Name: Endless Loops Of Yesterday by Barbonus
Duration: 3 min 20 s
Description: A melancholic electropop track blending ambient textures and lyrical storytelling. “Endless Loops of Yesterday” reflects on memory and repetition — where absence becomes presence through archived sound. From the EP Just Silence.

A 50s-inspired rock’n’roll revival with modern production and a smile. Let’s Dance Again brings electric guitar, walking bass and upbeat male vocals together for a joyful throwback to simpler nights, cheap drinks and wild hearts. Perfect for fans of The Baseballs, early Elvis, or retro-leaning indie rock. Fun, raw, and made to move. From the EP Half Remembered Songs by Barbonus & Klarstein.rocks.

Let’s Dance Again

The Spirit We Followed is a melancholic country song about a bond that fades — but never quite disappears.

It’s part of the EP Half Remembered Songs, a collection of quiet songs that explore memory, loss, and the beauty of unresolved emotions.

The song is based on a poem by Barbonus and intimate acoustic textures and a sense of spatial warmth. It lives in that in-between space: between presence and absence, hope and letting go.

The Spirit We Followed

The opening and title track of the EP Just Silence. A fragile electropop ballad with glitchy textures, deep male vocals, and a somber atmosphere — exploring silence as both absence and presence.

Just Silence

“Someone” is a rock song in a minor key at a moderate tempo, built on clean arpeggiated guitar, a walking bass line, and steady drums. Following a verse-chorus format with a bridge and outro, it blends diatonic melodies with subtle blues inflections. Originally captured on cassette in a rehearsal room in 1996, the track now shines with a clear mix, reverb-tinged vocals, and the raw authenticity of its time, bridging youthful energy with a timeless indie rock spirit.

Someone

When I’m Burning Matches began as a noisy tape fragment from a 1996 rehearsal. Now carefully reimagined, the song blends raw rock and blues elements with a horn section and a voice that carries both doubt and defiance. Kathrin Voss sings of using music to manage pain – with irony, honesty, and quiet power. A rescue from the noise, now stronger than ever.

When I'm Burnining Matches

The first original Klarstein.rocks single.
Spoken-word meets German rock: ironic, defiant, and raw.
Thanks for listening & sharing!

Ich könnte (wenn ich wollte)

Before One Song, there was nothing but static.
Not silence, exactly — Just Silence. Not stillness, but repetition — Endless Loops of Yesterday.
Barbonus was still writing. There were tracks. Fragments. Echoes.
But none of it felt like storytelling. None of it reached out. It was all circling, self-contained.
One Song was written in the middle of that doubt. It captures the fragile moment when something — finally — breaks through. A melody, a voice, a verse that suddenly makes sense.
The track itself is quiet. Built on soft piano, a nostalgic atmosphere, and a warm, expressive female vocal. Minimal but emotional — a reminder that even small songs can carry weight.
“One song can turn the tide / One voice can light the sky …”
It may seem simple on the surface. But it’s the song that broke the lock.
Barbonus says: “This one started with silence. Not the poetic kind — the kind that stares back at you.”

One Song

A melancholic electropop track blending ambient textures and lyrical storytelling. “Endless Loops of Yesterday” reflects on memory and repetition — where absence becomes presence through archived sound. From the EP Just Silence.

Endless Loops Of Yesterday

Barbonus is a German lyricist who treats songwriting as a form of literature. His tracks begin with words – fragments of prose, quiet observations, poetic disruptions – and build outward into minimalist soundscapes.

Instead of writing hits, Barbonus writes moments. His lyrics don’t chase hooks; they linger, reveal, suggest. Framed by gentle synths and indie-flavored textures, his work explores memory, digital disconnection, and the beauty of unfinished thoughts.

With growing attention from international blogs describing his sound as “electronica with heart” and “a softer, more introspective space,” Barbonus positions himself less as a performer and more as a narrator. A voice at the edge of the frame, crafting scenes in words before sound enters the room.

For him, music is not the message – it’s the carrier wave.

Endless Loops Of Yesterday

Barbonus

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