Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

	Over the last two years Lee Curtiss has made a name for himself creating primal, exquisitely deep and emotional dance tracks that pulse with life, sex, and humour, incorporating countless influences and genres but beholden to none. With his broad shoulders, even wider grin and keen sense of humour, Lee may give off the straight-shooting air of a Midwestern woodsman, but he’s got the ear, plain and simple. Lee Curtiss is an eccentric, an original, an innovator, a ten-year veteran of the electronic-music scene. His love of his craft shines through in his tracks’ every bump and shudder. From last year’s Visionquest remix of Kiki’s ‘Good Voodoo’, sighted by many as the underground smash of the year, to his ‘Black Door EP’ on Spectral (Mixmag’s techno ‘Tune of the Month’, October 09), Lee has an innate ability to create instantly memorable lead riffs that will stand the test of time.



Lee grew up in Western Michigan and eventually moved to Detroit, living the guitars-to-turntables, concerts-to-underground-parties arc shared by so many other children of the electronic music revolution. The similarities end there though. Lee displayed an immediate knack and passion for dance music that translated his love of Prince, Quincy Jones, and good old underground disco into a production and DJ style noted for its sensuality and effortlessness. Recently back in Detroit after an extended stay in Berlin (where he swapped ideas and lived with his close friends and partners-in-crime Seth Troxler, Ryan Crosson and Shaun Reeves), Lee continues to produce vital releases and remixes on labels including Spectral Sound, Get Physical, Dumb-Unit, Wolf+Lamb, Esperanza, and Mothership, and play DJ gigs the world over.



Lee’s previous trans-Atlantic tours have seen him play at some of Europe’s most important clubbing institutions including, Fabric in London, Watergate in Berlin, City Fox in Zurich, Kiss Klub in Nurnberg and the UK’s Bloc Weekender Festival. He tore up the Toilets in East London for Kubicle, supported long standing friends Wolf+Lamb in Paris and look his, as Resident Advisor described it, ‘libidinous tech funk’ to Bristol, Leeds, Cardiff and Aberdeen.



Lee’s live debut at Fabric earlier this year was met with universal praise and Matthew Dear was so impressed with his live show at the Spectral party at the Miami WMC that, he immediately invited Lee to join him as the live face of Spectral Sound, touring alongside Matt over the coming months. In June Lee is set to follow up his Beatport chart topping ‘Love In The Key of Freak’ EP on Get Physical with ‘I Can Hear You Arthur’, his tribute to Arthur Russel on Guy Gerber’s Supplemental Facts label which is set to be one of the summer’s biggest underground anthems.

Bookings:
Martje Kremers: 
Martje@decked-out.co.uk

Americas: 
Connor Nackley:
Connor@surefireagency.com

MGMT & Press: 
Lawrence Jones: lawrence@theweirdandthewonderful.com
Paul Allen: 
paul@theweirdandthewonderful.com

BOOKING: 
🌍 WORLDWIDE - marjanlopuh@icloud.com 


With his truly unique style, ranging from raw techno beats to the darker side of trance, Bulgarian-based
METODI  was able to win the fans of electronic music for a short period. He loves to
experiment and mix up different music styles, which results in an unexpectedly good combination.
Releases on major labels and remixes for popular artists show METODI's distinctive style and his particular
focus on techno, always aiming to convert the music to fit his own distinctive style. His productions have
gained support from various world-renowned artists for some years, like Adam Beyer, Carl Cox, Oliver
Helden, Enrico Sangiuliano, and others. Adding to his accomplishments, Metodi Hristov is also the owner
of Set About Music, one of the leading Techno labels.

📀 Music released on:   Bedrock - All Day I Dream - Satya - Lost & Found - ...
🖌 Founder of MOOIZO. 
Bookings: Info(at)mooizo.eu

bookings@davidgtronic.com

David Gtronic has spent years shaping his own path in the electronic music scene, constantly evolving while staying true to the essence of his sound. Known for his deep, hypnotic grooves and intricate textures, his productions strike a balance between precision and raw energy, always pushing the boundaries of house, minimal, and techno.
After relocating to Berlin in 2013, his career took off globally, landing him sets at Sunwaves, Episode Festival, The BPM Festival, and a residency at the legendary Club der Visionaere. His touring schedule has taken him across Australia, Japan, and South America, building a reputation for meticulously crafted sets that take listeners on a journey.
In 2019, David launched Personality Disorder Music, a label that serves as a platform for artistic expression beyond the conventional. Featuring artists like Seth Troxler, Reboot, Guti, Tom Trago, Alexis Cabrera, Sweely, San Proper, Chad Andrew, and Guy From Downstairs, the label has become a home for boundary-pushing sounds that challenge expectations.
His latest album, released in 2024, stands as his most recognized and acclaimed work—a carefully constructed 11-track journey through multiple genres, emotions, and sonic landscapes. More than just a collection of tracks, it’s a reflection of his vision as a composer and storyteller, capturing the essence of his musical evolution.
With an unwavering focus on quality and a relentless drive to refine his craft, David Gtronic continues to push forward, proving that longevity in the industry comes from innovation, adaptability, and an obsession with sound that never fades.

