GOOD STUFF

bubble_summer_2021

the collection

&@($/:”

Spotishine - 6

Dear Diary,

A private entry about loss, shame, fear, hate, and doubt.

Sorry, Sincerely, Somewhere,
bod

hopeful, how?

Goods Yard (feat. Richard Spaven)

GOODS YARD feat. Richard Spaven

HAWK MOUNTAIN feat. Eric Harland

Lorimer Feat. Savannah Harris

LORIMER feat. Savannah Harris

Lionel Hampton Presents: Buddy Rich

Latin Silk

Ten Percent

Everyman (Dam Swindle Remix)

Produced by OG TINT
Mixed by kidcole cuz i cant mix hard music for shit
 
I honestly hate this song LOL but maybe you guys will like it. Here’s the Lyrics

L Y R I C S:

Boka boka high
Boka high high boka
If we gotta die, we gon die high yolo (x2) 

Suprised they did not kill me cuz i really am the man
If you really wanna fight we can do it with no hands
Yeah that’s right, thats a blade
In my hand, its okay
You niggas aint been through shit
So imma show you true pain

In that bitch like everyday
Keep that blade up on my waist
If you wan fight we can fade
Omayeh, we keep blades tucked
Bruh. what you know? if you really wanna go
Yo if you wan fight then keep it up
If you wan fight then keep it up

Im up at night like robin bro
I might fuckin shoot a hoe
We slammin shells into the gold eva
Hit your dog, aint no peta
You repeat flows i feel like the devils ghosts
Doing the most to kill you niggas at home bitch

Boka boka high
Boka high high boka
Boka boka high
Boka high high boka (x2)

Boka boka high
Boka high high boka
If we gotta die, we gon die high yolo (x2)

And thats it for today
You just wanna talk dont got shit to say
Yeah ur life sucks thats not my issue okay
Im just living life i treat this shit like a game
This shit is a game Yuh!

And i pull the strings on you puppets 
Children always want beef over dumb shit
Sippin wine at the crib n im dumb lit
And you gon keep on hatin becuz of it
Promise that i cannot get enough of it

BOKA-BOKA

slime dollaz - onyaknees (p.skelli) [cap exclusive]

Död Mark - Du Vet

1oneam - feds (altosgp)

Melody As Truth returns with "Talk From Home" an album from Los Angeles native Suzanne Kraft. "Talk From Home" showcases Kraft's emotional depth as a producer, and skill as a multi-instrumentalist. Recorded over a few weeks in the winter of 2014, the intimacy of the recordings shines through in a melancholic yet hopeful world of melody and tone.

Pre-order: https://melodyastruth.bandcamp.com
Release Date: July 2015

A2 - Never Heated

Harvest

Heart of Gold (2009 Remaster)

Bleach

Been A Son (Live at Pine Street Theatre)

Buy the exclusive collaboration on Bleep: https://bleep.com/release/73657-mark-pritchard-x-kaitlyn-aurelia-smith-nownow-absolut-collaboration

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We believe that « everything is a remix »

Remixes are a major part of the electronic music history. The club culture take off on remixes, some of the greatest dance hits where made from remixing original tracks.
Our primary purpose is to highlight this exercise by offering the opportunity to artists to either work on a remix or offer a track to be remixed by an artist they admire. It is overseen and curated by independent music lovers and supported by The Absolut Company, a brand that is permanently involved in the field of contemporary arts and creation with a tradition of supporting artists such as Keith Haring and Andy Warhol at their very early stage of their career. The Absolut Remix project is dedicated to the art of combining or editing existing materials, to produce something new.

As a start, every last Thursday of the month, we will unveil a new remix, from a newcomer or a legend, from disco to techno or IDM and house music. And more to come...

