Field Records keeps up the Dutch tradition of publishing deep, Detroit-inspired electronic music with high-class contributions from various artists. Having published the Field Recording series between 2010 and 2013, a hand-picked selection of mixes will be made available again.

Buy Field on Bandcamp

Field Recording mix by Diskonnected

With much delight, here is my year long project with some familiar kickers, "BAD BAD HABITS".

contact me here!

FEEL

DJ Tarkan - Turning around

In da Club de Enrico G y Mr. Cookie llega con dos versiones que elevan el dancefloor a otro nivel. El Extended Mix mantiene una vibra envolvente, cargada de energía progresiva y un groove hipnótico que atrapa desde el primer beat, ideal para viajes sonoros largos y potentes. Por su parte, el Remix de Mr. Cookie explota con frescura y dinamismo, llevando la pista hacia un terreno más explosivo, lleno de texturas y giros inesperados. Dos interpretaciones que se complementan: una profunda y expansiva, otra vibrante y atrevida, ambas con el groove perfecto para encender la noche.

Donwload Extended Mix

Enrico G, Mr. Cookie - In Da Club (Mr. Cookie Remix)

Aaron Siegel is an important source of energy for many record makers in Detroit. He has put in years garnering a roster of labels and helping them to reach a global audience through Fit Distribution. Not to mention his own labors in the field through his label Fit Sound and productions under his alias Fit Siegel. It's our honor to share a mix from a truly knowledgable mind.

Follow @fit

Acid Camp Vol. 76 – Fit Siegel

A2 - 9

From 1989-1992, Club Fuck! ran every Sunday night at Basgo’s in Silver Lake, Los Angeles. It was a party and a social gathering space for the BDSM, tattooed, pierced, gender-fluid, sexually adventurous crowd — basically anyone who felt like an outsider. In modern terms, Fuck! could be described as a queer club, subverting what was considered acceptable for the gay and lesbian scene in Los Angeles. Furthermore, the focus on body modification was a powerful way to reclaim some control over a corporeal body - for many who suffered from HIV+ and other life-compromising illnesses.

Much has been written about the artists who emerged from this scene. Ron Athey, Club Fuck’s go-go dancer and resident artist, became internationally renowned for his transgressive bloodletting performances. Catherine Opie, now a board member at UCLA and MOCA, got her start making portraits and photographs of those in the scene. It’s been said that Madonna’s Erotica was influenced by this scene (although door girl “Sweet P” claims she didn’t actually let Madonna in).

The records DJ’d at the club were described by its founders as “industrial and proto-trance music,” challenging the aesthetics of so-called “gay music” like disco and pop. There were live performances as well, from homegrown LA bands who responded to the vibe and made it their own. Drance was such a band, formed by frontman (and Club Fuck! resident DJ) Robert Woods, with friends Brandy Dalton and John Munt.

Drance's songs reflected an uneasiness towards disease and modern culture, a lust for the forbidden, and a raw power and rage to stay alive on their own terms. Their live shows were visceral and energetic. They played the MOCA opening of the "Helter Skelter: L.A. Art in the 1990’s” exhibit, as well as benefit shows for ACT UP and Queer Nation. Their music appeared in Gregg Araki’s 1992 film The Living End, and they provided the soundtrack to The Wild Ones, a hardcore condom-based porn produced by the Tom of Finland Foundation in 1994.

However, they released only one album, and despite their proximity to Hollywood, did not find much success beyond their scene. Robert died from AIDS-related complications in 1995. Brandy and John continued to write music, experimenting in new genres, but did not record any more albums. Brandy died in 2006. John Munt lives in Washington D.C. and is still writing and composing music.

"Latex Love" has been remastered for its first release on vinyl, nearly 30 years later. The Instrumental Version was transferred from the original DAT tape used by the band for their live performances. Kris Baha's inspired dub is essentially a cover, re-made from the ground up. And this is the first official remix from Spotlight's Chris Cruse. The vinyl record package includes never-before-seen photography from Michael Matson, an essay from Ron Athey, and a reproduction of the original Drance sticker.

