Serengeti Calling

I Got Summer On My Mind

I Got Summer On My Mind (Afro House Edit)

Waza

Cumbia En Africa

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Allstark, Cramoki & Daniel Best - Ferrari (ft. Chris Crone)

Losing My Religion

La Noche

Math Sunshine - Comprendo

Face Machine inhabits the blurred threshold between the human and the synthetic, where identity becomes fluid and is constantly rewritten. Drifting between melodic techno, underground trance and electro-pop, the album unfolds like a network of unstable selves - mirrors folding into mirrors, names dissolving into signals. Vocals shift between male and female, merging with abstract textures until the human voice becomes something unbound, a mutable instrument suspended between body and machine. Each track carves its own passage through luminous, volatile atmospheres, yet all are tethered by a shared sonic architecture of detuned oscillators, layered melodic counterpoint, and synthesis timbres that breathe with organic motion.

These twelve tracks move through states of emergence and disappearance - memory scattering, identity refracting, presence dissolving into signal. Wordless chants, whispered fragments, and spectral harmonies drift like residues of selves that never fully arrive. Within this landscape, rhythm and texture intertwine: polyrhythmic layers build and collapse, melodic threads blur into complex harmonic tides, and shifting tonalities open portals into new emotional terrain. Face Machine doesn't offer resolution; instead, it lingers in the spaces where perception falters and technology reshapes what it means to exist. It is an album of thresholds and transformations - a meditation on how we become, lose, and reinvent ourselves in an age where even our voices can belong to someone, or something, else.

Serengeti Calling

Basthard House