Name: B.P.T. Radio 052: Mike Who by Bar Part Time
Duration: 2 h 10 min 33 s
Description: "2 and a bit hours of fun music from me to you ~ rnb, rap & streetsoul to reggae, dancehall, house & beyond with bulk cugine approved slow sippers for good measure." @mike-who

@mike-who Would love the name of this track if possible! Amazing mix :)

What is this “standby” song. Ive  been trying to find it for a year now

Daaamn! what's the name of this banger please?

One of the best rnb tracks ive ever heard

While dropping their self-titled debut LP with us in August, Anya and Izaak from Loveshadow (@loveshadowdjs) were kind enough to also record a lovely mix and answer a few questions. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Izaak and Anya, nice to have you on board. Both living in Bay Area, how would you describe your daily surroundings? Is it a nice place to be as an artist?

LS: Right now we live in SF. We grew up one town away from each other near the airport, though we didn’t meet until much later. The landscape is inspiring for sure- we spend as much time as we can out in the parks and wild areas and draw a lot from that. The art and music scenes here run deep, though the cost of living and of course covid have made things tougher.
 
MFM: The songs on your debut album as Loveshadow -which will be out in August- sound incredibly fresh where they also remind to certain pop, boogie, funk and even house from the mid and late '80s. What were some of your main influences for this project? 

LS: Thanks! We have to mention the UK act Fashion after whose song we named the group, but our tastes range all over. You could say that Loveshadow is kind of a lap around the 80’s prehistory of today’s dance music, when things were still firmly rooted in pop songwriting but had a simultaneously psychedelic and funky sensibility- one that grew out of dub/disco/punk counterculture. Getting more serious about learning the records at the roots of the whole thing allowed us to see how we might contribute something new to it in a way that was more than a style exercise.

MFM: Of course also the use of specific instruments ad up to that flavor - it seems that for example the Linndrum plays an important role. Did you aim for that sound and gathered the instruments around it, or the other way around maybe?

LS: We had an overall idea in mind that definitely informed the instrumentation but we’re not purists. A lot of the sounds on the record are replications of or deviations from the iconic originals. Those famous drum sounds in particular are like symbols, they impart a particular meaning and we use them to set a mood.

MFM: What's the dynamic between the two of you like in the studio? Is there a certain steady structure or does this change all the time? Maybe you could tell a little about your writing and recording process?

LS: It changes all the time- we’ve lived and worked in so many places separately and together since we started recording. Either one of us might come up with an idea that we’ll design sounds around, demo, arrange, and then throw it all in the trash and start again. Most of the songs on the record have had a few lives.

MFM: It feels that the music from the LP could work really well live on a stage too. Are there any plans for you to go touring? 

LS: We’re going to play a gig in Detroit later this summer that will be sort of a test run! After that, we’ll see. The project started out as an interest in records and recording, but anything’s possible.

MFM: Thanks a lot for contributing! It seems you quite regularly record a mix. Have you both always been busy collecting and sharing records? 

LS: Our pleasure, thanks so much for asking us! We’re always looking for new music. Sharing mixes online has helped us organize our favorites but playing parties is the best. We were gigging around before covid and we’ll hopefully get back to it as things continue to open up. This mix is definitely on the hype side of things- new digs, old favorites, some edits, tunes pals graciously sent our way, and what we’ve been dancing around our apartment to while we were stuck inside.

MFM Mix 030: Loveshadow

A previous guest of honor at H.A.N.D. as we debuted the series with a recording of his first class workings at Have A Nice Day a few years back - Piers Harrison presents us with yet another generous offering to our new mix series. One of the minds at Test pressing and 1/4 of team Soft Rocks, Piers' insightful relationship with music and dance floor culture has clearly led to a discerning understanding in a wide range of genres - kindly displayed in this pleasant excursion - listen carefully :)
@soft-rocks

Sound Metaphors Mix Series 04 : Piers Harrison

https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-14th-december-2021

Pender Street Steppers w/ Benedek & Suzanne Kraft - 141221

"2 and a bit hours of fun music from me to you ~ rnb, rap & streetsoul to reggae, dancehall, house & beyond with bulk cugine approved slow sippers for good measure." @mike-who

B.P.T. Radio 052: Mike Who

Trushmix 195 presents Melbournes own Myles Mac! 
The man behind the now longs running mix page Melbourne Deepcast, check it out for a lot of fun interviews and mixes from a great variation of DJ's.

