Stolen Velour (@stolenvelour) returns to Kindergarten Records with another confident display of intricate sound design and mind-bending rhythmic fluidity. In equal parts an embrace of silliness on the dancefloor and a serious piece of floor-shaking heft, Jasper builds on the palette of his last EP with the label, Onyx, and elevates Stolen Velour’s sound to new heights. A pair of label regulars switch up the flavours on the remixes. Sobolik (@tomsobolikmusic) strips back the opener to inject some space and a touch of dub, whereas Despina’s (@despinadespina) take on ‘I Know, I know’ tames some of the og’s wilder impulses to laser-in on strobing breaks and a wobbly low-end groove.

Sobolik - Jasper (KINDER015)
Out on Kindergarten Records on February 2, 2024

Stolen Velour - Jasper

Cardozo
Instagram: www.instagram.com/cardozoooo0/
Soundcloud: @cardozoooo

Cardozo - Acida 2000

Written, produced and mixed by Strict Face.
Mastered by Joseph Buchan. 
Artwork, layout and design by Studio Heuristic.

https://music.strictface.net/album/severe-forward

https://strictface.net
https://instagram.com/strictface
https://twitter.com/strictface

Severe Forward

Bellyache

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



Knurx - On The Low
Self released, 2025
𝓑𝓾𝔂 👉🏾 https://knurx.bandcamp.com/album/on-the-low

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
https://soundcloud.com/knurx
https://www.instagram.com/knurxyz/
https://knurx.bandcamp.com/album/on-the-low
https://knurx.bandcamp.com/

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
Self released

#newmusic #electronicmusic #Trap #Club #Bass

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#330 📢 Knurx - The Curse [Self released]

Third time’s a charm, right? Deep, rumbling—a shift in the seasons. Serious stuff, but always with a grin—Ommaya Vol. 3 baby. That’s right, our mainline compilation series is back for round three, bringing in friends from Tokyo to Berlin to the UK alongside familiar faces to properly bass-boost this entry. Bass is so back.

noRecall - Listen

"It feels like at the moment, we're lost in the long dark tunnel. Plenty of dance music seems to operate in a revivalist form, within a regression cycle, it's hard to pinpoint the exact sound of "now" without it referencing other points in history.

"We're trapped in 20th century culture on higher definition screens", poses Mark Fisher in a seminal lecture, and thus, exposes Berardi's concept of the Slow Cancellation of the Future. "Nothing ever really dies, but that's not good". In 1992 it was impossible to imagine the shape of music 6 months into the future, so why are we now constantly going back to these genres?

My aim with this release was to try and participate in the legacy of the Hardcore Continuum within the sonic context of the current world. A hyper-online, overstimulated landscape where our attention is constantly invaded by notification after notification, stimulus after stimulus. I try to materialise this by reshaping sharp noise into pulse, genre staples like the breakbeat get torn apart and forced into a brand new skeleton, and riot-invoking grime chants are repurposed into music set for a bleak now. Jungle, Dub, Grime, Garage, they are all present here, but the heavy gravitational pull of their legacies presents to me as a black hole I've tried to encapsulate in this EP.

Why is the future vanishing?"
—Pépe

Grane Drum [YUKU]

Yes, it's the start of summer... and yes, Kaval is releasing a new EP.
This time, for the 10K followers of his bandcamp, he delivers 4 hard-hitting edits of house tracks reminiscent of the summer season.

Bandcamp

Palms Trax - Equation (Kaval Edit)

Billenkoek Vol. 1 is our saucy opening chapter, steaming with 14 club-ready tracks that indisputably solidify our distinctive lush, vibrant, and playful sound.

“Billenkoek” is a Dutch term that can be loosely translated as “bumcake,” but a more accurate translation would be “spanking.” In this case, it refers not so much to the punishment, but rather to a playful interpretation of it — the album functioning as a sonic spanking.

About the track:
So my goal for this track was to develop a heavy electro chord track that focused on a distinctive lead. Something drawn out, punchy and that carried the energy throughout the track.

When you listen to this track, it's actually pretty simple. I drew up the more melodic synth half first and then added the vox sample.  The lead synth lead actually took the longest to figure out, but once that came I just laid it in front of the 2nd track, and that's when I knew it was this balance of push and pull.

Punky electro, with a but of this ghetto vox riff, followed by some melodic cool down. Pretty happy how this came out even though there are elements that can be cleaned up. I'm learning the way to progress with productions, is to not get fixated on the "perfect track" . This track was laying around for 6 months after I made it, and I wasn't even going to release it. Happy I connected with Booty School and you guys took a chance on "Lay it Down" Hope you enjoy! 

Socials:
@djsasomusic
https://www.instagram.com/sasomusic/

SASO - Lay It Down

FREE DL

kaycin - sick

Zenny - Tsubaki

RB Zouu - MVNIC EPISODE 

Type Beat RAGE / Trap - Type Beat Yeat X Playboi Carti X Travis Scott 


Contacter moi : 

Insta : rbzouu
Mail : rbzouu.pro@gmail.com

RB Zouu - MVNIC EPISODE

spreading boundless creativity since 2020.
𝗰𝘂𝗿𝗮𝘁𝗲𝗱 𝗯𝘆 𝗴𝗯𝗼𝗶
𝖗𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#330 📢 Knurx - The Curse [Self released]

Bad Tips