Distribution: Sound Metaphors
Mastering: Mike Grinser, ManMade Mastering
Photography: Michael Matson
Art Direction: Brian Emrich

This project was made possible by John Munt, Robert and Brandy's families, Michael Matson, Tom of Finland Foundation, and Ron Athey.

At the request of the families, all profit will be donated to AIDS Project Los Angeles 
aplahealth.org

Drance - Latex Love (Instrumental Version)

Melbourne-based imprint Connection Verified (fka Controlled Violence) has been known for being a platform that supports not so known talented artists from around the world and allows them to express themselves through a series of exceptional releases. Here at Delayed, we share a similar philosophy. We are happy to present you one of the tracks from the latest LP in CV’s catalog named ‘I Rocked Till Midnight Hour at Melissa’s Bar Mitzvah’ by a talented artist from Melbourne - Oliver Moir.

The 8-track ambient LP is a glowing excursion through Moir’s perception of the world, as the album hums across vast plateaus, gently weaving in and out of endlessly complex pads, and into the pliant ears of listeners. Emotions gush as a mood of warm introspection sets in, with Moir taking us onboard as he sails across the glimmering sonic waves.

“Sleep Now, The Dust Won’t Settle’ is a mesmerizing ambient journey that immediately caught our attention during the listening of this exceptional album. 

‘I Rocked Till Midnight Hour at Melissa’s Bar Mitzvah’ LP s out via Connection Verified and can be purchased through their Bandcamp page. 

Oliver Moir on SoundCloud: https://soundcloud.com/olivermoir
Connection Verified on SoundCloud: https://soundcloud.com/connection-verified


http://www.itsdelayed.com

PREMIERE: Oliver Moir - Sleep Now, The Dust Won't Settle [Connection Verified]

Episode 3 of @as-you-like-it Radio, featuring @tapeghost hour 1, and @damon-bell hour 2.

AYLI Radio 003: Tape Ghost & Damon Bell

Phil & Fabi - Sitting Is Harder Than Dancing

The last episode of the year comes from the outstanding Munich based selector @enjoy_tet. 
Her unique taste and ability in crossing genres is something we fell in love with listening to her mixes on Bloop London Radio. She lands on our mix series with an hour of hypnotic climax, from slow tempo electronic tribalism to dub bass left field, bringing a journey full of tension and a cathartic final. Let's overcome the winter together.

Tracklist:

Julia Żyła - Beautiful Behavior [forthcoming Ecke Records]
Loop LF - Mondo [Well Street Records]
La Batterie - Let There Be Drums (Max Abysmal's Spooky Remix) [Kalahari Oyster Cult]
DJ Baklava - 10 AM Stella Run [Twin System]
Anatolian Weapons - Chant One [Crevette Records]
Laughing Ears - Smash The Shackles [Decisions]
Otik - Thousand Year Stare [Gobstopper Records]
Charpi - Troubles [Kornarion]
Heathered Pearls - Mack & Bellevue [Ghostly International]
Galtier - Damaged Cerebellum [Bandcamp]
Karsten Pflum - Acidtyrk [Touched Music]
INVT - GANAS [Bandcamp]
Jonny From Space - All Together (Juntos) [Space Tapes]
Konduku - Şekerli [DISK]
Anz - Gary Mission [Hessle Audio]
ZEFGIRLCLUB - Choke [Out Of Fashion Boys]
Gigi Masin - Enter Venus [Apollo, Belgium]
Otik - Wetlands [Intergraded]

A taste of: TET

#015 A taste of: TET

11.10.2025 - Clubnacht @ Goethebunker Essen 
https://ra.co/events/2273937

Booking requests: booking@baracke.org

Phil & Fabi - Sitting Is Harder Than Dancing

Baracke Bochum