Free Improvisation Session in Vienna / 29-07-2024
Elisabeth Kelvin - soprano sax
Isolde Werner - vocals (except track 1/3)
Stefan Strasser - electronics

Recorded, mixed and mastered by Stefan Strasser
Cover photo: Detail of a painting by Elisabeth Kelvin

Vienna Session

Bezirk 17.1

Voici mon entrée pour ma propre bataille. BB 85
https://discord.com/channels/1075579383781261322/1288905141537341490/threads/1291718550775533638

CHAOS CALME

method: recording an acoustic bass guitar, later time-stretching and adding further instruments and effects - has C major ever sounded less like C major?
narration: some say it's a positive when the rash eventually shows and is not hiding anymore
image: copyright jo richter, made using an illustration on an old ur cassette tape wrapping

poem / copyright jo richter:

those make choleric
and sulky lovers
who conceal despair

their unechoic
used longing hovers
in yesterday's air

like stale, prosaic
camouflage covers
on some bulky chair

still clotting the attic
smelling of septic
mothball aesthetics





bile

Electroacoustic Practice Fragment "Entanglement"
Music: Shih-Lin Hung
Photo: Engin Akyurt (www.pexels.com/zh-tw/photo/5378419/)
Created on November 25, 2024

Electroacoustic Practice Fragment "Entanglement"

Another track inspired by a visit to the National Museum of Computing at Bletchley Park. The Transistorised Automatic Computer was designed in 1958 as compute
rised early-warning system.
https://www.tnmoc.org/marconi-tac#:~:text=The%20Marconi%20TAC%20(Transistorised%20Automatic,rattling%E2%80%9D%20during%20the%20Cold%20War.

Computer Echoes:0110 == Transistorised Automatic Computer

The Face Of The Insane

system opera

Unknownable

Death Dream

Skript (2021)
for six singers, percussion quartet and tape

commissioned by ZeitRäume Basel
premiered in September 2021 by the Neue Vocalsolisten Stuttgart, Ensemble This | Ensemble That, Amadis Brugnoni

recording: SRF 2 Culture, Basel

Skript [excerpt2] (2021) for six singers, percussion quartet and tape

Questo brano è stato registrato durante il concerto chiamato "Work in progress, part 9" all'Ambient Pub di Tolentino MC, la sera del 31 ottobre 2007.
A un certo punto, verso la fine, c'è "Pelta, sarissa e sega", una poesia di Carlo Natali.
Al basso elettrico c'è Mauro Rocchi e ai marchingegni elettronici ci sono Thomas Graber e Carlo Natali.

[unreleased] L'Orastrana - Pelta, Sarissa e Sega (WIP9, Live @ Ambient Tolentino MC 2007-10-31)

Hi, you are most welcome here! I'm a composer of contemporary music. Please listen to our sounds with good headphones or loudspeakers ♥︎

Skript [excerpt2] (2021) for six singers, percussion quartet and tape

Barblina Meierhans