Mitra

Indoor Grafitti (Mitra, 2021 - Broshudadrips.bandcamp.com)

LUDWIG BERGER - GARDEN OF EDIACARA
Cat #: OUS047
Release date: May 17, 2024
Distributed by Kudos: https://kudosdistribution.co.uk
Label Bandcamp: https://ousooo.bandcamp.com

«Music is a form of world building. I love to develop sonic characters and set them into fictional ecosystems with unique textures, acoustics and atmospheres. Each song forms a different landscape, through which a vocal character guides us and tries to tell us its stories.» — @ludwigberger

Ludwig Berger’s ‘fictional’ debut album «Garden Ediacara» unfolds as a musical eco-fiction, guiding listeners through a speculative ecosystem with synthesized vocals. Infused with storytelling techniques from sci-fi and fantasy, the album intertwines melodic songwriting with electroacoustic sound design. Inspired by hydrofeminism and eco-fiction novels, such as «A Door Into Ocean» by Joan Slonczewski, the album delves into the geological period of Ediacara around 600 million years ago — an era so remote it resonates as a glimpse into a possible future. The Ediacaran period was characterised by a peaceful and thriving ecosystem inhabited by soft-bodied creatures without eyes and bones, which were completely wiped out through the appearance of a new species. «Garden of Ediacara» alludes to this period, celebrating both the pleasures of biodiversity as well as mourning its inevitable loss. The narrative unfolds as an exploration of growth and interconnection in the shadow of a coming extinction. The track titles, written by Daisy Lafarge, reveal themselves as a cohesive poem and contribute to the album’s narrative.

Informed by his practice of field recording that focusses on intimate encounters with plants, animals and geological phenomena, as well as his studies in electroacoustic composition, Berger expands his palette for his debut in ‘fictional’ music. The album prominently features a post-human, non-binary death metal voice synthesizer, physical modeling instruments, and microscopic field recordings of plants, insects, as well as aquatic and geological life. With impressionistic strokes, Ludwig Berger crafts vibrant worlds using glassy timbres and more-than-human voices, guiding listeners through emotionally ambiguous terrain, seamlessly oscillating between moments of intimacy and irritation, melancholy and playfulness.

Ludwig Berger is a landscape sound artist, educator and musician. In his compositions, installations and performances, he enables intimate and playful sonic encounters with plants, animals, buildings and geological entities. He is founder and curator of the label Vertical Music, which releases field recordings and experimental music. Berger holds degrees in electroacoustic composition, as well as musicology, art history and literature. As a sound researcher and teacher at the Institute for Landscape Architecture at ETH Zurich from 2015-2022, he studied the sonic dimension of Japanese gardens, alpine glaciers and urban landscapes, which among other things led to the release of the acclaimed album trilogy ‘Melting Landscapes’, ‘Dammed Landscapes’ and ‘Buried Landscapes’.



ALBUM TRACKLIST
1. what seed quests for a coralline mud slump
2. where the body’s distant arrivals 
3. bake airwaves into symbols? 
4. like aurochs who fraternised with syntax of the riverbed
5. we stop short, frothy, outdoing the grass
6. rake a song-gush from the outcrop
7. or the noun of naïve particles
8. leeching off the glow-work of organ rooms  
9. we go candied in the marrow
10. grow dream-bark, a tree

CREDITS
Music written and produced by Ludwig Berger
Cover image by Paulin Rogues
Track list poem by Daisy Lafarge
Mastering by Manuel Oberholzer VFBM

OUS047
www.ous.ooo

Garden of Ediacara

rake a song-gush from the outcrop

Buy on Bandcamp

Ludwig Berger - 06 - rake a song-gush from the outcrop

"Guns, guns, guns! C'mon, Sal! The Tigers are playing...tonight. I never miss a game." - Clarence Boddicker

· All music composed, performed, recorded and mixed by Cepheid
· Artwork by PNNTWA® LOG©
· Mastering by Cepheid

Arms Dealer

Poison Fist

Roadmaps on the palms
Braided, fold over
Where the shore meets the ebbing sea
Forever touching, forever adrift

Whispers of the history fade
Where the sea drapes waning waves
Only to retrace echoing trails
Abiding in ceaseless rims

Rooted in the fertile soil of hauntology, Amulet of Tears presents: 'Before We Melt into the Sea' - chimerical shreds of memoir.  Foraying intervals coiled in visceral resonance, which appear as abyssal, ancestral echoes of elusive moments, where the past unfolds in attendance, like a vapor that forbids to fade.  

Phantoms colliding to forge ahead for what’s to come or to drag us back into the shades of what we once were - enshadowed by imprints of past, present, and future, overlapped upon one another.

Before We Melt into the Sea

yolabmi - Styx

Te souviens-tu d'elle ?

she don't want me (...)
i said something shitty
she don't want to talk to me
i dont know 
what to do
how can i get back to you
she don't want
to hear that shit from me
i dont know 
what to do
how can i get back to you
back to you
back to you
that was pretty shitty
that was a shitty move
shitty move from me

The Shitty Move

Rhodes by me, Arp2600 bass by me, bells by Rudolph, xmas message from Selena.

Santa Claus

dangerous woman {lost at sea ambient mix}

More Than Ever

bc006.wav
#59d2e5

spotify • https://tinyurl.com/yy65d3n2

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Esoteric Resonance

Dialect - Under~Between

From Under~Between.
Available March 19, 2021.

Learn more: https://smarturl.it/rvngnl67

Under~Between

Dialect - Under~Between

barcode | noun
Pronunciation:  /ˈbɑːkəʊd/

Esoteric Resonance

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