-------

Kaitlyn Aurelia Smith
@western_vinyl | facebook.com/kaitlynaurelia | twitter.com/kaitlynaurelia

Mark Pritchard
@markprtchrd | facebook.com/markprtchrd | twitter.com/markprtchrd

Absolut Remix
@absolutremix | www.facebook.com/AbsolutRemix | twitter.com/AbsolutRemix

Buy on Bleep

Mark Pritchard x Kaitlyn Aurelia Smith - Now:Now (Absolut Collaboration)

Artist: MARY OCHER
Album: THE WEST AGAINST THE PEOPLE
Klangbad73CD / LP / Digital Download
Release Date: 10.03.2017
Distribution: Broken Silence, Cargo, A-Musik
www.klangbad.de
www.maryocher.com

Mary Ocher - The Endlessness (Song for Young Xenophobes)

a demo I wrote during Hurricane Irma by sndngchllz

Original by title fight (head in the ceiling fan)
I do not own the instrumental in any way
Off the unfinished forestlovesong ep
Nobody can save me.

Bear(Interlude)

From the album Anne.  Available November 16, 2018 from Western Vinyl.

Bandcamp https://josephshabason.bandcamp.com/album/anne
iTunes https://itunes.apple.com/us/album/anne/1427808233?ls=1&app=itunes
Spotify https://open.spotify.com/album/19FD6RN5K3xYFThAHM4fGy?si=0hUO0rFVQAigvSPTvJL_4w
WV http://westernvinyl.com/shop/wv182

Joseph Shabason
Twitter https://twitter.com/JosephShabason
Instagram https://www.instagram.com/josephshabason/
Facebook https://www.facebook.com/josephshabason

Anne, the second album By Toronto saxophonist and composer Joseph Shabason, is a tonal essay on degenerative illness. Delicately and compassionately woven with interviews of Shabason’s mother from whom the album takes its name, Anne finds its creator navigating a labyrinth of subtle and tragic emotions arising from his mother's struggle with Parkinson’s disease. Across the nine vivid postcards of jazz-laden ambience that comprise the album, Shabason unwraps these difficult themes with great care and focus revealing the unseen aspects of degenerative diseases that force us to re-examine common notions of self, identity, and mortality. 

Shabason’s uncanny ability to manoeuvre through such microscopic feelings is mirrored by his capacity to execute a similar tightrope-walk through musical genres. His music occupies a specific space that is as palpable as it is difficult to pin labels to. On Anne’s second track “Deep Dark Divide” rays of effected saxophone shine behind clouds of digital synthesizer that echoes the sound of jazz in the late 80s, but with a Jon Hassell-esque depth of sensibility that consciously subverts the stylistic inoffensiveness of that era. There is detail and idiosyncrasy beneath Shabason’s dawn-of-the-CD-era sheen that elevates the album far beyond a mere aesthetic exercise.

Still, the sounds on Anne are not so experimentally opaque as to stand in the way of the album’s through-line of sincerity and emotionality. When dissonance is employed it is punctual and meaningful, like on album-middler “Fred and Lil” where a six-minute cascade of breathy textures builds suddenly to an agitated growl, only to abruptly give way to Anne Shabason speaking intimately about her relationship to her own parents. Snippets of such conversations see her taking on something like a narrator role across Anne while the sound of her voice itself is sometimes effected to become a musical texture entwined into the fabric of the songs without always being present or audible.  The subsequent piece “Toh Koh” then drifts into playful disorientation as a lone female voice echoes the two syllables of the title, recalling the vocal techniques of composer Joan La Barbara, or even the light-hearted mantras of Lucky Dragons. From here the album veers back onto its aesthetic thoroughfare with “November” where Shabason lays muted brass textures atop a wavepool of electric chords provided by none other than the ambient cult-hero Gigi Masin, one of Anne’s many integral collaborators.

The serene tragedy of the album distils itself gracefully into the ironically titled album closer “Treat it Like a Wine Bar” wherein flutters of piano and mournfully whispered woodwinds seem to evaporate particle by delicate particle, leaving the listener with a faint emotional afterglow like a dream upon waking. There is a corollary to be drawn here with what it must be like to feel one’s own mind and body drift away slowly until nothing remains, while the collection of memories and abilities that we use to denote the “self” softens into eternity. On Anne, it is precisely this fragile exchange of tranquillity and anguish that Joseph Shabason has proven his singular ability to articulate.

