@marwanfilali lovely - what is this opener?

@marwanfilali would you be able to ID this one as well please? :)

i've listened to this mix many many times it's absolutely flawless ❤️

First contribution to our Spring/Summer mix series by LA's very own, @suzannekraft . Check out our short interview with him on our website! https://www.homagebrewing.com/spring-summer-mix-series

Homage Mix Series: Suzanne Kraft - 001

@mlle_elle

https://undertheapricottree.net/mademoiselle-linda/

Apricot 36: Mademoiselle Linda

Üllar Siir - Season For Surprise

Faking Jazz Together 🎷

For us, Norm is the ultimate definition of a selector, and many in the community will agree. Needless to say, we were incredibly excited when he joined TNP as a resident. His new show “Faking Jazz Together” is an excellent addition to his other projects, which include(d) Memorabilia, Bayetë and Native Dance.

Norm’s ability to unearth the warmest, sweetest and deepest sounds is unprecedented. The first installment of his residency stole our hearts: a jaw dropping, incredible selection of lush music that we didn’t know we needed to hear. We recommend you to listen to this one eyes closed, shoes off, laying in the sun. 

Words from Norm: “This opening Faking Jazz Together show connects the dots between songs cleverly juggling with chords voicing and offbeat progressions. Spanning from major studios productions, One-Hit-Wonders and confidential amateur acts, these titles share a charming perspective of these codes while treasuring a genuine song writing. 

This is my fantasized outtake of what could have been a local fusion jazz program back then. It features biting AOR, hazy Chanson, fierce Boogie, Japanese Bossa impersonation and wistful Italian score.”

Artist: @memorabiliarecords

Faking Jazz Together w/ Norm

020 John Ross

Over the years I've bumped into John here and there, all over the place. At one point, by chance, I even worked on an IT project with him, we never actually spoke, and I can only remember John being the guy who wore the large fancy headphones (probably an early sign of his passion for music). We'd continue to cross paths on those niche Facebook music groups too ('Rotation' for example). 

When we were opening Waxflower, he stuck out in my mind as someone who'd be great to have play through their no-doubt thoughtful collection. I knew he had spent time in Brazil and we'd talked about Bossa Nova collections, so I'd only hoped that we'd get to here worldly and carefully selected gems. That's exactly what happened! John has a truly wonderful trove of music, and this brilliant mix only begins trek his long path of digging.

Surfing in with rhythmic waves of Brazilian Bossa Nova, slowing it down into street soul-esque jams, and picking the tempo back up to close things out – There are only jams here, with Portuguese vocals and musing melodies trending through the whole mix.

“Some, may say,
I'm wishing my days away, no way!”

Recorded live @waxflowerbar with @johnross020

John Ross live at Waxflower 21st June 2022

020 John Ross

Please meet London based DJ and producer, former Cafe Del Mar resident, and our long time close friend Phil Mison (@cantomamusic). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Phil, many know you as one of the DJ's who has played all the best sunset spots across the globe. How did your summer look this year, still been scoring sunsets here and there?

PM: My summer was great. I travelled to Amsterdam, Cork, Copenhagen and Barcelona and had some nice gigs in the UK. My friend Deke has opened a bar on the seafront in Margate, you get pretty epic sunsets down there. I played a few records one evening and managed to fit in a few old cafe classics as the sun disappeared into the sea. 

MFM: Please tell us a bit about how it all started for you?

PM: I grew up in the 70’s, so there were quite a few different influences. David Bowie ‘Life On Mars’ was an early memory, and I was obsessed with Blondie. Parallel lines was the first album I bought. Later it was Northern Soul, Electro, nothing really that mellow! In 87 I met a couple of people who were really into House. I started going to groove records in soho to buy records like Adonis - No Way Back, Ten City - Devotion. Then as 88 rolled around I got into the more Balearic side of things. Later in 89 I’d pop into Reckless Records for second hand stuff and started to browse the New Age section where I got things like Kitaro  ‘Tunhuang’ and Paul Greaver ‘Joy’. Those records were the starting point really. 

MFM: DJing in clubs to make people dance never really attracted you?

