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Shtum records is the sub-label of Dresden's mighty Uncanny Valley. Here we present Leif Müller's "Nightcleaner" - a beatless 7 minutes that peaks and troughs through eerie pads and toothy, acidic sounds. Leif has already churned out a quality release for Mule Musiq and this is no different. Expect to hear tracks from the EP on plenty of dancefloors across Europe.

Released: 10/09/18

Check:
https://soundcloud.com/leif-mueller
https://soundcloud.com/shtum-records

First Play: Leif Müller - Nightcleaner [Shtum]

Modern trance record with a happy sound to it. Made for the heat of the moment on a dancefloor. go or stay forever.

Buy at clone: https://clone.nl/item52284.html

Fader - Mode 500

NOO - Just Can’t Give It Up EP

https://optimomusic.bandcamp.com/album/just-cant-give-it-up-ep

1) Just Can’t Give It Up - 6.28
2) Just Can’t Give It Up (instrumental) - 6.22
3) Trip Child - 7.25
4) Mindless Wonder - 5.51
5) Just Can’t Give It Up  (Cosmic mix) - 6.17


All written and produced by Noo


Noo return to Optimo Music with the 2nd release on Digital Danceforce. 

Self describing this release, Noo call it Cosmic electro funk with a touch of acid. Channelling the Noosphere, years 81-84 this time, maybe up to 89.

Key Words -

Boogie disco
Breakdance
Earth Wind & Fire
Beverly Hills Cop soundtrack
Imagination in dub
French synthesiSer music
Early acid house and new beat


5 tracks of discord fire.

Available from all good digital outlets from October 19th.

Optimo Music Digital Danceforce 002 - Noo - Just Can't Give It Up EP

The freshly Amsterdam-based DJ and producer Timothy Clerkin delivers his third solo EP on Ransom Note Records. Once again, he develops a very particular sound, full of contrast between soft and comforting basses vs raw and grainy synths and FX. Crossover between ambient and club, this extra-terrestrial groove from the half of Eskimo Twins is part of the great ‘Unborn EP’, pertinently already supported by Optimo, Lena Willikens or Andrew Weatherall. Out May 24th.

https://soundcloud.com/timothyclerkin
https://soundcloud.com/ransom-note-records

PREMIERE | Timothy Clerkin - Akathisia [Ransom Note] 2019

Themes For Divided Tribes Vol. 3 is the third EP of edit from DEKADENZ records.

This third EP starts off with an edit of a dirty EBM classic from DJ/Producer from Kuala Lumpur, the Malaysian-born Ed Dix (@ed_dix), adding layers of trance-inducing percussive elements that blends with the dirty drum machine. A Fine Tuning Creation (@afinetuningcreation)continues with delivering another darker take of an electronic track by a maestro. Komodo (@komodo-jkt)then blends the world of Chug with pacific discords. Then it’s our fave producers Roe Deers (@roedeers)from Vilnius turns the mood to a brighter end with his edit.

01. ED DIX - EDIT 010
02. A FINE TUNING CREATION - EDIT 011
03. KOMODO - EDIT 012
04. ROE DEERS - EDIT 013

Mastered by Ecky Banbaroessa at Syaelendra Studio, Jakarta.

DEKADENZ is a record label and club night in Jakarta, this is the musical range of the label which coming from underground techno, leftfield house, new electronic pop, tribal-krautrock, even to rare disco, with club not club approach.

Themes for Divided Tribes Vol. 03

KOMODO - EDIT 012

Emotional Response presents the final recordings of the Saint Petersburg Disco Spin Club, a loose band alias of Kirill Sergeew aka Kito Jempere.  Principally active for just a few years, these recordings were never finalised – lost as such, until now.
Growing out of Kito’s productions, the 8-piece band, including friends Lipelis (Public Possession / Animals Dancing) and Sergey Lipsky (Simple Symmetry), was developed to create live transformations of his music. 
The EP captures SPDSC at their peak; working with a desire to experiment via live improvisation.  Can’t You See Me, their version of an earlier studio release, morphs the original’s melodic 4/4 in to an expansive, surround sound slo-mo Balearic funk experience for the heavens. 
This is backed with a remix by Auf Togo Meets Becker & Mukai.  After EPs on Leng, Aug Togo, aka Clement Cachot-Coulom and Sasha Crnobrnja (In Flagranti), previously teamed up with Jean-Gabriel Becker and Susumu Mukai (Zongamin), for an acclaimed EP on SaS Recordings.  Their remix sensually creeps up, skilled musicianship creating a warm dub, as soothing bass and laid back vocals float to sunset horizons. 12" out 28th October, buy here: https://de.juno.co.uk/products/saint-petersburg-disco-live-sessions-vol-2/730219-01/

https://soundcloud.com/spdsc
https://soundcloud.com/auftogo
https://soundcloud.com/beckermukai

Watch On YouTube

PREMIERE #644 | SPDSC - Can't You See Me (Auf Togo Meets Becker & Mukai) [Emotional Response] 2019

Pre-order on Bandcamp: http://tiny.cc/ntqbhz


Written by Emma Sainsbury & Tristan Jong in Berlin, adapted by Romain FX in Hong Kong and Jerome Mouron in Sydney.


After the original version of "Trau Dich" (featuring Leo and Camila) saw the light of day as a part of the Grips Theater Berlin: 50 Jahre compilation, Cashminus Music now presents you a few alternative takes to lighten up dance floors near you.

Kicking things off is Hong Kong based Frenchman Romain FX. His new beat inspired rendition gets re-dubbed by Ca$hminus for maximum Belgian power. Romain’s adventurous Neo Beat Brew (featuring the original vocals) is also included.

Subsequently, Frenchman based in Sydney Caravan  - you’ve guessed it, on aime bien les Francais! - steps up with his electro boogie take. Mixed completely analog before recording straight onto tape, his jam sounds like something that would have been aired on Detroit’s “The New Dance” tv show in the early nineties.

In addition, both Ca$hminus’ original instrumental (coined “Mesmerizing Mix”) plus the “Spanish Mix” (featuring only Camila on vox) conclude the package.

Ca$hminus - Trau Dich (Romain FX Neo Beat Brew)

Buy on Bandcamp: https://homodrop.bandcamp.com/releases

Jonny Rock - Lost marinos ( edit)

BAR was a forward thinking nightclub in downtown Rotterdam with a progressive approach to electronic music. Located in the Schieblock, a multipurpose building for the creative economy, at only 200 meters from Central Station. BAR closed it's doors on June 30th 2019. 

The spirit of BAR lives on through the recordlabel and hostings at various clubs and festivals.

Fader - Mode 500

BAR ROTTERDAM