And the art is great too! What's that needlepoint?

very good, some little work will push this into great stuff!

Very good, raw and strong words...dig it.

Beautifully done..
Bravo
👏👏👏👏👏

https://soundcloud.com/paco-ray: chord set, guitars, drums.
https://soundcloud.com/ruizzoidman21centurions: bass, lyrics, vocals, pocket sax, production.

Letra  /  Lyrics (Adaptation from a poem I wrote around my 15thBD)

SIEMPRE QUE TE VEO  /  WHENEVER I SEE YOU

Pasma al mirar tu serena  /  Astounds looking at your serene
faz y tu largo cabello,  /  face and your long hair,
y observar rostro tan bello,  /  and observe such a beautiful complexion,
más que asombrar, me enajena.  /  more than astonishing, it alienates me.
Cuando en mi oído resuena  /  When in my ear resonates
tu cálida voz, espero  /  your warm voice, I hope
girarme y verte, pues quiero  /  to turn around and see you, because I want
hacerte saber, mi amor  /  to let you know, my love
que te amo, y mi calor  /  that I love you, and my warmth
ofrecerte por entero.  /  offer to you completely.

Siempre que te veo, intento,  /  Whenever I see you, I try,
con mi mirada, expresarte  /  with my gaze, to express to you
que te quiero. Mi sustento  /  that I love you. My livelihood
es tu sonrisa, son tus ojos  /  is your smile, are your eyes
y tu cara de indecisa.  /  and your indecisive grin.
Si te miro, sonriendo,  /  If I look at you, smiling,
si te sigo, pues queriendo  /  if I follow you, as wanting
poseerte, tengo prisa.  /  to possess you, I’m in a hurry.

Quisiera mirarte, grácil,  /  I’d like to look at you, graceful,
bella y extraña cual hada.  /  beautiful and strange like a fairy.
Cual si no pasara nada,  /  As if nothing was happening,
mirarte, pero no es fácil.  /  to look at you, but it’s not easy.
Quisiera hacerlo con casi,  /  I’d like to do it with almost,
casi inhumano ardor,  /  almost inhuman ardour,
y contemplar con fervor  /  and watch with fervour
tus excitantes y sabios  /  your exciting and wise
pasos, y encender tus labios  /  steps, and turn on your lips
con tiernos besos de amor.  /  with tender kisses of love.

Siempre que te veo…  /  Whenever I see you...

Siempre Que Te Veo (with Paco Ray)

CULT BURY RIOT・太陽の王国
24 April -4Track EP Release-
https://open.spotify.com/intl-ja/album/1modHdXkE8cotn2qjxmGNY

噎せ返る香り、鉄の味の
夜は屍の山に
赤き月が昇り照らし出す
羅針盤は黄泉を示して

かごめ かごめ
後ろの正面、誰
かごめ かごめ
鬼は誰

裏切りが孤独を囁いて
狂いそうな亡者が嘆く
救いの手は何処にあるのだろう
僕を見詰め釈迦が笑った

かごめ かごめ
後ろの正面、誰
かごめ かごめ
鬼は誰
かごめ かごめ
後ろめたくてアーメン
かごめ かごめ
鬼は誰

かごめ かごめ
籠の中の僕は
いついつ出会う
夜明けの晩に
鶴と亀が淫らに狂いて
嘘と金が滑った
首吊り正面、誰

かごめ かごめ かごめ かごめ

鬼は誰

羅針盤【madness】28 April -4Track EP Release-

“Second Passacaglia for String Orchestra” was completed in July, 2022 in Fairview, TX. 

From the composer's publisher Creative Spirit OnLine: "Brooks’s Second Passacaglia unfolds broodingly over a 17-bar, slowly moving bass line in cellos and basses, while the variations above increase in movement and intensity until finally arriving at a subdued and haunting final cadence."

The work is in one movement. Performance time is about 10 minutes. 
Printed and electronic scores and parts are available from www.CreativeSpiritOnline.com
A virtual recording of this work is posted on www.soundcloud.com/robert-john-brooks.

Performance notes:
•	Tempo, expression, and dynamic markings should be strictly observed.
•	There is no key signature. Accidentals apply to the end of the measure or to the note or notes tied over the measure, and only to notes of the same pitch class, in the same octave.
•	Hairpin pairs (e.g.: mp <>, mf ><) indicate a temporary volume change of one dynamic level.
•	Passages marked  fff  or ppp  indicate playing as loudly and as quietly as possible, respectively.
•	Double-bass “C-extension” is required.

