Indian Classical

dhik dhik

sawan..

my favourite

Classical

Tabla beats

freedom

devu

Lepidoptera Effect

A Carnatic classical remix of Daft Punk's Get Lucky (http://www.youtube.com/watch?v=5NV6Rdv1a3I).  The raga is Karnaranjani (well, approximately). 

Daft Pankajam

This demo was primarily created with the virtual instrument: "1969 Steinway Legacy Piano" - exclusively available at www.8dio.com

Music by Bill Brown

For licensing information go to: www.billbrownmusic.com

----------------------- 

©2014

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8Dio 1969 Legacy Piano: "In 1969" by Bill Brown

Hugh Wolff leads the New England Conservatory Philharmonia and Concert Choir and the Tufts Chamber Singers in a performance of Beethoven's Symphony no 9 in D minor "Ode to Joy". Recorded live in Jordan Hall, Boston February 12, 2014/ 

Beethoven Ninth Symphony: iv. Presto – Allegro assai

The opening theme to Andante from trio in E-flat, opus 100 by Schubert. Arranged for cello quintet and performed by Deryn Cullen.
Full track available to purchase as a download here:
https://deryncullen.bandcamp.com/track/andante-from-trio-in-e-flat-op-100-franz-schubert

Download

Schubert - Theme From Andante

India's classical music is deeply bound to the country's ancient mystical traditions. This unique Rough Guide brings together the greatest names in Indian Classical music, performing some of the most beautiful ragas of India’s classical legacy. Enjoy the musical artistry of legendary performers such as Shivkumar Sharma, Hari Prasad Chaurasia, Zakir Hussain and Ravi Shankar.

For more information, visit www.worldmusic.net/indianclassical

THE ROUGH GUIDE TO INDIAN CLASSICAL MUSIC

India's classical music is deeply bound to the country's mystical ancient traditions. Stretching back  through time to the Vedic period musical historians encounter the Rigveda, an ancient collection of Sanskrit hymns, and the Sama Veda, a text which begins to discuss the origin of seven shruti (notes) from the sounds of nature. The practice of combining tones in certain sequences and the notation system that was developed during this era is connected to the development of the Indian classical raga form. 'Raga' literally translates as a 'hue' of colour and is a musical method of constructing melody through prescribed conventions. Ragas are linked to different moods and times of the day. Amjad Ali Khan's ‘Raga Chhaya Nat’ is in the Hindustani (North Indian) chhayanat mode and illuminates his crystalline prowess on the sarod, a stringed lute that is played with a plectrum. Uppalapu Srinivas' song 'Sankari Sankuru' is played on his mandolin in saveri raga, which is said to bring about the mood of pity and was originally composed by one of Carnatic (South Indian) music’s greatest figures Syama Sastri (1762-1827). 

Indian Classical Legends Shivkumar Sharma, Hari Prasad Chaurasia and Brij Bhushan Kabra are heard delicately delivering a Hindustani bhairav raga on ‘Ahir Bhairav’. This raga is related to Sikh tradition from northern India and appears in the Guru Granth Sahib (the central religious text of Sikhism). Ravi Shankar’s radiant sitar shines bright on the fast-paced track ‘Devgiri Bilawal Dhun’. Shankar’s name and ascendant international career is now synonymous with Indian classical music. Widely regarded as a musical sage or pandit, his definition of raga touched upon its vast and complex nature, describing it as a ‘scientific, precise, subtle and aesthetic melodic form’. Another sitar scholar, Vilayat Khan is heard on ‘Dhun Punjabi Ang’. The Khan musical lineage traces all the way back to the court musicians of the Mughal Empire.

Father and son duo Allah Rakha and Zakir Hussain enter into percussive playoff on the live track ‘Ek Taal’. Tabla virtuouso Zakir Hussain remains grounded by the musical discipline and natural flair he inherited from his father who he regarded as ‘a spirit who was created to work for music by God’. Carnatic vocalist Dr M. Balamuralikrishna’s marvellously melodic instrument sparkles on ‘Sadhathava Pada’. His formidable range and versatile tone mark him out as a legendary singer. He is also credited with popularising the jugulbandi concept in Indian classical music – when two soloists of equal skill perform together. Riverboat Records artist Jyotsna Srikanth contributes ‘Annapoorne’, a work crafted by the famous Carnatic composer, Muttuswami Dikshitar. The subject matter concerns Annapoorne, the Hindu goddess of nourishment. The raga used is sama, one that denotes peace.

