Flashback to Toby at Zu Studios in the Spring x

We'll dance the Tango in its many forms, from the traditional bandoneon of Argentina to the pulsing electronica of the "new tango" of Finland and Norway.
 
Episode 22.04 
Airdate: January 17-23, 2022

Featuring:
1. Gotan Project - Una Musica Brutal (from the album “World 2002” on Hemisphere)
2. Ousmane Touré - Dimba (from the album “Avenue du Monde / Tango Around The World” on Together Production / Putumayo)
3. Alexis Kalofolias & Thanos Amorginos - Gia Lig (from the album “Sose Me” on Universal Music Greece)
4. 34 Puñaladas - Te Vas Milonga (from the album “Tangos Carcelarios” on Disc Medi)
5. Federico Aubele - Postales (from the album “Gran Hotel Buenos Aires” on Eighteenth Street Lounge)
6. Souad Massi - Ghir Enta (from the album “Deb (Heart Broken) on Wrasse Records)
7. Fortuna - Tango Idishe (from the album “Novo Mundo / Tango Around the World” on MCD / Putumayo)
8. Melingo with Florencia Bonadeo - Leonel el Feo (from the album “Santa Milonga” on Mañana Music)
9. Electrocutango - Felino (from the album “Felino / Tango Around the World” on Random Records / Putumayo)
10. Earth Wheel Sky Band - Gypsy Tango (from the album “Roma Art III (3): Gypsy Tango” on X-Produkcio)
11. Cáceres with Ariel Pat - José Marmol y Tarija (from the album “Murga Argentina” on Mañana)
12. Orquesta La Moderna Tradición - Mi Chachacha (from the album “Goza Conmigo” on Hitman Records)
13. Sükriye Tutkun - Efem (from the album “Gücüm Yetene Kadar” on EMI)
14. Adriana Varela - Milongon del Guruyu (from the album “Cuando el Rio Suena” on Nueva Dirección en la Cultura)
15. M.A. Numminen & Sanna Pietiainen - Kangastus (from the album “Finnischer Tango” on Trikont)

Tango Around The World

In a year when movement was restricted as never before, two musicians whose travels have been their life-blood, managed to get together to make an intense and intimate record Still Moving. Justin Adams, whose post-punk approach has been enriched by a passion for Arabic and African trance/blues, and Mauro Durante, a visionary inheritor of the Taranta roots of his native Puglia recorded live in the studio, without over-dubs. Together they found what was essential in their common sound, reaching into tradition from Italy (folk songs like Damme Nu Ricciu, classics like Amara Terra Mia) and America (Little Moses, the Carter Family classic). Original songs , like Dark Road Down find common ground between the wild pizzica rhythm of Southern Italy and trance boogie, while Djinn Pulse goes from serene instrumental minimalism to hypnotic catharsis. The title song Still Moving evokes Mediterranean migrations
as Odyssean trial with ancient frame drum, and raw electric guitar providing a starkly beautiful landscape

Still Moving

Dark Road Down

Rhiannon Giddens: Oh Love Is Teasin

Lovingly mastered from old tapes found in a friend’s attic, this is a vintage collection of previously unreleased rarities and early works by one of the guitar's truly great innovators.

**A vintage collection of previously unreleased recordings**

Further information at www.worldmusic.net/johnrenbourn

John Renbourn: Blues Run The Game (taken from The Attic Tapes)

Live recording from Platoon Kunsthalle in Berlin

Hior Chronik - PBD Live 1

Face A du 45t vinyle collector édité par Jazz sous les Pommiers en 2017. Uniquement en vente sur leur site internet !

Duo A. Besson/V. Ségal. 'Blossom' (A. Besson)

Aïrés is: 
Airelle Besson : Trompette
Edouard Ferlet : Piano
Stéphane Kérécki: Contrebasse
Album sorti le 27 octobre 2017 chez alpha classics/Outhere Music

Aïrés 'Infinité' (Airelle Besson)

Brass Menažeri - Opa Cupa

Late Night Tales: Agnes Obel

I Lie

La Llorona

Mi Vanidad

Vocals by Zhenia Mahdi-Nau
Track originally written for the Anicent Skies project
www.ancientskies.info

BandCamp

Banco De Gaia - Lamentations (edit)

Banco De Gaia has been performing and releasing for over 25 years now, along the way becoming one of the music industry’s most maverick innovators. His legacy is as glittering as it is diverse, ranging from Hollywood film sound credits to the critically acclaimed ‘Last Train to Lhasa’, first released in 1995 to a rapturous reception. His live act still packs out venues and festivals all over the world, with audio-visual performances renowned for their explosive, cutting edge quality: from sampling wizardry fused with haunting vocals and poignant acoustics to genre-hopping musical instrumentals, all accompanied by socially engaged visuals.

Behind Banco de Gaia is artist Toby Marks. Starting out as a drummer in a metal band, he began using sampling kit to cut his own tunes after falling in love with electronica during the 1980s acid house era. By the early 90s, after winning respect for a clutch of credits on the Ambient Dub compilations, he was signed to Planet Dog Records and released ‘Maya’, in 1994, and then ‘Last Train to Lhasa’, in 1995.

Both albums featured an artfully arranged cocktail of textured samples and live instrumentals lifted from across the world. Both went straight to No. 1 in the UK Independent Charts as well as sweeping through the international electronica scene, making him, along with the likes of The Orb, one of the early pioneers of ‘chill out’. Both ‘Last Train to Lhasa’ and ‘Heliopolis (Eudopolis Dog Mix)’ notably featured on Sasha & Digweed's classic ‘Northern Exposure’ mix CD among myriad other compilations. 

Since then, he's released a further 6 studio albums, 1 live album, 1 live DVD and 15 EP’s and also runs his own label, Disco Gecko Recordings. He went back to basics in 2014 with a sold-out 20th Anniversary CD-only (no streams or downloads available) release of ‘Maya’, followed by similar 20th Anniversary editions of ‘Last Train to Lhasa’ in 2015 and ‘Live at Glastonbury’ in 2016.

Pink Floyd and psychedelia remain a constant influence: Banco’s cover of Echoes in 2007 helped shape the ‘Memories, Dreams, Reflections’ collection in 2009 and Floyd’s legendary saxophonist Dick Parry was one of Marks’ special guest collaborators (alongside no-man’s Tim Bowness and Zero 7’s Sophie Barker) on his ‘The 9th of Nine Hearts’ album, which came out in October 2016.

“A continuation of the consistently high form Toby Marks has shown throughout a long and illustrious career” (Total Music Magazine), The Crack described ‘The 9th of Nine Hearts’ as full of “dubby loveliness that fuses psych, spiky rock, acid and ambient” while the Ambient Music Guide hailed it as “Banco's strongest album of new material in 15 years”.

Banco De Gaia - Lamentations (edit)

Banco de Gaia

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