KEN REBEL X REBELIFE OFFICIAL SOUNDCLOUD 
BOOKING & INQUIRIES - REBELIFMUSIC@GMAIL.COM


Albums

(2018) Impact Winter OST https://tinyurl.com/y7rzzzrg
(2016) Megamagic OST  https://tinyurl.com/h5dtrw2
(2015) Kung Fury OST  https://tinyurl.com/y8t2x7j6
(2014) Interceptor    https://tinyurl.com/ybjpgyzd
(2011) Current Events https://tinyurl.com/kzsg3ur
(2010) Burning Chrome https://tinyurl.com/y823o9af

EPs

(2018) Instances      https://tinyurl.com/y9zyqsf6
(2017) Zero Strike    https://tinyurl.com/ycln82w5
(2016) The Real Deal  https://tinyurl.com/ztloezr
(2016) MECH HUNTER    https://tinyurl.com/helayuw
(2015) Kung Fury (LT) https://tinyurl.com/os69htx
(2013) Another Place  https://tinyurl.com/ycbbgnvv
(2013) Descent        https://tinyurl.com/y8fuab2r
(2013) The Touch      https://tinyurl.com/y7xvkddj
(2012) Planet V       https://tinyurl.com/lrxynpd
(2012) SPRAWL         https://tinyurl.com/yb7zh34b
(2012) Glass Cities   https://tinyurl.com/yd894ojq
(2012) MARS           https://tinyurl.com/ya2z2zz3
(2011) Elevator Music https://tinyurl.com/ybm89xun
(2011) This is Now    https://tinyurl.com/yayk4apy
(2010) Television     https://tinyurl.com/ycmogozj
(2009) After Hours    https://tinyurl.com/yawecqsd

Compilations

(2016) Selection 4    https://tinyurl.com/gny83g4
(2015) Selection 3    https://tinyurl.com/mwpcruq
(2014) Selection 2    https://tinyurl.com/ycfjwdft
(2012) Selection 1    https://tinyurl.com/yc5l247k

'January Never Dies' ALBUM OUT NOW
https://balmingtiger.ffm.to/januaryneverdies

INQUIRIES & BOOKING:
mgmt@balmingtiger.com

PARADISE. 고민거리들은 없는 가상현실 안에서 당신의 생을 살아가세요. 첨단환경과 복제되는 정보로 인한 혼란에 주의를 요망함. 사랑은 가공되어진다 인큐베이터안에서. 유비쿼터스 세상을 홀로  漂流할 자신이 있습니까? ㈜3D정보GANG 가 당신의 지표-indicator-가 되어 준다.


Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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