Name: B.P.T. Radio 052: Mike Who by Bar Part Time
Duration: 2 h 10 min 33 s
Description: "2 and a bit hours of fun music from me to you ~ rnb, rap & streetsoul to reggae, dancehall, house & beyond with bulk cugine approved slow sippers for good measure." @mike-who

@mike-who Would love the name of this track if possible! Amazing mix :)

What is this “standby” song. Ive  been trying to find it for a year now

Daaamn! what's the name of this banger please?

One of the best rnb tracks ive ever heard

017 Daniel Pisano

Nearly 4 hours of being so smooth it's slippery. The fun kind of slippery. Sliding you downtempo into Boogie, slowly burning you through streets of Soul, touching you like only RNB can. 

Put down that ruler in your hand, because this mix from Daniel Pisano, we assure you, is very good measure. 

Recorded live @Waxflowerbar

017 Daniel Pisano

First hour By Juan Izguerra, Second hour by @synthsofworld

Low Profile with Juan Izguerra & Synths of World 2/22/2022

"2 and a bit hours of fun music from me to you ~ rnb, rap & streetsoul to reggae, dancehall, house & beyond with bulk cugine approved slow sippers for good measure." @mike-who

B.P.T. Radio 052: Mike Who

7inch special for this one with the og and master of groove @raphael-top-secret 🙃
We'll be taking you on a musical journey through psychedelic soul, aor, boogie and more!

cover from Black Level - Walkin' 7".

@lyl_radio - november23

@raphael-top-secret
https://www.instagram.com/raphaeltopsecret/
https://www.facebook.com/raphaeltopsecret

Mellow Madness w/ Clémentine & Raphaël Top-Secret 07.11.23

Of all the mixes I've ever made, my last Bar Part Time Mix is easily the one I come back to the most. So when I was given the chance to join the prestigious "BPT Two Timers Club" I wanted to do something cool. For this mix the original goal was to keep the same energy as the last one but in that process I think I created something entirely new. No sophomore jinx here, just a chill mix of aggressive sound bath jams to combat the misery of the coming holidays. - @enterthelloyd

B.P.T. Radio 079: Lloyd

Finn Johannsen is back on Trushmix 217, with another smashing soul mix! A perfect way to round off this year, keeping it soulful!
As always an over four hour mix by Finn, known for his regular quality mixes here at Trushmix! so he needs no further introduction. Let the music speak for itself!

Music from the top as always!

Enjoy!

Trushmix.com

Trushmix 217  - Finn Johannsen

Crown Ruler Mix #30 - Sassy J

To mark the halfway point of @SassyJ’s Oceania tour we are blessed to have a mix from the queen herself. To keep the summer vibes rolling, we have a long awaited contribution to our mix series ahead of her shows at Modeci in Seoul and Reach in Hong Kong.

Before you press play, step outside and find your way to a body of water to splash around in. This one is best served soaking up those rays just as Sassy is on her final days in Australia.

Stay tuned for the last little piece of Sassy J, we’ll have the interview recording and imagery from her Sanctuary Exhibition at High Note ready for you very soon.

Crown Ruler Mix #30 - Sassy J

One of the truest stylists in DJing.

Although leaving behind only a small repertoire, sadly cut short by an early and unexpected passing, what we have left as evidence of his deep dedication to the pleasures of music is so unique and designed with such charming consistency, that when listened to, can only be Zecky’s selection.


Since the late 2000’s we studied the few mixes we could get our hands on obsessively, to the point where for example: we will never be able to hear Pats and Pat “Tobago” without the expectation of “City Lights” to be mixed in next, courtesy of the 2008 Ebisu Bar Jam recording. To us, Zecky became a sub genre of music — "Zecky style tracks" — something in the realms of what we might consider as Balearic, but still somehow blurring the borders of acceptable Italo-disco, and then coming way out of left field with something contemporary like Simply Red...and somehow it all made perfect sense. A lot of these tracks may seem obvious now, but keep in mind this was mid 2000’s, a lot of these tracks were still not known, discogs was not what it is today: contextually, the calliber of his research was heavy. Imagine living in a time when the idea of what a good DJ should be doing is minimal techno yet you’re a Japanese guy going to Italy to look for completely expired Italo material, one can only imagine the facial expressions and dialogues that might have emerged between Italian record store owners and Zecky throughout his digging travels.


