Inimitably, Hempress Sativa is rightly regarded as a prolific Singer/Songwriter to nascent from her Generation of ‘Conscious Roots” purveyors. An anomalous talent, whose expressive writing skills with sharpened delivery commands the attention of her audience in each performance; with an uncanny ability to keep all listening as if in a trance, absorbing her every word, every rhyme. 
​
Born Kerida Johnson to Ras Tafari parents Doris Ray Ricketts and Albert ‘Ilawi Malawi’ Johnson, Legendary Selector (Originally of Jah Love Muzik), Drummer, Producer and Singer/Songwriter who would become her greatest influence. 
 
Her father would summon almost 4 years old Sativa and older siblings to the ‘Control tower” which was a room he create to host his sound system equipments and Vinyl records. Located in the Ghetto of Mona Common, Papine, this 2 bedroom board house was the meeting grounds for the family and community to be entertained. Routinely, for his upcoming session he would methodically create an “Orthodox” selection which MYSTICALLY resonated with the Hearts of the masses who ventured near and far to hear Ilawi play. He would confidently hand the Mic to the offspring who dared to go first and it was there that Sativa would succumb to these encounters and began to develop her extraordinary talent.
 
Hempress Sativa has graced the Covers of magazines such as Backayard, Hotbox, Irie mag, Riddim and Abana Magazine yet remains a humilitant soul whose moral fibres are strongly govern and deeply rooted in her Ras Tafari Livity that is consistently conveyed in the contents of her songs.
 
She has been a popular name on the Jamaican scene for years performing at Rebel Salute, Reggae Sumfest and Digicel’s “Bob Marley” sponsored events.
 
Hempress Sativa has completed tours South of the US including Louisiana, Atlanta, Texas, and Miami. Conquering uncharted territory in Minneapolis whilst supporting Hopeton “Scientist” Brown at the Red Bull Sound Select, who introduced her sounds to a sold out venue receiving great reviews and new fans.
 
She’s broken grounds with appearances in Mexico, Mapping through California for Sierra Nevada World Music Festival, High Times Reggae on The River, Beloved Festival, Austin Reggae Festival, Northwest World Reggae Festival, and Bob Marley Celebration in San Diego at the World Beat Center to mention.
 
In 2017 Hempress Sativa released her debut album “UnconqueRebel” independently produced by label Conquering Lion Records with collaborated efforts from Ranking Joe on the track title “Natty Dread” and Anthemic songs such as “Rock it In a dance” and  “Wah Dada Deng” mixed by Paolo Baldini yielding 11 million views and counting on Youtube.
 
Embarking on her first tour of Europe spanning throughout Belgium, France, Spain, Italy and England. With an impressive set at Reggae Geel expertly backed by her band UnconqueRebels. At Rototom Hempress dominated the Main stage as a first timer with an remarkable noteworthy performance manumitting her single “No retreat” which samples the late Junior Murvin which was an instant favourite with the audience. To the delight of the crowd, Hempress Sativa displayed strong hegemony over the Vina Rock Festival stage in Villarrobledo, Spain with an remarkable set.   
 
Hempress Sativa is a multifaceted talent, propelling Jamaican music into the future maintaining a strong foundation that makes her music Timeless amidst procuring the Vinyl culture.
 
Hempress remains a staple on the Jamaican soil with her installment of Hempress Sativa Live which is geared at showcasing the most promising and the best on the Island.

https://t.me/+RyW7M0DB0tI4ZmUy
Приглашаю в свой телеграм-канал (ссылка на него выше). Там много всего интересного: миксы без блокировок и ограничений, интересные видео, удивительные факты из музыкальной истории.
Присоединяйтесь)

https://telegra.ph/Biblioteka-miksov-10-22
- ссылка на каталог миксов в телеграме

Делаю миксы на заказ.  Любой жанр, любая продолжительность, любые ваши пожелания.  Для баров, ресторанов, магазинов и всех общественных мест.  Для заказа пишите в личные сообщения на Soundcloud, или на почту ниже)

I make custom mixes.  Any genre, any duration, any of your wishes.  For bars, restaurants, shops and all public spaces.  To order, write to personal messages on Soundcloud, or to the mail below)

dzinnatshin@gmail.com
veiershtrass@gmail.com

Born in 1983, live in Moscow.
I`m just another one music maniac)
I like to create not just collections in a single genre. I am trying to piece together the music that creates a certain mood and atmosphere. That's why in my mixes often unexpected combinations of styles. But all this is done with a fine sense of harmony and nothing seems out of place. Enjoy)

