°F4R3W311 2023° (rip my old MacBook)

"PLAY TO WIN" A 3Dbeat$ EXCLUSIVE

Your Place (Sped up)

Happy Valentine's Day!

Produced by 2 Deep Beats for Anno Domini Beats

High ft. Mariam

High ft. Mariam (2024)

we don't go to church anymore produced by Malloy
like the other girls produced by Hajdo
brunette stranger (demo) guitar played by t.y.a
hotel horror produced by MTMadeThis

photography credits: t.y.a & sudz

This EP is for you. It's not the best. It's just honest.

we don't go to church anymore

we don't go to church anymore - t.y.a

Trap Disco ft. Anastasia Skinny

Bop Head

Let It Be

561 Wayne -CindaRella (playboyflex)

Markice Walker (born September 16, 1996), known by his stage name Bando Moss is an American hip hop recording artist from Jackson, Mississippi. The artist's most celebrated releases to date are his 2nd 2016 mixtape Free Codeine which reached over 50k+ Views on Spinrilla.com. His single When I First Left The Porch reacehed over 50k+ plays on Spinrilla.com and 1.22 Million plays on Soundcloud.com. The upcoming artist now has over 100k+ followers on his Twitter social media

Drop It Off

Rap artist Markice Walker, better known by his stage name BandoMoss, is an American rapper from Mississippi. BandoMoss started receiving recognition after the release of his second project ‘Lost in the Glo EP’ back in 2016, earning him a spot in the top upcoming artist online. Recently, in 2020; BandoMoss released his new mixtape 'Free Codeine' which is now available online on all platforms.
Almost immediately, BandoMoss proves that the straightforward mixtape title “Free Codeine” is an ope n invitation to groove. When those initial vocal twists ring out on “When I First Left The Porch”, they inject a steady stream of endorphins through your headphones. Almost immediately, BandoMoss proves that the straightforward mixtape title “Free Codeine” is an ope n invitation to groove. When those initial vocal twists ring out on “When I First Left The Porch”, they inject a steady stream of endorphins through your headphones, making head nodding compulsory. Creating a full-on vibe and mood-inducing mixtape may not seem like a momentous task, but creating one with this level of precision and individuality is. All across the recording, BandoMoss' delivery is seamless, his varying-pitched vocal tones grinding against the lively production. There are no dull moments on this mixtape, largely due to the vast distinctions between each of the beats, and the rappers ever-changing flows. Unlike many other feature-heavy releases this year, BandoMoss doesn’t rely on the presence of others to hold down the songs; his performance actually stands alone. He undoubtedly controls each of the 12 tracks, radiating a hazy psychedelic throughout each track.