Contact information: 
Email: robtjbrooks@yahoo.com 
Web: www.soundcloud.com/robert-john-brooks
Web: www.CreativeSpiritOnline.com

View/Purchase Score

Second Passacaglia for String Orchestra

(Written by Terry Reeves)
Terry Reeves: Vocals, Acoustic Guitar
Hans Albers: All other instruments, Arrangement & Production

I think it’s important to say that a lot more women than you think have had one or multiple miscarriages. It’s just that it is a subject not often talked about because of the very personal pain that the couple go through. The unborn life has no contact with anybody else except the mother and the emotions are often only remembered by the mother and father.
When Jo and I were expecting our second child we were very excited and looking forward to having another Reeves in our growing family. I will never forget the day that we were told we were going to lose the baby and once told, left sitting in an open A & E waiting area having to cope with all our raw emotions and the prospect of the impending loss amongst the rest of the other patients.
Jo had to go through a painful operation to terminate the pregnancy and it is a day she will never forget. We were a family of three planning being a family of four having now to plan being a family of three recovering from an invisible loss and explain it to our young son.
It was an extremely difficult time but we were fortunate that after a few years we did have two more children. Jo tells me that although it is difficult to explain the connection she had with the unborn child that the presence of life inside her will never be forgotten.
I felt I couldn’t let this moment in our lives pass by without acknowledging our unborn child in some way. The rollercoaster of emotions we shared at that time from euphoria at increasing our family to devastation and bereavement at our loss were felt intensely only by Jo and myself played it’s part in forging the strong bond we have had throughout our relationship. (Terry Reeves)

Two giving chance for more to love
Sharing excitement of a life that grew
Future moments by imagination
Holding tightly to a dream, not knowing who

The moment will always be there

No blessing from a hand of friendship 
Could change the feeling of love untried
A desperation of disappearing contact
Sixteen weeks of wonder with a life inside

The moment will always be there
Will always be there x2

Will always be there x3

It’s hard to share the tears of life unborn
Expectations waiting, true feelings strong
Growing three to four into a family together 
Not knowing where to be or why we belong

The moment will always be there
Will always be there x2

Many questions asked reasons who or why
Emotional growth but no name it’s true
An everlasting memory impossible to share
Changing 4 back to 3 kept just between two

The moment will always be there
Will always be there
Will always be there
Will always be there

FOUR TO THREE - CRIPPLE CLUB & HANS ALBERS

"Integrate" is the menuet from Guitar Suite 1

Meditations

Integrate

NeverLand-Magic Feather

480BC

Abyss Of Salamis - Άβυσσος Της Σαλαμίνας

I am glad to release this new track, composed on the great lyrics written by https://soundcloud.com/lukowig

Thanks to him for providing me (for the 2nd time) with great french lyrics

Translation in english is below french lyrics


On se craint
on se croche
on s'étreint
on s'accroche
et puis plus rien...

Plus rien
plus de rire
plus de liens
notre bâtisse de pierres
s'effondre à terre...
Plus rien
dans nos mains
plus aucun
lendemain
et ça va faut l'dire
de pire en pire...

On s'effraie :
bas les mains !
On se fraie
un chemin
vers quoi ? Vers rien...

Plus rien...
Même plus faim.
Plus rien
que la fin
d'un chemin
menant sur rien...

-------------------------------------------


We fear each other
we hook each other
we embrace
we cling to each other
and then nothing...

Nothing more
no more laughter
no more ties
our stone building
collapses to the ground...
Nothing more
in our hands
no more
tomorrow
and it goes on
worse and worse...

We are afraid:
Hands off!
We make our way
a way
towards what ? To nothing...

Nothing anymore...
Not even hungry anymore.
Nothing more
than the end
of a path
leading to nothing...

Plus rien

Plus Rien

‘Hope is like a Dandelion’.

🔗 listen on Spotify:

https://open.spotify.com/album/2HGEHmLmET2lKTfzPYdqPl?si=Vb9Q4oo8STq0fsagkagQJA

🔗 listen on other music services:

https://hyperfollow.com/digivmusic

💜 Follow the DIGIVMUSIC journey:
https://digivmusic.com

Hope DIGIVMUSIC

Goodnight

To quote Josh
"This is a song that began as a bass line I came up with on my four string fretless over a looper. I shared it with Ken (K2 and the Three [and Four], Stephen (Tex Mex Shaman), and Tez (Llanpsych) through BandLan, which we're all on. Ken came up with some perfect drums, as always, to prop up the whole thing. Tez added some killer guitar solos, which you can hear more towards the end, with the ripping tone. Stephen then came in and added the talk box guitar and wah guitar that you hear playing the hook more towards the beginning. It's my first song ever featuring a talk box, and I'm amazed with the part he came up with. It's a major line against my minor bass line. I love how it sounds! Stephen also was kind enough to mix the beast for us, which turned out to be a herculean task. But he was up to it, and a fine job he did, too. It was an honor and a pleasure to work with these guys. We all hope you enjoy it as much as we did making it"

High Noon - with Entheogenic Psychonaut (Josh Clary), K2 and the Three, and TexMex Shaman

 believe music is a spiritual thing so play from the heart not sheet music.

   David Pickover

I am a drummer that played with different bands in South Africa and was lucky enough to have worked with some  good musician friends on these  songs that were all low budget recordings unfortunately

NeverLand-Magic Feather

OdinsLair

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