PM: I’d say pretty much most of my DJing has been in clubs. I started at the Milk Bar in Soho in 1992 after giving Darren Emerson a tape. Even though I was doing the warm up and playing mellow stuff at the beginning, you had to build it up to a full dance floor by the end. In 1996 and 2000 I was the tour DJ for Lefttfield, playing in front of 1000 odd people. ‘Just get it going before we come on!’ Alongside Ross Allen and Rob Da Bank, I was resident at Bar Rhumba for our Next Level night in 1997. It lasted a year and we opened with Harvey and closed with Andrew Weatherall. I Have to mention Moonboots and Jason Boardman’s night Aficionado too. I always enjoyed playing to a dancefloor there, they’ve kept the Balearic flag flying since 1998. 

MFM: At what point did you got into making music on your own? 

PM: I’d worked on a project for Kenneth Bager in 1994. Then later on he started his Music For Dreams Label, and asked me if I would be interested in making an album.  So the first Cantoma album was started in Copenhagen in 1999, and finished in London in 2003. 

MFM: How do you come up with a new song, is there a certain Phil Mison way to it? Do you write the parts for the musicians?

PM: It usually starts with an idea that pops into my head. Sometimes a memory or travelling will get a melody going, and I’ll sometimes hum it into my phone and use that as a starting point. Ive worked with Engineer/Producer Robin Twelftree on all the Cantoma albums. I’ll go into Robin’s studio and usually start with some basic keyboards, then I’ll play a bassline in. I’ll take the demos away and think about what would work on the tracks. For some musicians the music is written down. Ive worked with Robin Lee from Faze Action on a few Cantoma tunes, and he usually transcribes my basic melodies onto sheet music. Other times I’ll play the melodies on a keyboard or hum the tunes for the musicians to follow along to. On some tracks I’ll write the lyrics too and get a singer to record on a track. There’s a lot of going back and forth until I’m happy with the final cut. The music rarely ends up sounding like the first version.

MFM: Making a mix must have been a piece of cake for you :) What is this mix like?

PM: I went back through my 92-94 selection and picked a selection of the lesser played records. Memories of magic times at the Milk Bar and warm summer evenings at the Cafe del mar.

MFM Mix 044: Phil Mison

Sanctuary doing it right for an hour and a bit of smooth as butter selects. For anyone that has followed their molto bene Life Classics mix series, high qual dancefloor focused edits under the same banner or lucky enough to roll through to an Altered Soul Experiment party over the years you already know, if you don't get familiar.  

ID Requests ~ @sanctuary3

1800 triiip - Sanctuary - Mix 048

"I assembled a mellow mix full of records that have been setting aside for a special occasion! This selection takes in many genres but keeps the vibe pretty chill.
Fits perfectly while driving down a coastal road with your old Benz SL 280… Or you just might enjoy this mix with headphones at the office, basically… up to you :)" -@marwanfilali

B.P.T. Radio 056: Marwan Filali

SWAYMIX 002 - Eternal Love

061022 restaurant recording by norm (@bayetecontact & @memorabiliarecords)

cornerstore during service • #3 • NORM

004 Jamie Bennett

Do you know Jamie Bennett? Maybe you do, maybe you don’t, maybe you heard one of your friends whisper: “That’s the Crown Ruler guy." One thing is undoubtedly true – Australia’s music scene wouldn’t be the same without Jamie’s influence. The wonderful Crown Ruler brand has exerted its influence throughout the country and far beyond. If this is news to you, start looking a little closer to home and you’ll spot the clues.

We’ll keep this intro brief – a cheeky web-surf will provide plenty of thoughtful write ups on the man’s roots. We think Jamie’s an incredible DJ. A trove of aural excellence comes through in this mix; Lovers rock, sun-kissed gems, and plenty of soulful rarities from all corners. It’s a little less about genre and a little more about mood.

When we joked with Jamie that the cost of the records in this mix alone must be his retirement fund, he slyly shot back: "That's my super." It’s hard to explain the effort, the research, and even the resources that go into pulling together the sort of collections that are at the heart of a mix like this. Perhaps that’s a little digger-to-digger nod, a silent sign of appreciation at the incredibly impractical art of carting around bags and bags of records in this day and age.

Our admiration goes beyond knowing the work involved. Hearing and experiencing Jamie’s talent through Waxflower’s speakers was, for us, a thing of joy. And at the heart of it all is Jamie’s love of music. We were honoured to have him play on the wheels at Wax. Music and Human connection, Enjoy!

Recorded live @Waxflowerbar

004 Jamie Bennett

"Probably The Best Wine Bar In The World"

496 14th St.
San Francisco, CA 94103
United States
+1(669)333-WINE

B.P.T. Radio 056: Marwan Filali

Bar Part Time

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