Music is a safe kind of high (J. Hendrix)

Aerosmith - Steven Tyler, Joe Perry, Tom Hamilton, Brad Whitford and Joey Kramer - are America's Greatest Rock N' Roll Band with over 150 million records sold worldwide

Born in Lagos, Nigeria in 1940, of mixed Nigerian and Ghanaian parentage, Tony Allen taught himself to play by listening to records made by the American jazz drummers Art Blakey and Max Roach. He began working as a professional musician in 1960, gigging around Lagos and variously playing highlife and jazz. Today living in Paris, Allen has long been acknowledged as Africa’s finest kit drummer and one of it's most influential musicians, the man who with Fela Anikulapo Kuti created Afrobeat - the hard driving, James Brown funk-infused, and politically engaged style which became such a dominant force in African music and whose influence continues to spread today.

Allen had to overcome strong parental opposition to realise his dream of
becoming a professional musician. “My parents were…not keen. Back then, in Lagos, musicians were more or less thought of as beggars, or worse. But I just put it in front of them. I was an electrical technician, but I wanted to make a change. My mother was never happy about it, but my father, who was an amateur musician, eventually agreed.”

Allen started out as a jazz drummer. “Art Blakey was my big influence, and before that, before I started club crawling, it was Gene Krupa. When I started, I tried to play like Gene Krupa. Then I discovered Blue Note Records and Art Blakey’s Jazz Messengers - it opened up another style to me. Max Roach was important too. I studied some lessons he wrote in Down Beat magazine about how to play high-hats. Most drummers in Lagos never used them, they were just a decoration on the kit,and I’d always thought that was something incomplete.”

Fatoumata Diawara (a.k.a. Fatou) was born of Malian parents in the Ivory Coast in 1982. As a child she became a member of her father’s dance troupe and was a popular performer of the wildly flailing didadi dance from Wassoulou, her ancestral home in western Mali. She was an energetic and headstrong girl and at the age of 12 her refusal to go to school prompted her parents to send her to live and be disciplined by an aunt in Bamako. She was not to see her parents again for more than a decade. 

Her aunt was an actress, and a few years after arriving, Diawara found herself on a film set looking after her aunt’s infant child. The film’s director was captivated by Diawara’s adolescent beauty and she was given a one-line part in the final scene of the film Taafe Fangan (The Power of Women). This led to a lead role in a film by the celebrated director Cheick Omar Sissoko: 1999’s La Genèse (Genesis). 

At the age of 18 Diawara travelled to Paris to perform the classical Greek role of Antigone on stage. After touring with the production she returned to Mali where she was given the lead in Dani Kouyaté’s popular 2001 film Sia, The Dream of the Python. The film tells the story of a West African legend called Sia, a young girl who defies tradition. To many in Mali, Guinea, Senegal, and Burkina Faso, Diawara is Sia thanks to the film’s enormous success throughout the region.

Offers for further acting roles poured in but Diawara’s family wanted her to settle down and marry and forced her to announce, live on Malian television, that she was abandoning her career as an actress. 

In 2002 Jean-Louis Courcoult, the director of the renowned French theatre company, Royale de Luxe, travelled to Bamako to offer Diawara a part in his new production. An unmarried woman is considered a minor in Malian society so her family’s permission was required. They refused. After much soul-searching Diawara took the daring decision to run away and at the Bamako airport she managed to board a plane for Paris, narrowly escaping the pursuit of the police who had been alerted to the girl’s “kidnapping.” 

With Royal de Luxe, Diawara performed a variety of roles around the world including tours in Vietnam and Mexico and throughout Europe. During rehearsals and quiet moments she took to singing backstage for her own amusement. She was overheard by the director and was soon singing solo during the company’s performances. Encouraged by the reception from audiences she began to sing in Parisian clubs and cafes during breaks from touring. Here she met Cheikh Tidiane Seck the celebrated Malian musician and producer who invited her to travel with him back to Mali to work on two projects as chorus vocalist; Seya, the Grammy–nominated album by Malian singer Oumou Sangaré, and Red Earth, the Grammy–winning Malian project by American jazz singer Dee Dee Bridgewater. When the albums were released Diawara toured worldwide as singer and dancer with both artists. 

In this age of sadness, a new dj's league rised to fight against the dark forces with a mighty positive energy! Mat Weasel, Guigoo, Floxytek and Billx are now performing together in a newstyle tekno band called FANT4STIK!
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Booking : contact@electrobooking.com
FaceBook : https://www.facebook.com/fant4stik

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