Richard Lawson – Composer & Musician
What happens when you combine the ferocious energy of a rock drummer from one of Australia’s foremost punk bands with the refined artistry of one of the country’s leading string quartets? The result is a powerful fusion of cinematic soundscapes, compassionate grief, and flights of energy that define an original Australian voice.
Richard Lawson first gained recognition as the explosive, hard-hitting drummer for the ARIA-nominated punk band Lime Spiders. His career has since evolved into a multi-instrumental journey spanning over 25 recordings across genres including electronica, folk, soundtracks, and ambient music. Now, in his first fully fledged classical music endeavour, he collaborates with the acclaimed Acacia Quartet, creating works that explore the depths of the human experience.
Lawson's music style is rooted in contemporary classical music, known for its evocative, emotive compositions that often explore themes of love, loss, and storytelling. His work is characterized by intricate string arrangements, nuanced harmonies, and a lyrical intimacy that resonates deeply with listeners.
In January 2025, Lawson’s composition "On Love Lost Days" was featured on the Australian Art Music playlist in Limelight, performed by the Acacia Quartet. The piece reflects his hallmark style: a fusion of emotional depth, Australian cultural identity, and cinematic narrative.
Connection to Australian Culture
Richard Lawson’s work embodies Australian culture through:
•	Collaborations with Australian musicians and ensembles: Frequent partnerships with groups like the Acacia Quartet and Writer/Musician Elizabeth Walton highlight the country's vibrant talent.
•	Contribution to the contemporary classical scene: Lawson actively shapes Australia’s musical identity, blending diverse influences with a fresh perspective.
•	Storytelling through music: His compositions resonate with themes of love, loss, and the human condition, forging an emotional bond with audiences.
Upcoming Work
Picture yourself in the opulent Belle Époque era, where the spirits of Ravel, Debussy, Philip Glass, and Vivaldi intermingle. This atmosphere defines Lawson’s forthcoming album, “How to Read a City: Your Place of Last Resort,” based on poems by Australian author and musician Elizabeth Walton. Performed by the Acacia Quartet, the album is set for release in May 2025 and promises a classical marvel that elevates Australian artistry to new heights.

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Much like songbird Edith Piaf, Madeleine Peyroux spent her teenage years busking the busy streets of Paris. Just like the ‘little sparrow’, Madeleine befriended the city’s street musicians and made its Latin quarter her first performing stage. Years later, Peyroux would cite iconic Piaf as an influence on her music and record a rendition of the classic La Vie En Rose, soulfully capturing the tune’s romanticism and melancholy.
 
Born in Athens, Georgia in 1974, Madeleine “grew up in a house filled with music” and from an early age “instinctively realised music’s soothing power” but it was her teenage years in the French capital that turned the childhood notion into an all-consuming vocation for life.

Young Madeleine moved to Paris with her mother in 1987 following her parents divorce. “To soothe me during the upheaval”, she recalls, “I was given a guitar and took to playing in the streets almost immediately.”

Thirty years after her formative busking days Peyroux is the proud curator of nine beguiling albums and an accomplished performer with sell out worldwide tours under her belt. Her atmospheric version of Serge Gainsborough’s La Javanaise was used in the soundtrack of Oscar Winner The Shape of Water and her countless accolades
include the coveted BBC International Artist Of The Year honour.
 
Madeleine’s thirst for creative exploration is unfading and her willingness to face creative challenges remains as solid now as it was three decades ago.

With endearing passion and great curiosity the unstoppable genre-defying virtuoso continues her search for the good and examines life with the treasured William Congreve belief that Music has charms to soothe the savage beast.
 
Madeleine might attribute her success to “mostly luck” but to the industry and loyal fans alike, it is the immense talent and utter dedication to her craft that shines through.
“Peyroux is a tremendous talent and almost a total intuitive” reflects Larry Klein, “she has the capacity to get the magic. When she sings and plays her guitar, great things happen.”

The Amenta is an extreme metal band from Australia. With a sound that incorporates death metal, black metal, electronic, experimental and ritual textures The Amenta have destroyed minds globally with 3 EPs, 1 Multimedia release (still partially available free from http://theamenta1.bandcamp.com/) and 3 full length albums. The most recent full length, 2013's "Flesh is Heir" has been released internationally by Listenable Records.

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