Uncover the mystery and beauty of India’s verdant classical tradition on this excellent introduction to one of the world’s most valuable musical repertoires. 

Jyotsna Srikanth: Annapoorne (taken from The Rough Guide To Indian Classical Music)

Samvad meet live electronics of Phanendra (electronic traffic), creating live and spontaneous Psy Chill Out - Indian Classical fusion.  
 recorded live in Goa, january 2014.
YOU CAN BUY THE HIGH RESOLUTION TRACK @ 
https://samvadmusic.bandcamp.com/track/rag-gunkali-indian-classical-meet-psy-chill-out-live

Rag Gunkali - Indian classical meet Psy Chill Out

Rag Gunkali -  Indian Classical meet Psy Chill Out - live

Indian Classical Music Ensemble - Hari Om

Hi this is the flute version of ARR’s famous Anjali Anjali Pushpanjali from the movie Duet. played with a karaoke track :/

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Anjalee anjalee

Indian Classical in western style

Classical Indian - Raga Shudh Sarang

Hi Guys, this is an experimental composition in which I have blended Indian Classical with folk using metal riffs, Metal style solo on a classical raaga (Desh raag).

Hope you guys will like this style of music.

Regards to all
Samuel Joshua

World Fusion(Indian-Classical,Folk blended with Metal

This is my second collaboration with http://soundcloud.com/shivsu ; a 'revisit' he likes to call it, of his old composition : http://soundcloud.com/shivsu/iravin-parithavippu ; Do listen to it, leave your comments, share and enjoy!! :-D

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Iravin Parithavippu [collab. with ShivSu]

tana dir dir deem sung by Nissar Hussain Khan 
Raag- TARANA-MALKAUNS
Vocal-Male

Nissar Hussain Khan - tana dir dir deem - MALKAUNS

আরে ধিকধিক ধিকধিক করে ধিকধিক করে মাটি
এই মাটিতে অটল হইয়া ক্যামনে কইরা হাঁটি?
নৌকাতে যে ঘুন ধইরাছে, ধানের শীষে পোকা,
লাঙ্গলেতে জং সেই কবে, (দেইখা) বাম দিকে সব বোকা,
দাঁড়িপাল্লার দাড়ির জটে মাটির 'পরে লাশ
এই মাটিতে দেব-দেবতা আইসাই যে খায় বাঁশ!
দেব-দেবতা মায়ার জটে নিজেরে না চেনে
মাটির কলস প্রাধান্য পায়, হাওয়ার বসত ফেলে
আদমগুলো অ-দম হইয়া দমের খোঁজে হাওয়া
নিজের বসত হেলা কইরা অন্যেরে দেয় ধাওয়া
আরে দমের খোঁজে অধৈর্য্য মন আগুন জ্বালায় পুড়ে
প্রজন্ম চত্বরে বইসা গায় সে দহন সুরে
দহনে দহনে জ্বালা জলের খোঁজে এবার
মাটির/দেবীর প'রে মাথা ঠেকায় - সময় হইলো সেবার
হাওয়া যখন ঘরে ফেরে ডানে-বামে জোর
নয়া নৌকায় নয়া ধানে দেব-দেবতার কাটে ঘোর
মাটি এবার স্থির... বল উন্নত মম বীর
যে বীর ভাবের খেলা বুইঝা সদাই সু-ভাবে রাখে শির
স্লোগান যখন সেবার - কী আছে কার নেবার
প্রেমের জোরে বাংলা মাটি জাইগা ওঠে ফোরেভার!

(গান/আনুশেহ আনাদিল)

মনের ভাব প্রকাশিতে
ভাষার সৃষ্টি এই জগতে
অনামক অধরকে চিনতে
ভাষা বাক্য নাহি পাবে...
- লালন সাঁই

Vocals: Anusheh Anadil, Palki Ahmad, Aneire Ehmar, Shofi Mondol and Premjuri
Lyrics and Melody: Anusheh Anadil
Guitars: Seth Panduranga Blumberg and Palki Ahmad
Bass: Buno and Pandu
Dhol, mondira and tambourine: Nozrul Islam
Drums: Abrar Athar
Engineering: Saad Chowdhury
Mixing: Pandu, Saad and Anusheh

Jayen Varma | with Indian Classical Music Band 2

basefunk