Dara Ortega. Music Lover and DJ

♥ ART BY : @israelp-rez & @solecker ♥

Hailing from sunny Tenerife, he started off his career in the underground electronic world as a resident DJ and promoter, before catching the ears of influential clubs around Europe and being invited to take charge of the decks at the likes of fabric London, Goa Madrid and Chalet Berlin.



A highly promising talent, in 2013 Hanfry was nominated ‘Best Spanish Artist’ and ‘Best Deep House DJ’ by the industry-respected Vicious Magazine. And with a string of quality EPs like ‘Distraction Way’ and ‘Hasta Luego’ on Terence:Terry:’s La Vie En Rose, or ‘Vamos Mi Niño’ with Javier Carballo  on One Records, it’s not hard to understand why. Having also released and remixed on Get Physical, Nordik Net, Esperanza, La Drumma, 1trax Readymade and Hot Creations, look out for his joint production alias with Justin Harris as House Of Warez, debuting on underground cult imprint ( djebali ) presents.



In 2010 he started Overall Music with close friend and fellow Canarian Javier Carballo. Quite simply, Hanfry explains the aim is to “create an original and innovative sound that stays true to our influences”. Standout EPs include ‘Nothing Written’ and ‘Off Days’ from the label bosses, while the calibre of guest artists includes Livio & Roby to Maya Jane Coles, Subb-An, Guti, Djebali, Jef K, Adam Shelton and John Dimas.



Continuing to bring the best in underground music to Tenerife with his new residency party BEEPER, we can expect to see much more of Hanfry Martinez internationally with his rapidly escalating profile around Europe’s House hotspots.

Bookings : 
carlos@enrenou-artists.com

What makes an artist successful remains a secret to most. What is certain is that the road is long and hard, even more so coming from an island; a beautiful place in the world, but far from the big cities and big opportunities. This is what makes Javier Carballo even more respectable.

He has been the reference of the best underground electronic music, back in the Canary Islands and in Spain, but for some time now he has also been known far away from his country.

Having the opportunity to travel around many cities in the world and playing in festivals and clubs like Sunwaves, Epizode ,BPM, CDV (Berlin), Bar Americas (Guadalajara ), Fabric (London),Output (NYC) Dc10 (Ibiza), Input (Bcn), Roots (Madrid) , Watargate (Berlin)to name a few

In the last few years he has been living between London and Berlin where he has matured both in production and sets, creating some new projects like "TERMS", "Look Perry" and HDZ. This last one together with Aniano, releasing on his platform Underyourseat, as well as on other labels like Dowblack, Tresydos, Sound Benefit and Lescale recordings.

Javier is an experienced selector and connoisseur of electronic music in its most varied forms, covering styles such as House, Electro, Breaks and techno in dynamic sets where Javier develops all his experience acquired in his 20 years of career.

NIN3S (aka UNER) is the new alias of one of the most important talents of the last 10 years in the international electronic music scene, UNER. With a classical background including an undergraduate degree in Music Theory & Piano (which he began at the early age of 4), and a Summa Cum Laude graduation in the Art of Mixing from the Berklee College of Music, together with his passion for film scoring and orchestral composition and his love for the art in general led him to focus on this new project and make a big change in his career in September of 2019, after making his first complete soundtrack for an a Polish dramatic film, obtaining since then several international jobs in this new facet.

He is immersed in this and other main musical projects, which combine electronic and classical composition between analog, acoustic instruments and live musicians as well as other artistic projects in the movies industry, arts and live shows.

As a UNER, from debuting in 2009 on Diynamic (Solomun's label), to remixing one of the world's electronic music icons, Laurent Garnier, in 2015, he has had very exciting moments with a brilliant career.
After a life dedicated to music, the rewards came in the form of excellent reviews and audience success, performances around the world and musical releases on the best electronic labels such as Cadenza, Cocoon, Visionquest, or Diynamic, in which he released his debut album “Tune 432", showing his more personal side. In addition, this album showed the continued musical maturity as an artist.
Looking back, we can see that he was one of the top artists on Resident Advisor's annual charts in 2012, in 2013 he was named best newcomer at the Ibiza DJ Awards, and in 2014 the sophistication came with his album, as well as being awarded with more than 10 awards in his career as an international producer and artist throughout all these years. Every milestone reached is celebrated and appreciated, but Manu's ambition made him a stepping stone to the next level. The results are clear: 25 years of career, awards, tours around the world and respect from the music industry. 

Currently, we find Manu completely involved in bringing his knowledge and transferring all his love and passion in all his productions, making a fusion from neo classical composition to electronic music, connecting music with other arts giving that personal and unique point of view that characterizes him. This is how NIN3S was born in the world of arts and comes to position itself in the right place, as he did previously with its other aliases.

bartymas@HOTMAIL.COM is following