The role that talent plays in the DJ "profession" can sometimes feel fuzzy, especially in the post social media/CDJ era. In our humble opinions however, listening to Zecky’s oeuvre gave this mystery a good amount of inspiring clarity. The aesthetic precision of his selection supported by his simple but flawless mixing created compositions so striking that the mixes became new stories or soundtracks to beautiful movies no one had ever seen before. It really felt like he was making something larger than the music he was using to compose these moments. A common (and disturbing) cliche one often hears when people go about describing a DJ’s work is the idea of being a “story teller”. To us Zecky genuinely put forth this idea on a meaningful level, his stories were some of the nicest of all.

We learned so much from Zecky.


Thank you for the music and happy birthday — Zecky would have been 54 today.


Thank you to Daisuke, his party partner, for making this possible ❤️
_
DJ 界での真のスタイリストの一人。
残念ながら、予期せぬ早すぎる死によって残されたレパートリーはわずかですが、音楽の楽しみに対する彼の深い献身の証拠として残されたものはとてもユニークで、魅力的な一貫性をもってデザインされており、聴くとZeckyのセレクションを感じざるを得ません。
2000 年代後半から私たちは手に入れることができる数少ないミックスを執拗に研究し、例えば、2008 年の恵比寿バージャムのレコーディングのおかげでパットとパットの「Tobago」を聞くと、次に「City Lights」がミックスされることを期待せずにはいられなくなりました。
私たちにとってZecky は音楽のサブジャンル、つまり「Zecky スタイルのトラック」になりました。これは、私たちがバレアリックと考えるものの領域に属しながら、それでも許容できるイタロディスコの境界を曖昧にし、その後 Simply Red のような現代的なものによって予想外の形で登場しました... そしてどういうわけか、すべてが完璧に理にかなったものでした。これらのトラックの多くは今では当たり前に思えるかもしれませんが、これは 2000 年代半ばのことであり、これらのトラックの多くはまだ知られておらず、discogs は今日ほどではありませんでした。文脈上、彼のリサーチの質は高いものでした。優れた DJ が行うべきのことはミニマルテクノであるという考え方がある時代に生きていると想像してください。しかし、あなたは完全に期限切れのイタロの素材を探しにイタリアに行く日本人男性です。彼のレコード探しの旅を通して、イタリアのレコード店のオーナーと Zecky の間に生まれたであろう表情や会話は想像するしかありません。 DJ という「職業」において才能が果たす役割は、特にソーシャル メディアや CDJ の時代以降は、曖昧に感じられることがあります。しかし、私たちのささやかな意見としては、Zecky の作品を聴くとこの謎がかなりはっきりと理解できました。彼の選曲の美的精度と、シンプルでありながら完璧なミキシングが、非常に印象的な作品を生み出し、そのミックスは新しい物語や誰も見たことのない美しい映画のサウンドトラックになりました。彼は、これらの瞬間を作曲するために使用した音楽よりも大きな何かを作っているように感じました。人々が DJ の仕事を説明するときによく耳にする一般的な (そして不快な) 決まり文句は、「ストーリーテラー」であるという考えです。私たちにとって、Zecky はこの考えを本当に意味のあるレベルで提示しており、彼の物語は最も素晴らしいものでした。私たちは Zecky から多くのことを学びました。音楽をありがとう。誕生日おめでとうございます。Zecky は今日 54 歳になっていたはずです。これを実現させてくれたパーティーパートナーの大輔に感謝します❤️

H.A.N.D. MIX 065 : Zecky – Metro 1st

My Call

Official release date June 28th! After years of comparisons, I've decided to embrace it. This is from my album, Not The Real Slim Shady, out July 28th 2025!

Not The Real Slim Shady

Hailing via Ontario (CA), Brandon co-founded the famous "inivisible City" Record Shop in Toronto which has since then released some important re-issues on the self-owned label and generally become a haven for the local record-digging scene. 

Around 2016/ 2017, however, Brandon has parted with Invisible City and it certainly did not take him long to establish his own fantastic label "Séance Centre" which does not solely focus on the music  but instead situates its releases in their individual cultural and physical environments via visual modalities like photos and documentary but also word-based comunication such as interviews, essays or storytelling.

It was immediately clear to us that his approach fits perfectly with 5918mins. and so we are glad that Brandon has contributed this summer special full of goodness, seamlessly meandering between more experimental and pleasing sounds. Perfect for the current heat wave.

Brandon Edward Hocura (Séance Centre)- Summer Mix

"Probably The Best Wine Bar In The World"

B.P.T. Radio 052: Mike Who

Bar Part Time

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