When I was a kid in the 70’s I remember seeing a TV programme about a guy who declared that an old naval platform somewhere off the coast of England was his own country.

Many years later I was asked to contribute to the Outlaw Oceans project and thought this was a perfect subject for a track. As I don’t really do 70’s retro, apart from the odd prog rock cover, I decided to work the 70’s-style narrator’s voice into a retro 90’s sounding track. Sadly the initiative ran into complications and the release was pulled.

As I found it an amusing project to work on, I never gave up on the track, and re-visited it earlier this year to give it a final tweak.

I hope you enjoy this trip down memory lane as much as we have, or at least find the ridiculousness of it all entertaining!

My Little Country

BANCO DE GAIA - My Little Country

Faroutpete...NO POP,NO STYLE ......thanks to all of you who post/mix/produce. Nothing here is mine except playlists of tracks that you have posted........ if you have issue with anything I put on here let me know and I will remove.... once again RESPECT... and thanks


 


Banco De Gaia has been performing and releasing for over 25 years now, along the way becoming one of the music industry’s most maverick innovators. His legacy is as glittering as it is diverse, ranging from Hollywood film sound credits to the critically acclaimed ‘Last Train to Lhasa’, first released in 1995 to a rapturous reception. His live act still packs out venues and festivals all over the world, with audio-visual performances renowned for their explosive, cutting edge quality: from sampling wizardry fused with haunting vocals and poignant acoustics to genre-hopping musical instrumentals, all accompanied by socially engaged visuals.

Behind Banco de Gaia is artist Toby Marks. Starting out as a drummer in a metal band, he began using sampling kit to cut his own tunes after falling in love with electronica during the 1980s acid house era. By the early 90s, after winning respect for a clutch of credits on the Ambient Dub compilations, he was signed to Planet Dog Records and released ‘Maya’, in 1994, and then ‘Last Train to Lhasa’, in 1995.

Both albums featured an artfully arranged cocktail of textured samples and live instrumentals lifted from across the world. Both went straight to No. 1 in the UK Independent Charts as well as sweeping through the international electronica scene, making him, along with the likes of The Orb, one of the early pioneers of ‘chill out’. Both ‘Last Train to Lhasa’ and ‘Heliopolis (Eudopolis Dog Mix)’ notably featured on Sasha & Digweed's classic ‘Northern Exposure’ mix CD among myriad other compilations. 

Since then, he's released a further 6 studio albums, 1 live album, 1 live DVD and 15 EP’s and also runs his own label, Disco Gecko Recordings. He went back to basics in 2014 with a sold-out 20th Anniversary CD-only (no streams or downloads available) release of ‘Maya’, followed by similar 20th Anniversary editions of ‘Last Train to Lhasa’ in 2015 and ‘Live at Glastonbury’ in 2016.

Pink Floyd and psychedelia remain a constant influence: Banco’s cover of Echoes in 2007 helped shape the ‘Memories, Dreams, Reflections’ collection in 2009 and Floyd’s legendary saxophonist Dick Parry was one of Marks’ special guest collaborators (alongside no-man’s Tim Bowness and Zero 7’s Sophie Barker) on his ‘The 9th of Nine Hearts’ album, which came out in October 2016.

“A continuation of the consistently high form Toby Marks has shown throughout a long and illustrious career” (Total Music Magazine), The Crack described ‘The 9th of Nine Hearts’ as full of “dubby loveliness that fuses psych, spiky rock, acid and ambient” while the Ambient Music Guide hailed it as “Banco's strongest album of new material in 15 years”.