sunset//subset

SMEKOLINI KNEKTEN SMEKE REVEN - Hvorfor Sier Du Sånne Ting Til Meg? (Produsent: instarammramm)

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I Cannot Fucking Wait Until Morrissey Dies

Hum III (sonADA 2018 Version)

The legendary Kevin Martin - aka The Bug - steps up to present his PRESSURE event series and label, reworking Miss Red's "K.O." in a dubplate style.

For more information and tracklist head here: http://www.factmag.com/2018/09/25/the-bug-presents-pressure-fact-mix/

FACT Mixes

FACT mix 673 - The Bug presents PRESSURE (Sept '18)

Taken from the new doublepack 'Passion', out October 26th 2018.

Since the release of their album Wonderland a couple of years ago, Demdike Stare have been recording material for a new doublepack 'Passion'; an asymmetric re-imagining of UK club styles taking in frenzied drum trax, shortwave jungle, pinging dancehall and clipped, post punk riddims.

During this time they’ve been busy curating their DDS label (inc releases from Shinichi Atobe, Mica Levi, Robert Aiki Aubrey Lowe and Equiknoxx, among others) and have been commissioned by both the Groupe de Recherches Musicales (GRM) and the surviving members of Gruppo di Improvvisazione Nuova Consonanza to mine and rework their archives. Enlisting visual artist Michael England (Autechre, Gescom, Leila), they’ve created a cinematic accompaniment for their collaborative live shows, resulting in the image which adorns this cover - a hybrid/composite portrait exploring/questioning the current use of software in creating hyper reality and the manipulation of the self. The accompanying film Includes documentary footage filmed at a Voguing event in NYC, Blackpool promenade and a Newark, New Jersey roller rink, the end result smudgng the lines between live performance, documentary and sonic cinema.

It’s an idea that’s echoed on Passion, continuing a process Demdike began on their Testpressing series of dismantling lines between analogue and digital realms, between urban realism and fantasy, between experimental, pop and soundsystem cultures. An outlandish configuration of avant-garde and ultimately functional club weapons designed and honed for the weightiest bassbins, it’s also their most direct and fucked up record to date - a raucous, joyful 9-track smash that comes off like a night on a glamorous, neon-lit bender.

Passion

Demdike Stare - At It Again

no_jan blues

Konvolut (extract)
for alto flute, clarinet, piano, violin, cello, electronics
2014
Sond'Art-te Electric Ensemble, Pedro Carneiro
Image: © Cornelia Hedwig Böhme

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