the title is a paraphrase for book ''One Flew Over the Cuckoo's Nest'' by Ken Kesey.

available on Small Sounds for Small Bugs compilation released by Moon Musiq label.
https://moonmusiq.bandcamp.com/album/small-sounds-for-small-bugs
https://www.noisewiki.com/wiki/index.php?title=Antireality

Small Sounds for Small Bugs

Antireality - Someone Droned Over the Grasshopper's Bass

Bassoon Performance by https://soundcloud.com/galaxaphoons
Voice by Brooke Michael Englehart

ALLEGORY for bassoon, live electronics & lights

In computing, floating-point arithmetic (FP) is arithmetic on subsets of real numbers formed by a signed sequence of a fixed number of digits in some base, called a significand, scaled by an integer exponent of that base. Numbers of this form are called floating-point numbers.

floating-point

Lyrics: Gabi Delgado-López 

aus dem Album "Alain Badiou" von Das Massenmedium
https://dasmassenmedium.bandcamp.com/album/alain-badiou

Bundesrepublik

Down at the riverside big fish were glancing, children cheering. Is this what life is about?

El Guadalquivir

One take with a bit of double-tracking. Made for naviar Records' 593rd Haiku Challenge

The piercing moon [naviarhaiku593]

Acousmatic Fragment #003 — Seawater Imagery

Like memories etched in wet sand—struck, erased, and quietly remaining.
音響如濕沙中的記憶，反覆被拍打、擦除、留下殘痕。

Music & Photo by Shih-Lin Hung (洪世霖)

Acousmatic Fragment #003 — “Seawater Imagery”

6-28-25 (everything is fine now.  please come home)

17Jul25
My naviarhaiku602 track
https://naviarlab.tumblr.com/post/789227947919900672/naviarhaiku602-scent-of-plum
😊

the mountain path [naviarhaiku602]

three different textures from the archive of last two years combined in a track
work in progress

take your pills

co co mind

Konstantinos Baras, a Greek composer with a passion for complex and saturated sound, embarked on his musical journey following a diagnosis of HanDL syndrome at the age of 18. Baras is recognized for creating works that convey intense emotions and delve into the complexities of trauma, employing visceral, chaotic sounds marked by a continuous energy flow and aggressive gestures. 

Utilizing digital signal processing, noise, distortion and live interactivity, Baras extends the timbral profile of traditional instruments and seamlessly blends disjunct materials into unified structures. With interest in site-specificity and interdisciplinary collaboration, he works often with dancers and movement artists and engages creatively with space, lights, and visual effects. 

His continued entanglement with black metal and techno contributes to an arrestingly distinctive sound palette, exploring the potential of repetition and bodily mechanics to intensify a sound’s impact on the listener. Toward that aim, Baras organizes his compositions through various processes of iteration and fragmented circularity, manipulating duration and density, often utilizing repetitive material but subtly altering it with every reappearance. The end result is driving, gripping, and grave.

His music has been performed and commissioned by Ensemble Modern, Ensemble Intercontemporain Moscow Contemporary Ensemble (MCME), Vertixe Sonora Ensemble,Ensemble Multilaterale, among other, with performances in festivals and conferences such as, IRCAM ManiFeste, MIXTUR, Darmstadt, reMusik, ilSuono, Ticino Musica, among others.

Currently pursuing a PhD in Composition at Northwestern University, Baras holds Masters degree from Boston University, and Bachelors degree Aristotle University of Thessaloniki.

ALLEGORY for bassoon, live electronics & lights

BARAS