“What am I to build, if my hands are broken, if I’m not the chosen one?” sings Steven McKellar of Civil Twilight on “Story of An Immigrant”, over a lush, dynamic beat that evokes the sounds of his native South Africa while steeped in the band’s everevolving present. The foursome (Steven, his brother and guitarist Andrew, drummer Richard Wouters and Kevin Dailey on keys and guitar) are living proof of what happens when you stop worrying about being the chosen one and make music built on both the roots that grew you and the love that keeps you thriving every day. Civil Twilight’s songs embrace every corner of human emotion, balancing delicate, poetic lyrics with sweeping arrangements that touch all the senses: a phrase to make you think; a rolling drumbeat you can feel in your bones; a guitar vamp as illustrative as a picture; a shimmer of keys whose light can nearly be seen and heard. Produced by Ben H. Allen (Gnarls Barkley, Bombay Bicycle Club, Cut Copy), their third record on Wind-Up is built on this vibrancy, on the permanent dust of a Cape Town youth; on the connection that unites them all as brothers beyond blood and on their new home in America where they pull from the innate, thriving musicianship of Nashville, where they live. When you listen to Civil Twilight, from their self-titled debut, to 2012’s widely lauded Holy Weather to now, it’s easy to understand why the band has topped five million YouTube views and reached historic success with film and television syncs – because it’s music you can’t shake, that translates experience into moments and creates melodies that become imbedded deep under the skin. We’re all immigrants, in some way, and Civil Twilight’s singing our national anthem.

"Daringly different and dazzlingly diverse" Rough Trade

TROPICAL FUCK STORM / DERADOORIAN / THE LEMONHEADS / EARTH / LUCKY BREAK / HAYLIE DAVIS / WHITNEY K / BLACK LIPS / MONDE UFO / PICTISH TRAIL / GRAHAM REYNOLDS / VANISHING TWIN / JANE WEAVER / DECISIVE PINK / MARINA ALLEN / RVG / BAS JAN / MARTA DEL GRANDI / ISLET / ELLA RAPHAEL / FATEN KANAAN / LUCY GOOCH / HATER / RATS ON RAFTS / JOSEPHINE FOSTER / DEATH AND VANILLA / ROYAL TRUX / KRISTIN HERSH / THROWING MUSES / THE CHILLS / HALF JAPANESE / SEBADOH / THE DREAM SYNDICATE / AMBER ARCADES

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Daft Punk is an electronic music duo consisting of French musicians Guy-Manuel de Homem-Christo (born February 8, 1974) and Thomas Bangalter (born January 3, 1975).[1][2][3] Daft Punk reached significant popularity in the late 1990s house movement in France and met with continued success in the years following, combining elements of house with synthpop.[1][2][4] The duo is also credited with producing songs that were considered essential in the French house scene. They were managed from 1996 to 2008 by Pedro Winter (Busy P), the head of Ed Banger Records.[5]
Early in the group's career, the band members were strongly influenced by groups such as The Beach Boys and The Rolling Stones. Bangalter and de Homem-Christo were originally in an indie rock trio called Darlin', which disbanded after a short period of time, leaving the two to experiment musically on their own. The duo became Daft Punk, and released their critically acclaimed debut album Homework in 1997. The 2001 release Discovery was even more successful, driven by the club singles "One More Time", "Digital Love" and "Harder, Better, Faster, Stronger". In March 2005, the duo released the album Human After All to mixed reviews. However, the singles "Robot Rock" and "Technologic" achieved success in the United Kingdom. Daft Punk toured throughout 2006 and 2007 and released the live album Alive 2007, which won a Grammy award for Best Electronic/Dance Album. The duo composed the score of the film Tron: Legacy and in 2010 released the soundtrack album of the film.
Daft Punk is noted for its elaborate live shows, in which visual elements and effects are incorporated with the music. The group is also known for its emphasis on visual and story components associated with their musical productions, as well as for wearing ornate robot costumes in public and while performing.

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