Audiophile 1K_part2

penn ar roc'h 💮🌸💮

Мои пианисты струнные

Instrumental

Classical Study Music

A journey through late-night sounds and understated grooves.

Vol de nuit

Old Friends New Friends:15/12/2021

Arşiv⚡️

Esja

Glass

Eden

Luka

Opus 18

Opus 18 (Silfur Version)

Einaudi: Full Moon (Arr. Lewin for Guitar)

Full Moon (Arr. Lewin for Guitar)

Johannesburg

Johannesburg (feat. Sibot, Radio 123, Morena Leraba & Gruff Rhys)

Exiles

The Haunted Ocean (Exiles Version)

Luminous

Theme from King Heroin

Theme From King Heroin (Blundetto Version)

Colours Of Piano

Richter: Vladimir's Blues

Big Jet Plan - "Down The Way" album by Angus & Julia Stone
Download on iTunes - http://smarturl.it/bigjetplane

Angus & Julia Stone - Big Jet Plane

Cherry Tree

About Today

Trouble Man

"T" Plays It Cool (From "Trouble Man" Soundtrack)

The Astounding Eyes Of Rita

After Hours

It's On

Kellee Patterson - I'm Gonna Love You Just A Little More, Baby

Dinking in the Shadows of Zizou

Chicken Stomp

Spaces

Says

Violin improvisation to accompany the Piano composition "The Road to You - Stefano Guzzetti" https://soundcloud.com/stefanoguzzetti

Violin Improvisation (accompaniment to The Road to You - Stefano Guzzetti)

II is a new track by STEFANO GUZZETTI taken from "NELL'ATTESA DEL TUO PROSSIMO RESPIRO" (Waiting for your next breath). A double photographic book that collects four different photographic stories curated by STEFANO GENTILE and MONICA TESTA. ENRICO CONIGLIO and STEFANO GUZZETTI, on two separate cds (one for each one), have voiced, on the margin of photographic images, the possible musical settings, which we hope can accompany. The two 25x25 cm sized books are packaged in a "container" where the two CDs are also spaced. The artwork was created by CHRIS BIGG (well known for his graphic works for the 4AD and David Sylvian). 
13 / silentes will publish this opus next July 2nd in a strictly limited edition of 300 copies. More infos soon.

Stefano Guzzetti : II

Wanderer

Open

Lately - EP

Lately

Ensemble

All Our Days (Stefano Guzzetti)

From 'One Hundred Billion Sparks Remixed'

Buy/stream here: https://maxcooper.lnk.to/ohbsremixed

Max Cooper - Hope (Parra For Cuva Remix)

Umama - A COLORS SHOW

Mari

Richter: November

Richter: Dona Nobis Pacem 2

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (2012)

Download

In The Dark Woods

Inside River #2

Bandcamp

Taken from the album 'Healing Is A Miracle', released 10 July on Ninja Tune: https://julianna.lnk.to/healingSo

Follow Julianna Barwick -
Spotify: https://found.ee/juliannabarwick-sp
Apple Music: https://found.ee/juliannabarwick-am
Instagram: https://found.ee/juliannabarwick-ig
Facebook: https://found.ee/juliannabarwick-fb
Twitter: https://found.ee/juliannabarwick-tw
Youtube: https://found.ee/juliannabarwick-yt
Bandcamp: https://found.ee/juliannabarwick-bc
Soundcloud: https://found.ee/juliannabarwick-sc

The Haunted Ocean (Exiles Version)

Baltic Sea Philharmonic