Armada - At the River
Four Tet - Angel Echoes
Maribou State - Turnmills 
Boards of Canada - Music is Math
Lamb / Kruder & Dorfmesiter - Trans Fatty Acid
Fila Brazillia - Nature Boy
Boards of Canada - Turqoise Hexagon Sun
The Knife - Heartbeats
Air - Talisman

Just Another Drop in the Vast Sea of DJ Streams

Paregoria (demo)

midst

Links to more free original music and dj mixes: 
https://badpioneer.bandcamp.com/
https://www.mixcloud.com/badpioneer/

Backfire Effect

badpioneer

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