Grab a drink and wet ya whistle people, Wongo is back!

The man is known for many things, and dropping shitty tracks is not one of them. Wongo started this new series of 'Not For Radio' EP's for one reason – let’s just say this music is not your average daytime radio easy listening. In fact, Wongo has even gone as far as saying if he hears it on the radio, he’ll rip his car stereo out and throw it out the window. He kinda seemed serious when he said it too. We were a little afraid.

All jokes aside, this thing is raw and ready for the clubs. Bass, kicks, low pass filters and just enough vocal to keep you interested, this three track EP has one purpose and that's to make you dance. 

The lead record Get Up features the vocals of owie, and its simplicity is what makes it deserving of the A side. On the flip, Waves showcases those tried and tested Wongo flavours with a lots of wizz's and whirls. Lastly, with a kick drum so big you can sit down on it, Wongo brings the EP home with Dusty Jackson. A progressive acid bass and off beat stabs keeps this thing rolling around a cheeky vocal.

Look, we know there's a chance you may think about playing this on the radio, but it’s probably best you don’t tell Wongo :P

STREAM / BUY

Wongo - Waves (BOC121)

Free Download

Ice Spice - Deli (Aurient Remix)

Buy / Stream

Pop That Clutch (Extended Mix)

whipped up a remix of Ayda Rose and it turned out jungle

free download <3

Ayda Rose - Know Better (Revelle27 jungle bootleg) FREE DOWNLOAD

Buy >

AMPLIFY // Garage Sample Pack

Moose - Lies [EP]

OUT NOW
Buy on Bandcamp

https://soundcloud.com/moosebris

01. Lies
02. Chop Saw
03. Synapse 

Moose, 24, is a fresh-faced, aspiring DJ / Producer that recently touched down in Bristol in search of a scene. Having moved from a part of the midlands that lacked one, he primarily bolstered profile via online means.

From occasional gigs, to residencies with stations like Voices & Mode, to having mixes hosted by various online platforms like Frequencies & BlueDollarBillz, he looked to remain proactive in mixing. Now in Bristol, he’s jumped in headfirst and found footing, playing events on the local underground circuit.

In the studio, he’s explored both emulating and experimenting in the production of Breaks-driven tracks, landing releases with Profound Sound, Solitude and DREDCOL amongst others.

Moose has spent his formative producing years beginning to craft a sound; With forthcoming productions seeing the light of day via platforms like Keep Hush, BBC Introducing and SWU.

Moose’s style of mixing focuses on dynamic blends: Digital or vinyl, he looks to keep the mix moving consistently & pushing a variety of percussive sounds, both classic & contemporary.

After finding a strong footing across the spectrum of UKG, Breaks & Jungle, he’s more recently stepped into early 00s Breakbeat, Leftfield Bass, Electro and other percussion-driven bass music in both his live sets & radio shows.

Lies

Moose - Chop Saw

Rizzle Kicks are releasing new music and so am I. This is my bootleg of their new track 'Gumdrops'. I hope you like it! 

Rizzle Kicks - Gumdrops (Contraflow's UKG Bootleg)

Shrouded

Family - Tech House Music

Joezi - Molla Gudeta

With the Ruff N' the Smooth

Thoughts

Management:
bartbmoremusic@gmail.com

 Hailing from the Netherlands, Bart van der Meer - known as Bart B More - has been a constant factor in the international electronic dance music scene for many years. His love for DJing and producing has taken him to every continent on the planet, leaving his audience with something to remember - or not to remember. 

Bart B More's genre-bending style has helped him to become one of the most renowned and respected electronic music producers today. He steers away from a traditional production formula to help create his own signature sound: A fusion of deep techno and heart-pumping electro, with an unusual swing in his drum patterns. His eclectic mix of synths, unparalleled sonic range, hard-hitting drops, and heavy bass lines have helped him to create a distinct and original style. The ability to make each beat, synth, and drop flow seamlessly together in his sets, has made Bart a well seen guest at events all over the globe.

Bart does not discriminate against mainstream and underground music, and prefers to draw inspiration from anywhere and everywhere: "The limitations and borders a genre can imply sometimes kills creativity in the producing process, and that's something artists deal with. I try to stay away from that mind frame, and just create how I feel." His non-commitment to any specific genre and ever-changing tastes make each one of his shows a whole new, fresh experience: "Every set to me is a challenge to entertain a crowd, to bring forward my musical taste but also read the crowds mood. And if that's the same thing, that's when I love what I do the most."

In 2008, Bart found a new challenge in his decision to start his own label, Secure Recordings. Since then, the imprint has been an outlet for Bart to release his own music as well as share his various tastes and musical range. By creating Secure, he's able to showcase not only his own style, but also give new artists a platform to release their music. Bart is a firm believer in supporting new and up and coming artists.  In establishing the label, he's been able to give them a chance to make their mark in the industry. 

In addition to Secure Recordings, Bart has had the opportunity to release many of his tracks with some of the industry's top labels: Spinnin' Records, Boysnoize Records, OWSLA, Relief Records, Sound Pellegrino, Fool's Gold, and Trouble & Bass - allowing him to reach an even larger and more diverse demographic, thrusting him into the spotlight of many devout electronic dance music fans. 

Along with collaborating and working with major labels in the business, Bart has also written and produced for the likes of Rita Ora and Example, as well as remixes for Katy Perry, Cee-Lo Green, Tiesto, Chris Brown, Wiley, Galantis, Martin Solveig, Bingo Players, and Peaches amongst many others. 

In the future, Bart B More hopes to continue to have a key role in keeping dance music forward thinking, innovative, and open minded.