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ONE_N_ONLY ~Shut up! BREAKER

Cherry Bomb || NCT 127

Akuma no Ko

Paradise (SK8 The Infinity OP | RUS)

HAYLOFT 2

Burn The World

Are you trying to trick me?
No I'm not!
Are you trying to trick me?
No, I see that you're alive

I am the one
Who will make you feel allright
I understand
That you lurk in the night

For you are
The Temptation Ritual
The Devil’s Bargain

Don't fall for 
False Salvation
Don't!
Don't fall for 
False Salvation
Don't!

Give me your soul
Give me riches of gold
Give me your soul
Give me riches of gold

Don't fal for those words
Don't fall for those ways
I am the one
Who will make you see the day

For you are
The Temptation Ritual
The Devil’s Bargain

Don't fall for 
False Salvation
Don't
Don't fall for 
False Salvation
Don't

Yeah!

For I am coming up for you
For I am coming up for you

Do Not Fall
Do Not Fall

Fallen for the Lie
Fallen for the Lie
Fallen for the Lie
Fallen for the Lie
Don't
Don't

I give you
Riches of Gold
I give you
Riches of Gold

For you are
The Temptation Ritual
The Devil’s Bargain

Don't fall for 
False Salvation
Don't
Don't fall for 
False Salvation
Don't
Don't fall for 
False Salvation
Don't

Don't


False Salvation

The gates have opened. The cross has turned.
“Diabolic” marks the darkest, heaviest, and most blasphemous moment in The Black Cross’ history — a twelve-track descent into fire, rebellion, and divine ruin.

Across its molten landscape, Diabolic fuses the crushing weight of doom, the precision of groove metal, and the fury of thrash into one infernal mass of sound.
Michael leads as the voice of destruction and defiance — the fallen preacher who burns the scripture itself — while Lilith rises as the serpent queen, her haunting presence spreading through the ashes like temptation incarnate.

From the apocalyptic grandeur of “Inverted Faith” and the slow-burning menace of “Diabolic,” to the southern steel of “Turn the Cross Upside Down” and the tragic beauty of “Evil Spirits,” every song is a sermon of damnation.
“Demonic Possessions” sees Lilith take full control, a demonic force of nature channeling chaos and power, before the album culminates in the seven-minute requiem “Amen Infernum” — where the fallen king and serpent queen unite in eternal fire.

This is not an album — it’s an inverted gospel.
A book of desecration written in distortion and blood.
A war hymn for those who never prayed, and a crown for those who burned their faith.

Diabolic isn’t where The Black Cross ends —
it’s where hell finally begins.

Seal Of Satan

Clint Eastwood was Gorillaz' first proper single. A huge smash initially in the UK, where it remained in the charts for months and the top 10 for weeks. At around the same time radio in Europe also went mad for the song. Slightly later in 2001 the song would also become a massive radio hit in the US and central and South America. Bigger than his previous smash, Song 2 (with Blur), this song remains Damon Albarn's biggest hit. In the UK the Ed Case Refix (available on all formats) actually got far more airplay than the A-side, probably resulting in the inclusion of said remix on the debut LP. B-side Dracula was probably the best of the off cuts from the 'Gorillaz' sessions, and tour rap group Phi Life Cypher also contributed a version.

Clint Eastwood

BURSTERS_THE WAR IS OVER

BURSTERS_ESCAPE

LOONA - Butterfly Male version

RED SQUARE - Colorfull

Extrait du concert de MAMAMOO F/W concert 4 SEASON.

Solar (MAMAMOO) F/W concert 4SEASON "Shut up and let me go"

Hey guys, took a while, it's far from perfect, but i hope you can enjoy it as it is. 



Thanks for listening and supporting me!

Mix and instrumental provided by Miura jam, and female vocals by Bruna Higs

BURSTERS_ESCAPE

BURSTERS

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