I play this in the ceiling when my friends fry on lsd 

A small flock of sixty Migrating Whooper Swans in the middle of night resting on Makholma Bay, Western Finland.  The tempo of the yoking will increase to the end. The nearby shore with forest is giving a nice echo. 

Video from the Bay:  http://www.rupuranta.net/weblog/filet/211114a/

(MKH8020 ab80cm, SD702, 24/48, Flac)

Whooper Swans  - 14/11/2021 - Makholma Bay

Florent Caron Darras
Chute des êtres du ciel (2015) for solo harp.

Recorded by Annabelle Jarre on July 8th, 2021 @ Bobigny, France.
Noé Faure, Sound engineer.

Dedicated to Annabelle Jarre who premiered the piece on February 5th, 2016 - Salon Vinteuil, CNSMDP (Colloque International France-Japon)

Chute des êtres du ciel - for solo harp (2015)

better with headphones!

Royaumont abbey's Cavaillé-Coll organ

Thomas Lacôte — organist
Julie Zhu, Brendan Champeaux — assistants
Rémi Le Taillandier — rec & mix

03/01/22, abbaye de Royaumont (FR)

Tesseract (2021) | Solo organ | Thomas Lacôte - Royaumont

Cervus elaphus hispanicus refers to the red deer of Portugal and Spain. It's slightly smaller than those across the Pyrenees.
The rutting season (referred to as 'brama' in Portugal) starts mid-August and goes until the end of September. 
The recording was in an area in interior Alentejo where wild boars and white-tailed deer live in big numbers and all can be heard throughout this segment.

Red deer call in the valley

Red Deer call in the valley

This is a recent rework of a previously shared track, 
https://soundcloud.com/daniel-diaz/silencio-first-demo-version

I reduced and simplified the arrangement and instrumentation, and I feel that this one's the good version for proper release (but I might be wrong), so it is my first 2023 single.


Shared on Feb/2nd/2023 for https://llllllll.co/t/disquiet-junto-project-0579-memory-serves

This is the version I finally released,
https://open.spotify.com/track/0RG0q9pSfrl725mBlcLqjf?si=42df3429ed664047

Silencio (version 2) disquiet0579

Piano solo commissioned by the Ian Potter Foundation for Marilyn Nonken and premiered by her at the Musica Nova Festival, Helsinki, February 2009. The 4 movements are: I. Autumn, 6′ II. Winter, 6′ III. Spring, 7′ IV. Summer (Sema), 10′ (starts at 18'22). info at: http://limprogrammenotes.wordpress.com/2011/08/01/the-four-seasons-after-cy-twombly-2009/

The Four Seasons (after Cy Twombly), 2008 - 09

Disquiet Junto Project 0609: Speed Limit Pt 1
The Assignment: Record a track at precisely 60 BPM with the intention someone will subsequently rework it.

Step 1: You’re going to record a simple track at 60 BPM in 4/4 that will be reworked subsequently by other musicians, including potentially being combined with other tracks. Think about how you want to structure something with that intention.

Step 2: Record a 60 BPM track in 4/4 based on the thinking that resulted from Step 1.

Note: This is the first part of a two-part project. You don’t need to participate in both. In the Junto, all projects are intended to be doable as standalones. However, there often are sequences. The intended second project of this project, next week, will build on this one, so please consider making your track downloadable and available for reworking/remixing.

Track notes:
 
I started by creating some simple 60bpm arpeggiated sequences on a Microkorg and improvised over the top of this with synth, guitar and a vibraphone patch. To top it off and give the track something a bit asynchronous, I added an 1950s field recording of a Australian Blue Faced Honeyeater, which provides a playful - and oddly complimentary - counterpoint to the otherwise rigid arrangement. 

This recording has 32 bars of the 60bpm track with no fades.

[Disquiet_Junto_0609] Refactored Drift (60 bpm)

Two rigs simultaneously recording the same dawn within the same landscape, located about half a kilometre apart. The beautiful calls of a Pied Butcherbird can be heard from each location. Its first two sequences of calls are nearer to the first location (Perspective 1), in the background of a flurry of foreground bird activity. Its third sequence of calls are very near to the second location (Perspective 2), within a rather different soundscape mood. But all three sequences are heard from both locations, either as distant or as near.

Recorded respectfully on the land of the Meru and Danggali peoples.

Related playlist: https://soundcloud.com/frgtests/sets/lewitt-double-nos-examples

2023.10.29 Mallee Dawn in Spring with Pied Butcherbird: Perspective 2

Music For Ears

Piano Sonatina

Piano Sonatina - Lorin Jones-Stubbs

Clarinette - Martin Adamek
Basson - Paul Riveaux
Accordéon - Vincent Gailly
Percussion - Giles Durot
Piano - Antoine Petit-Dutaillis
Contrebasse - Louis Siracusa

Captation et mixage - Jean-Marc Lyzwa

instinct

instinct

Je considère le son comme une matière organique. Dans instinct, je souhaite lui donner vie par ses différentes évolutions. J'imagine ses transformations comme une mutation progressive avec des imprévus et des continuités.La musique prend alors l'apparence d'un espace, d'un liquide, d'un solide, s'agrège se désagrège, se transforme ou se rompt.

J'utilise l'un des 6 modules du Myanmar, instrument de percussion en 12ème de ton sur 3 octaves que j'ai imaginé et fait réaliser. L'intégrer me permet de mieux l'apprivoiser et le connaître davantage.

Instinct - Ensemble Intercontemporain & DAI

Performed by Hae Sun Kang and Aya Kono
Recorded live at Église de la Grave, Festival Messiaen au Pays de la Meije, on July 27th, 2017

Instinct - Ensemble Intercontemporain & DAI

Bastien DAVID

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