From my Cd album: DEBUSSY-Nature Myth Legend
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Debussy-Nature Myth Legend

Reverie

These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopédies are regarded as an important precursor to modern ambient music.

Satie Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Satie iTunes
https://music.apple.com/gb/album/erik-satie-the-essential-collection/918615441

Satie Compilation
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Erik Satie Album
https://www.deezer.com/us/album/7540311

Erik Satie The Essential Collection

Deezer

Gymnopédie No.3

Famous piano piece written by Claude Debussy (1862 - 1918)

Arabesque No. 1. Andantino con moto is the first of the "Two Arabesques"  (Deux arabesques) composed by Debussy when he was still in his twenties.

Recorded in 2001 by Fiona Bechmann

Debussy - Arabesque

Debussy's sublime summer prelude, 'La Fille aux Cheveux de Lin'.

The indicated 'Très calm et doucement expresiff' (Very calm and gentle in expressiveness) is quietly asserting tranquility. This is a piece to be savoured and experienced like a summer's gentle breeze; incentivised by the source for the prelude - the poem that bears the identical title of the prelude, written by Charles-Marie-René Leconte de Lisle in the mid-19th century (published in 1874). It is said that Debussy found the inspiration for the prelude within the poem, but for me, the prelude is almost a musical transcription of the poem. I include both the English translation (Laura L. Nagle, 2007) of Lisle's poem, and the original French version as well, below. Read the poem whilst listening to the recording and you will find more than a serendipitous likeness!  
____________________

The girl with the flaxen hair

Who sits upon the blooming lucerne,  
Singing from the earliest morn?  
It is the girl with the flaxen hair,  
The beauty with cherry-red lips.

Love, in the bright summer sun,  
Sang with the lark.

Your mouth has divine colours,
 My dear, and is tempting to kiss!
  Do you wish to chat upon the blooming grasses,  
Girl with long lashes and delicate curls?

Love, in the bright summer sun,  
Sang with the lark.

Do not say no, cruel girl!
  Do not say yes! I shall better understand  
A long gaze from your large eyes  
And your pink lips, o my beauty!

Love, in the bright summer sun,  
Sang with the lark.

Farewell to the deer, farewell to the hares  
And the red partridges!  I wish 
To kiss the flax of your hair,  
To press upon the crimson of your lips!

Love, in the bright summer sun,  
Sang with the lark.
  ____________________

La fille aux cheveux de lin

Sur la luzerne en fleur assise,  
Qui chante dès le frais matin?
  C'est la fille aux cheveux de lin,
  La belle aux lèvres de cerise.

L'amour, au clair soleil d'été,  
Avec l'alouette a chanté.

Ta bouche a des couleurs divines,  
Ma chère, et tente le baiser!  
Sur l'herbe en fleur veux-tu causer,  
Fille aux cils longs, aux boucles fines?

L'amour, au clair soleil d'été,  
Avec l'alouette a chanté.

Ne dis pas non, fille cruelle!  
Ne dis pas oui! J'entendrai mieux
  Le long regard de tes grands yeux
  Et ta lèvre rose, ô ma belle!

L'amour, au clair soleil d'été,
  Avec l'alouette a chanté.

Adieu les daims, adieu les lièvres  
Et les rouges perdrix! Je veux
  Baiser le lin de tes cheveux,  
Presser la pourpre de tes lèvres!

L'amour, au clair soleil d'été,
  Avec l'alouette a chanté.
  ____________________  
Charles-Marie-René Leconte de Lisle (1818 - 1894), "La fille aux cheveux de lin", from Poèmes antiques, in 'Chansons écossaises'
illustration: Monet - Monet - 'Woman with a Parasol, facing right', 1886, Musée D'Orsay, Paris

Claude Debussy - Prelude in G flat major - no. 8 from Book 1: 'La Fille aux Cheveux de Lin'

Purchase a copy of the sheet music here!:
http://www.ericpeelmusic.com/gymnopedie-no.-1

Erik Satié was one of the most accomplished French Impressionistic pianists and composers that ever existed. His timeless music simply challenges classification. His premiere Gymnopédie (previously the 3rd in the series) is among his most famous. The melody is so strangely familiar, like it was written in from a dream. Vibraphone definitely helps bring out the intense, yet unintentional emotion of Erik's composition. Written for 4-mallets. Available for 3-octave vibraphone.     

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Gymnopédie No. 1 - Vibraphone Solo

This is Parabola Memoriae slowed down + Reverb while the piano and clariduk (Duduk with a clarinet mouth piece) carry the piece alone.

We did this one, following that natural impulse one has to linger in a quieter space, sometimes to discover the magic in the cracks of the world, like something half-buried that still glows.

Bandcamp → https://bastiendiargos.bandcamp.com/
Spotify → https://open.spotify.com/artist/5x7FV8rKFF4a2DsIxRU694
Official Website → https://bastiendiargos.com

Parabola Memoriae - Forgotten Cadence Version (Piano and Clariduk, Slowed Down+Reverb)

i am not finished but it's good enough for now and i want to move on to other things

GIRLMEAT'S PRELUDE IN C-SHARP MINOR OP. 1, NO. 1

Gymnopédie no.1 - Erik Satie

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Clair de Lune - Debussy

Live concert recording. This dramatic piece by Russian composer Alexander Scriabin is a foundation stone of romantic piano music, and of the etude genre. Thanks for listening!

Scriabin - Etude in D# minor op8no12

I produced this track using midi and EW Gold Pianos in order to perfection the performance as I imagine it.

Satie - Trois Gymnopedies No 1

Bastien DiArgos – World Neoclassical Music

Deeply melodic, wordless compositions merging neoclassical piano with ancestral instruments like the duduk, quena, charango, and strings.

Reflective, and rooted in ancient memory—music for those seeking presence through sound.

Parabola Memoriae - Forgotten Cadence Version (Piano and Clariduk, Slowed Down+Reverb)

The Memory Orchestra: Piano and Ancestral Echoes

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