Kiosk Radio is an online community radio streaming 24/7 from a wooden shack in the heart of Brussels’ historic “Parc Royal”.
More info and music: https://kioskradio.com

ISENGARD w/ amalcrossing & malibu @ Kiosk Radio 12.04.2022

ewa awe - fashion.tv party

The newest release from 29 Speedway, UltraBody, is a compilation record featuring the music of Jake Muir, Pent & Dylan Kerr, Nexcyia & mu tate, James K, Flora Yin-Wong, Ex Wiish & Dorothy Carlos, Kamran Sadeghi, Tati au Miel, James Hoff, Eric Frye, qwqwqwqwa & sop.io, Muein, & Maxwell Sterling. The record is emblematic of the artists who have performed at 29 Speedway shows in New York and Europe during the past two years, and is the third in a series released by the label.

The record investigates how the self, spirituality, and language are intertwined with the intervention of subjectivity by new technologies. With increasingly sophisticated tech, and the supposed ability to remake the world and ourselves, what differentiates our individual discretion from the will imposed upon us by software? Quoting Walter Chaw, “Decades of rampant, unregulated and ill-considered technological leaps have begun to evolve, to mutate, humans at a biological level”. This haphazard acceleration towards a techno-utopic transformation of humanity has faulted, and as William Gibson put it, is leading us to live in a “half assed singularity”. In this reality, artistic processes are influenced by excessive access to computational tools and assistance, but not utterly controlled.

This in-between state of dominion is explored on UltraBody. “Incoherences” samples the utterances of Dylan Kerr’s voice processed between Pent’s percolated glazes, muddying the gulf between vaporous ambient and reflexive sound design. The voice on James Hoff’s “A... ...Cha.... A... I feel l” was created by trying to get voice cloning technology to sing a gps data stream, the music an extrapolation from an earworm he got stuck in his head while shopping in Kyoto. On “Plogue Chain”, Eric Frye’s most speculative sci-fi observations spiral into a glazed pool of digital cacophony, while Kamran Sadeghi’s “Formula Fiction” is an experiment in (un)controlled generativity. Incorporating minimal pings from a 3D simulation scene based on gravitational interaction, cello bits evolve on “Assimilation”, a collaboration between Ex Wiish & Dorothy Carlos.

On UltraBody, sound has no separate existence from space.

James K - Sketch 4

DISCMIX32 Like The Shadows On The Wall

L'actualité nous plonge dans l'abîme ET dans des filmos démentes redonnant de l'espoir.

Avec Stéphane.

2'45 : disclaimer
15'14 : l'autobiographie
30'01 : Coplan sauve sa peau
39'52 : Cran d'arrêt
45'20 : Un condé
58'07 : Le Saut de l'ange
1'09'28 : L'Attentat
1'23'42 : R.A.S.
1'39'22 : Dupont Lajoie

Les Intégrales : Yves Boisset, 1ère partie

An audience with London conceptual teenybop sensation The Femcels @the-femcels, aka Rowan and Gabriella.

We went IN, sloshing SCALDING HOT INDUSTRY TEA all over the effng place. Swear words? Stated. S*x? Referenced. C*lebs? Alluded to. NOT FOR SNOWFLAKES.

On blast: favourite ice cream flavours, stolen incel valour, drinking and puking off expired milk, pregnancy scares, kickstarting the ladies’ hymen reconstruction fund, having the perfect age, being “indie” at “school”, making bread off f*et pics, botched BBLs, coding with a botched BBL, the IQ to BBL ratio, having the same manager as the Libertines, music, more.

a full ep

Episode 44: "TRUTH" feat. The Femcels *PREVIEW — FULL EPISODE ON PATREON*

Disruptive Muzak Clip (out now on Death of Rave)

a ray of light

FALLEN ANGEL BACK TATTOO
THOUSANDS OF DEAD GODS
c34

El Ultimo Circulo

Plafond 4 — Ulla Straus / Oceanic [LP]

Vinyl: https://clone.nl/item57897.html
Digital: bakk.bandcamp.com/album/plafond-4

A1 Ulla Straus — I Forgot to Take a Picture (12:03)
A2 Ulla Straus — Becoming Warm (6:24)
B Oceanic — Three Sides Of A Shell (19:21)
 ↳ 1. Aperture 
 ↳ 2. Columella
 ↳ 3. Sea If You Can Hear

The fourth Plafond sees fine-crafted contrasting pieces complement each other in courtesy of Ulla Straus and Oceanic. Along the wide arbitrary landscape of listening or 'ambient' music, it is a delight to have two artists, separated by the vast Atlantic, contributing quite opposite interpretations of such to the series. Perceptual time feels as a recurrent theme which binds them, albeit in a whole different modus operandi.

In her iconic tactile productions, Straus excavates levels of advanced musical complexity in the seemingly most simple. Throughout two tracks her crude and beautiful technique riffles, compositions that remain prone to the transient, combining field recordings with morphing saxophone and guitar. This is deeply evocative music that turns its recipient into a mode of contemplation. ‘I Forgot to Take a Picture’ breathes melancholic romanticism, ‘Becoming Warm’ feels lorn yet hopeful. Pastoral haze over a rouge-tainted barren, the crackling insides of a wooden forest house. Picturesque and minimalist, Pennsylvania’s Straus manages to temporarily stop the sand from gravitating downwards.

Oceanic antagonises Straus with the triptych ‘Three Sides of a Shell’, recalling different emotions adhering to the fourth dimension. As a performing artist, Oceanic masters the element of suspense. Here, over the course of nineteen minutes, a three-note sequence is explored within the producers imaginatory, chapterised, providing moments to navigate through his fictitious galaxy. Stuttering melodies across azure waters, synthesised bleeps as flickering stars over a moonlit mountain pass. Oceanic’s music feels advanced through actively incorporating contemporary futurism, whilst never losing the glacial glance that is so familiar to its early nineties foregoers. It is as if listening to ‘Three Sides...’ heightens the senses, towards possibility, innovation even, triggering illusions of time dilation, shattering the hourglass.

Comes in hand printed dreamy, pink sleeve, including Obi-strip, by the BAKK Innerspace Ink Station.

Music: @ullastraus / @oceanicocean
Design: Mike Kokken and Heer Badoux
Words: Luke Cohlen (@lukecohlen)

Plafond 5

BAKKPlafond4 | Ulla Straus / Oceanic (LP)

'let me put myself together' 
https://bblisss.bandcamp.com/album/let-me-put-myself-together
https://boomkat.com/products/let-me-put-myself-together

Artwork by @panddr

Let Me Put Myself Together

new way to cope

Music label, based in The Hague.

BAKK then, now Plafond.