Incunabula

Bike

VISONIA
Impossible Romance

Juana de Arco
Impossible Romance
Lágrimas de Felicidad
Human Dysfunction
Anonymous Heroes
Return
Visonia & Mad Moizel - Beat Frequencies
Visonia et Dopplereffekt - Die Reisen
La Dernière Valse
Antarctic Love
The Old Man and the Girl In His Arms


Cat No. TRAJECTORY LP1
Release date: Summer 2014
Format: 2xLP

Distribution:

Last Known Trajectory: contact@last-known-trajectory.com
Rubadub (UK): distribution@rubadub.co.uk
Clone (Benelux Region): distribution@clone.nl
Diamonds & Pearls (Europe, USA, Japan & Rest of World): info@dnp-music.com

© Last Known Trajectory 2014
www.last-known-trajectory.com

Visonia et Dopplereffekt - Die Reisen

My Noise Is Nothing

For a Burning World

Patashnik [Decrypted By Sketch]

Caboose (Sketch Remix 1)

Oczy_4

Q Loop

The Expanding Universe

Drums

‘New Atlantis’, @Efdemin aka Phillip Sollmann's 4th album, oscillates between fast, kaleidoscopic techno, multilayered drones and acoustic instrumentation, fusing for the first time Sollmann’s deep dancefloor productions as Efdemin with his sound art and avant-garde music projects. The latter include 2017’s Harry Partch-inspired ‘Monophonie’ performance and 2018’s ‘Panama / Suez’ EP with Oren Ambarchi and Konrad Sprenger.

Sollmann took inspiration for ‘New Atlantis’ from Francis Bacon’s unfinished 17th century novel of the same name, which describes a fictional island devoted to social progress through the synthesis of art, science, technology and fashion. 

Out now: “New Atlantis”, the epic, psychedelic title track off of Efdemin’s upcoming album out February 15 via Ostgut Ton. Across 15 minutes, Efdemin’s experimental spirit is in full swing, with morphing drones/chords generated by a mix of Efdemin’s hurdy-gurdy and drum machines, Konrad Sprenger’s MIDI-controlled Stratocaster, Joachim Schütz’s electric guitar and Nika Son’s synthesizer – recorded live during the quartet’s Tony Conrad tribute concert in Hamburg.

Listen at
Apple Music: https://itunes.apple.com/album/new-atlantis/1446617084
Bandcamp: https://ostgut.bandcamp.com/album/new-atlantis
Deezer: https://www.deezer.com/album/84349402
Spotify: https://open.spotify.com/album/0DvULRThTYtegc9nMTxkTx?si=tmOYwipxTt-Coq7XJGyc5A
YouTube: https://www.youtube.com/watch?v=dIBQEH6TH1Y

Efdemin | New Atalntis [OSTGUTCD45/LP31], out February 15, 2019.
Buy ‘New Atlantis’ as 2xLP, digipak CD or in digital formats: http://ostgut.de/shop/music/efdemin-new-atlantis-ostgutlp31.html / http://ostgut.de/shop/music/efdemin-new-atlantis-ostgutcd45.html https://ostgut.bandcamp.com/album/new-atlantis

All info: http://ostgut.de/ton/record/234
Artwork: The Centers Of The World, Brussels, https://centersoftheworld.wordpress.com | Layout: Yusuf Etiman

Efdemin | At The Stranger's House

Listen to all tracks from ‘Utility’ in full at https://sambarker.bandcamp.com/album/utility

On his debut solo LP ‘Utility’, Barker [@voltek] turns his focus toward melding experimentation and dancefloor pragmatism with the psychology behind the musical decision making process.

‘Utility’ is a playful but non-ironic musical approach to a whole spectrum of utilitarian and transhumanist ideas: from models for quantifying pleasure and “gradients of bliss” to abolishing suffering for sentient beings (not just people) through the ethical use of drugs and nanotechnology. Over nine tracks, Barker’s vision ebbs and flows through waves of deeply psychedelic musical vignettes; free-floating and futuristic melodies and rhythms as targeted brain stimulation.

Listen now in full

Barker | Wireheading

Daniel Avery + Alessandro Cortini - Illusion Of Time

I’m proud to present Illusion Of Time, an LP made in collaboration with Alessandro Cortini out 27th March on Phantasy/Mute. I’ve been a huge admirer of Alessandro’s work for many years and this project was every bit as inspiring as I knew it would be. The experience felt unique in that much of the recording process was done remotely - we were both touring heavily at the time - sending each other care packages of beautiful noise from various parts of the world. Waking up in different time zones, different cities to something new was always a total rush. We were able to finish the record together in New York whilst on the Nine Inch Nails tour, the luminous context of which feels very fitting for an album we’ve given our hearts to at every stage. The album was mixed by Marta Salogni, the artwork designed by Planet Luke and the video for the title track (which is online today) directed by Tom Andrew and Sam Davis; we surrounded ourselves with masters.

Love and energy to you all,
DA xxxx

Q Loop

Basic Channel