Fatima Yamaha’s now classic single ‘What’s A Girl To Do’ taken from the EP ‘A Girl Between Two Worlds’ saw the light of day in 2004, but it wasn’t until 10 years later that a re-release made the song truly explode. 
For many years, Fatima Yamaha was shrouded in mystery, known only to be a project led by “a young lady born to a Japanese father and a Turkish mother”. By now we all know Bas Bron is Fatima Yamaha. The Dutch producer has many guises, but Fatima Yamaha is his most enigmatic.
The album ‘Imaginary Lines’ was released in 2015 and followed the success of ‘What’s A Girl To Do’ with the fabulous single ‘Love Invaders’. Later followed by another banging club anthem ‘Araya’.
His live shows unfailingly live up to the highest expectations, offering refined house and techno complimented by virtuoso synths. But after years of selling out tours and headlining the most prestigious festivals all over the world, Bas took a year off touring to focus on new material and other ventures.
He directed, produced and made the soundtrack of the short film ‘Heian’ and recorded lots of other tracks, for many different projects. But this autumn there will finally be a new Fatima Yamaha album; ‘Spontaneous Order’. Bas shows his versatility on the album, effortlessly moving form harsh dancefloor tracks to spacious ambient drones and funky electronic pop tracks.

Electronic music is in our DNA, and we cover the full musical spectrum ranging from disco to house, from intelligent dance music to techno, and everything in between. At DGTL, we differentiate with balanced programming. By giving talent a platform, we can develop our own headliners and form long-lasting relationships with artists from early on.

DGTL builds bridges between music styles and genres, aiming to blend different audiences and cultures. Our line-ups are a combination of the power of our global DGTL brand, and all the beauty that local cultures hold. We want to be inclusive for every gender, sexual orientation, origin, color and country. Everyone always should be and feel welcome at DGTL.

With DGTL Records we build on our festival’s musical theme of an evocative cross section of the sounds and styles; showcasing forward thinking, cutting edge artists. Besides this, the label also functions as a platform for newcomers. This results in the creation of a coherent selection of music with a true family vibe; we want artists to feel connected to the label, the people behind it and to the other artists. 

Our in-house label DGTL Records emerged from the DGTL festival brand and has a single focus on music and community. It combines both upcoming talents together with established artists, bringing unique music and cross-over sounds that both add to the electronic music spectrum.

Being one of the most in-demand Techno DJs of our times, Ben Klock needs little introduction. His name has been closely associated with Berlin’s legendary club Berghain since 2005. His monthly residency has formed the backdrop to his international success, providing an invaluable platform for his ability to create a room rather than just play to it.

Much of his early career was marked by marathon sets – a signature that played a considerable role in nurturing his skills and reputation – but even the more compressed sets he shares today evidence an intricate narrative and sense of flow that defines him as a DJ. It was these inherent abilities that led him to compile the fabric 66 compilation in 2012, before winning the BBC Radio 1’s Essential Mix of the Year award in 2015.

His releases on Ostgut Ton have become landmarks in the imprint’s history. 2009’s “Dawning”, the first of his collaborations with Marcel Dettmann kickstarted the label itself and remains a stand-out track in its discography. Another release of particular note is the Before One EP including “Subzero”, which many techno lovers still refer to as their gateway track into the whole genre itself. For many, however, it is his album One (2009) that best captures Klock’s talents as a producer. His skills as a remixer have also seen him rework tracks by a wide variety of artists, including Kerri Chandler, Depeche Mode, Robert Hood and Kenny Larkin.

Additionally, Klock curates with great passion his own label Klockworks, founded in 2006. With releases from DVS1, Stef Mendesidis, The Advent, Sterac, Etapp Kyle, Temudo and many more Klockworks became a synonym for unique, high quality Techno.

In 2017 Ben started his own event series PHOTON which is a unique concept show that blends light, architecture and music. Since then he toured PHOTON at special venues in major cities around the world such as Printworks (London), Gashouder (Amsterdam), Arca (Sao Paolo), to name a few. It quickly became a new standard for audio visual electronic music events. In 2023 the project returns after a pandemic induced break with a brand new visual and artistic concept.

OURS SAMPLUS
hip-hop, trip-hop, electro, instrumental
https://www.ours-samplus.com/

Diynamic has constantly been an underground electronic music label on the rise. The motto: Do It Yourself. Founded in 2006 by Solomun and Adriano Trolio in Hamburg, nowadays undeniably amongst the hottest imprints worldwide: Diynamic Showcase events all around the globe, Diynamic Festivals in Amsterdam, Berlin and Brazil, two own weekly residencies on Ibiza including the infamous “Solomun +1” events at legendary night club Pacha and the Diynamic Outdoor event series as well as own stages at major music festivals everywhere. 

DEMOS:
We don't accept any music via Soundcloud or Facebook, but you can send a 320 kbits MP3 via email. Send promos to solomunpromo@diynamic.com and demos to solomundemo@diynamic.com. All submissions will be listened to and if we are interested, we will get back! Please allow some time though, because, as you can imagine, there are very many people sending in music.

Booking: Jason Kupperman - kup@goldengateagency.com
Management: ripebandmgmt@gmail.com

Ripe remembers sweating to hell in a basement underneath a Subway sandwich shop, building their very first songs in a concrete cube that smelled like fresh bread. They remember selling their first tickets by hand outside the coffee shop that their friends worked at, holding court like twenty-something impresarios trying to move like 50 tickets to a bar that was willing to let you keep the ticket sales if they kept the bar. 

In a world where we constantly feel the loving pressure to "tell our story", where so many of our friends that have found success as artists have done it alone, Ripe is using their bio to tell you that at the center of everything is collaboration and community, a friendship that has become a bond as strong as family, a constantly spinning object that cannot be properly captured by any single still photograph.

This moment, the two songs already out and the new songs coming, catches the band in a moment of intense joyous swelling energy. Working in dream studios, in a city they spent years trying to take a proper chance on, with a producer that had made albums we loved in our formative years, alongside the closest musical relations we've formed. This is our love letter to complicated nostalgia, to relentless empowering change, to realizing that making dreams come true (just like a crisis) only fully makes sense when it is shared. 

Joy In The Wild Unknown let us tell you who we were. Bright Blues had us ripped apart so we could start again. What comes next is the band swinging for the fences, all in at the table, risking everything for a shot at feeling connected to you. Thank you for being here.


Connect: https://ripe.biglink.to/social

Bas Keijzers is following