For this mix Myles serves us a three hour mix exploring house related music from the late eighties to mid nineties. Slower mellow house sounds, street soul, hip-house, balearic infused tunes, and much more. This a perfect mid summer mix to feel the vibe!

Enjoy music from the top!

Trushmix.com

Trushmix 195 - Myles Mac

Bar Part Time master celebrator Jeremy Castillo aka Jah Remy aka Dadbody not dadbod going deep and serving up two hours of cuts we wish we all were across. Pour yourself a high qual glass of whatever makes you feel right and ride this one out…

ID requests ~ @jeremy_castillo

1800 triiip - Jeremy Castillo - Mix 046

Over the last few months we've been quietly archiving all of the amazing music that gets shared at Paradise every weekend and we're now ready to slowly share those magic moments with the rest of the world.

Our inaugural recording comes courtesy of a first time B2B session that occurred between Josh Cheon of @darkentriesrecords and @barparttime's co-founder @jeremy_castillo at the Bar Part Time x Open Ferment afterparty on September 9, 2022.

Enjoy this two hour glimpse into a high vibe / high consumption evening with two of San Franciscos most talented and warm hearted DJs and be sure to check back often for more additions to the archive!

📸: Karli Fahlman

Paradise Archives Vol. 1 with Josh Cheon B2B Jeremy Castillo

SWAYMIX 001 - Telephones

SWAYMIX 002 - Eternal Love

Telephones is a renowned DJ for his free-spirited curve ball-mix of ranging from Balearic tutti-frutti, proto-house and percussion workouts to cosmic techno, discokraut-gymnastics and outer worldly explorations.

A firm believer in quality over quantity, Telephones has released a sparse but highly sought-after discography on acclaimed underground labels like Running Back, Sex Tags UFO, Acido, Love On The Rocks, Klasse Wrecks and Full Pupp. As well as production work and remixes for legends like José Padilla, Joan Bibiloni and Vangelis Katsoulis, to mention some. Starting with primitive PC software and DJing in the late 90s, he has since equally focused on production and DJing, now with more than 20 years of experience behind decks and knobs. In 2016 releasing his debut album, "Vibe Telemetry" on Running Back, taking his eclecticism and sound one step further, expanding the palette with influences from early Norwegian club-roots, Ambient House, NY House and Disco, 90s UK Balearic, Italo House, Underground Resistance and Detroit Techno.

The recent years has taken Telephones across the globe with frequent tours in Asia, Australia and the Americas, playing in over 35 different countries and as diverse locations as Sao Paulo, Taipei, New York, Mexico City, Hanoi, Tokyo and Melbourne, as well as frequently laying it down on his Berlin/EU home-turf at some of the best underground clubs, such as Berghain/Panorama Bar, Bassiani, Corsica Studios, Griessmuehle, Jaeger and festivals like Love International, Dimensions, Pitch Music and Arts, The Garden and Bahidora.

--
WORK REDUX MIX is a collection of mixes made to be listened to while working. We work closely with local and international DJs to assemble thoughtful music that will carry members throughout their day and introduce them to new sounds. They are created to lift our members up when they need it, or calm them down when concentrating.

WORK REDUX MIX 016 - Telephones

Live recording of the first to last record played at Giant Steps on Sunday 12 February, 2023.

This sound system haunted our dreams, since they packed it up at Swan Wharf. Came with high hopes and open minds for our first Sunday at the Hackney Wick Baths. What started as a soulful afternoon selection escalated slowly into a rolling dance. A few asked since if it was recorded and - luckily - this time we got the sucker. 

If you were there, thanks for joining us and hope you enjoy the playback as much as we have. If you weren’t, hope you catch the glow of this wonderful setup. Blended with *ahem* human touch on 2 modified Technics and an ISO420 mixer, deeper into the night than we’d expected, under the shimmers of their famous mirrorball.

Customs Live at Giant Steps 2023

"Probably The Best Wine Bar In The World"

496 14th St.
San Francisco, CA 94103
United States
+1(669)333-WINE

B.P.T. Radio 052: Mike Who

Bar Part Time

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