Anne

Joseph Shabason - "November ft. Gigi Masin"

Eclipse (Interlude)(Prod. FIFTY GRAND)

Cancer by ayce comet mixed by kid kanashi

AYCE COMET - CANCER HELL VERSION

Suzanne Ciani
Flowers Of Evil
(Finders Keepers Records, FKR099)

As a genuine vanguard of electronic music composition at the forefront of the modular synthesiser revolution in the late 1960s, Suzanne Ciani’s forward-thinking approach to new music would rarely look to the past for inspiration, which makes this unheard composition from 1969 a rare exception to the collective futurist vision of Ciani and synthesiser designer Don Buchla. In choosing to adapt the controversial prose of French poet Charles Baudelaire, Suzanne would join the ranks of ongoing generations of pioneering musicians like Olivier Messiaen, Karlheinz Stockhausen, Serge Gainsbourg, Etron Fou Leloublan, Celtic Frost and Marc Almond (not forgetting Star Trek’s William Shatner!), all equally inspired by the 19th century writer’s works of “modernité” (modernity), a self-coined term dedicated to capturing the eeting, ephemeral experience of life in an urban metropolis, best exempli ed in his symbolic, erotic and macabre ode to Parisian industrialisation, Les Fleurs du mal (Flowers Of Evil).

In her varied career that would combine art gallery installations, major lm soundtrackings and commissions for Atari, Suzanne Ciani’s earliest experiments remain some of her most challenging, beguiling and timeless… Flowers Of Evil ticks all the above boxes and icks switches that would power-up a new uncharted universe of her own musical modernité. For the many enthusiasts that have already drawn the parallels between Baudelaire’s writings and experimental/ electronic music (a relationship rivalled only by the likes of J. G. Ballard and Aldous Huxley) some might instantly recognise an unconscious sistership between this recording and another 1969 electronic adaptation of Flowers Of Evil by celebrated female electronic composer Ruth White. An interesting distinction of White’s excellent version of Flowers Of Evil (released via Limelight records, home to the likes of Fifty Foot Hose and Paul Bley) is that its dark tone generation and vocal manipulation was created with a Moog synthesiser, the commercially triumphant rival to Suzanne and Don’s Buchla Systems (Buchla and Moog’s historic, simultaneous, neck-and-neck synth developments are well documented.) The fact that Ciani’s version was never intended for commercial release (not unlike her 1975 Buchla concerts, which could easily have taken Morton Subotnick’s Bull by the horns!) is also poetically re ective of the nature of Ciani and Buchla’s alternative perspective. The choice to present this extract from Flowers Of Evil in its intended French language further distances Ciani’s faithful reaction from some of its better-known variations. Having attempted to voice the poem herself, the multilingual Italian-American composer’s French accent did not meet her own standards, resulting in the request for a fellow unnamed French student who lived on campus at Mills College in Oakland to accurately verbalise the section of Baudelaire’s collection entitled Élévation.

www.finderskeepersrecords.com

Flowers Of Evil

Suzanne Ciani - Flowers Of Evil (Excerpt)

YEAR0001 SOUNDS presents: @baojiaxiang - CINEMIX 4K

tracklist:
title theme - zelda the ocarina of time
im so tired (fugazi) - fog lake
elysium/now we are free - hans zimmer/Lisa gerrard (gladiator oST)
solitude - skyrim ost
neon - playboi carti
the white flash feat. thom yorke -mModeselektor
chief keef - in it (cmm remix)
awake - quit life
clumsy - oli xL
by and by - fog lake
only in sleep - erik esenvalds


CINEMIX is an abbreviated synthetic rewriting of two religious texts.

LIFE / 0 = now until forever
IS x 1 = never always was
MANY - 1 = there are no/only absolutes

blessing, the chosen path
attempt
failure
savior
eternity
collapse and reconstruction
attempt
failure
savior
eternity
we have always been
attempt
failure
savior
eternity
singular infinite multiplicities
attempt
failure
savior
eternity

name one place in your life
that you’ve experienced linearly
or even as a space i dare you
you can’t time is sentient
i told you so

it’s always been over
it never began

hopeful, how?

bod [包家巷]