Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

Rooted in minimalism, Field Records presents electronic music from the artistically driven end of the spectrum since 2008.

Field Records presents Waterworks:
www.waterworksproject.nl

https://throttleclark.com

Management | greg@thefullspectrum.org
UK & Europe Bookings | debbie@lb-agency.net
North & South America Bookings | twalker@outermostagency.com  
Press | duncan@9pr.co.uk

Giorgio Moroder - the father of Disco

Casablanca Records

Genres and Styles:
Disco, Electronic, Hi-NRG, Synthesizer, Pop, Rock, Dance, EDM

Moroder is frequently credited with pioneering synth disco and electronic dance music.

Soundtracks: 
Metropolis, Scarface, Midnight Express, Cat People, Electric Dreams, American Gigolo, Flashdance, The NeverEnding Story, Top Gun, Over The Top, Grand Theft Auto III (Flashback FM), Grand Theft Auto: Liberty City Stories (Flashback FM), Racer

Giorgio collaborated with Daft Punk in 2013
(My name is Giovanni Giorgio, but everybody calls me Giorgio - "Giorgio by Moroder"),
he is officially the oldest DJ in the world and currently working on his new album called "Déjà Vu" featuring Britney Spears, Sia, Charli XCX, Kylie Minogue, Mikky Ekko, Foxes, Matthew Koma, Kelis and Marlene.
Stay tuned.

#74isthenew24
#Righthererightnow
#Dejavu
#Diamonds
#Dontletgo

Label, booking agency & online record shop

Demo submission: 
We receive a lot of demos every day. Please understand that we are unable to listen to everything. Send your private soundcloud link to: label@kompakt.fm.

Support me on Bandcamp ❤️
https://swap-shop.bandcamp.com/

Up next:
- 26-12-2025 Houseclassix @ Doornroosje Nijmegen/NL
- 20-02-206 Club Looney @ Luxor, Arnhem/NL

At the age of 15 Nijmegen based dj Camiel got fascinated by dancemusic, its endless rhythms and driving energy. At that time it was mainly hiphouse from recordlabels like DJ International, new beat and the pre rave techno/house-sound of labels like R&amp;S and Music Man that caught his attention. The more he got into the music the more he wanted to experience the magic of mixing records. A turntable, tapedeck and a simple mixer were enough to develop the basics of mixing. A little later Camiel started DJing at a small underground club, soon playing there every Saturday night, learning how to interact with the crowd, learning how to create an upliftin’ atmosphere.

While developing his skills further on Camiel got himself some better equipment and started to edit records and to produce so called megamixes. A weekly dancemixshow at a pirate radiostation in Belgium followed, as also did two releases for one of the major Belgian independent record labels at that time (Antler-Subway).
After moving from the south of the Netherlands to Nijmegen in the east. He worked his way up in the local scene and became resident at the famous Club Extravaganza parties. Inspired by dj’s like Derrick Carter and Kevin Saunderson and music from recordlabels like Prescription, Cajual and Planet E, Camiel developed more and more his own style. 

Today his style still is rooted in Chicago en Detroit housemusic, incorporating  music from all over the world as well als long as it's groovin'.  However playing true house and techno music undoubtably is Camiel’s trademark, probably most important is his ability to stay in touch with the crowd, to respond to the atmosphere and to anticipate by choosing the right record for the right moment. That’s what DJing is about in Camiel’s opinion.

This ability and attitude while staying true to housemusic at the same time has resulted in numerous dj bookings over the years. This has brought Camiel to many clubs, parties and festivals, ranging from small underground parties in Nijmegen/NL to the beaches of Egypt.

BartT is following