Label and Artist Page by AKA AKA from Berlin, Germany.

DJ Koze’s new album Music Can Hear Us, released on April 4, 2025, entered the official German album charts at number 4 and received widespread critical acclaim worldwide. Major publications such as Pitchfork, Rolling Stone, Wall Street Journal, Musikexpress, and many others have celebrated its brilliance. In the music scene, platforms such as Resident Advisor, Musikexpress, Groove, Diffus, MINT, HHV MAG, and BEAT Magazine have all highlighted the album’s magic and Koze’s unique artistic voice. Music Can Hear Us is destined to be one of the year’s most talked-about releases.

English :

The ACID DJ project started in 2001, at that time with Remember Trance, Progressive, Techno and Minimal. Of course, at that time still music was made with the turntables ;-)
Since 2009 I have found my passion for GOA / Progressive Trance and Psy. I think it's the right kind of music to put people in a spiritual trance. Always with the change of the times, I have also converted to the digital DJ hardware (NI Control Traktor S4 MK II, 2x NI F1, Notebook Pro 15 ')


I've been producing my own music since 2015 and releasing the tracks on geomagnatic label group GOA Records and Parabola Music.


In the course of time I have played on the same stages with: Ace Ventura, Astrix, Atacama, Audiomatic, Avalon, Azax, Blastoyz, Bliss, Braincell, Gaudium, Highlight Tribe, Liquid Soul, Phaxe, Protonica, Querox, Sesto Sento, Suduaya , Tristan ...

Masteringstudio by Barry Gardner
https://www.masteringmastering.co.uk/masteringtrance.html
safeandsound123@googlemail.com


German :

Das Projekt ACID DJ startete im Jahre 2001. Damals noch mit Remember Trance, Progressive, Techno und Minimal. Natürlich wurde damals noch mit den Plattenspieler Musik gemacht ;-)
Seit 2009 habe ich meine Leidenschaft für GOA / Progressive Trance und Psy gefunden. Ich finde, es ist die richtige Art von Musik, den Menschen in eine spirituelle Trance zu versetzen. Immer mit dem Wandel der Zeit, habe auch ich in die digitale DJ Hardware umgerüstet (NI Control Traktor S4 MK II, 2x NI F1, Notebook Pro 15')

Seit 2015 produziere ich meine musik selbst und veröffentliche die tracks bei geomagnatic label group GOA Records und Parabola Music. 

Im laufe der Zeit habe ich auf den gleichen Bühnen gespielt mit: Ace Ventura, Astrix, Atacama, Audiomatic,  Avalon, Azax,  Blastoyz, Bliss, Braincell, Gaudium, Highlight Tribe, Liquid Soul, Phaxe, Protonica, Querox, Sesto Sento, Suduaya, Tristan...

Masteringstudio by Barry Gardner
https://www.masteringmastering.co.uk/masteringtrance.html
safeandsound123@googlemail.com

https://www.facebook.com/pages/ACID-DJ/1584884641724457?ref=hl

Send demos here: https://www.tstack.link/exploited-GBaXdMGvJLHubDbFJtn9O
Exploited Rec promises to strip the wallpaper from the walls of your home stereo.
Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)

New album "Dreamweaver" out now:
https://trentemoller.lnk.to/Dreamweaver

2025 Tour Dates:
https://tix.to/trentemoller

Copenhagen’s Anders Trentemøller has long been respected as a creator of extraordinarily memorable melodies and dark soundscapes. While many artists follow a pattern of invention and reinvention, Anders’ arc has been a series of points along the same curve, playing the long game with each release representing the next chapter in a constantly evolving series.

Dreamweaver continues on this track, combining elements of shoegaze, dark wave, motorik, noise rock and somber, introspective takes on electronic pop but in a considerably more psychedelic manner. The chronology of its 10 songs is an immersive experience that presents additional otic pleasures when headphones are strapped on.

Bookings: kal.jhugroo@caa.com
Inquires: josh@lovingalliance.com
NA/SA Bookings: DOD@spinartistagency.com

A hitmaker and multi-platinum selling artist, D.O.D is the creative force behind some of dance music’s most recognisable contemporary tracks. From the soaring success of BRIT-nominated 'Somedays' with Sonny Fodera and Jazzy, which landed a #5 position on the UK Official Top 40, to the UK Top 20 hit 'So Much In Love,' and breakout hit 'Still Sleepless,' his music has earned him devoted fan bases across the globe. With over 500 million streams to his name and career-defining achievements such as a #1 spot on the Official Dance Singles Chart and multiple Beatport #1s, D.O.D’s sound resonates far and wide.
As a global touring artist, D.O.D boasts sold-out headline shows across the UK, Australia, and North America. From intimate club nights to renowned international festivals, he has graced some of dance music’s most iconic stages, including Tomorrowland, Ultra, Creamfields, and The Warehouse Project, securing him a place on the prestigious DJ Mag Top 100.
Having spent over a decade honing his signature style—a vibrant and instantly recognisable house sound deeply rooted in the UK—D.O.D has carved a space for himself in dance music’s elite.

https://www.djdod.com/

For production/remix/general enquiries:
Chris - cg@285.group

For bookings:

Ryan - ryan@liaisonartists.com (N & S America)
John - john@higher-ground.de (Rest Of World)

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