voiceless

no take pls

no take-draw

calm

groove

振Batik

Funk i love

This is the second single from Jakubi, its called "Holiday" and we hope you like it.

www.facebook.com/jakubimusic



Holiday

FL StudioでVRC6を再現しようとした結果です。
矩形波2ch+2ch、三角波1ch、ノコギリ波1ch(Chip32で代用)、DPCMなし。
ノコギリ波以外はNES VST 1.2。
bpmは150が好ましい。(120、180もOK?)

曲：YO-KAI Disco

VRC6_memo

'Various Assets - Not For Sale 2013' is a collection of some of the music that was made during the Red Bull Music Academy during four early summer weeks in New York City last year. The double CD contains 30 tracks composed, improvised and discovered by the 62 international participants and a cast of high-profile studio team members, who all got their fingers dirty on synths, Mellotrons, vibraphones, drum machines and anything else they could lay their hands on. Enjoy!

Known as Los Angeles' "Ambassador of Boogie Funk," Damon Riddick represents the citizens of the Funkmosphere to the fullest. Anyone who grooves to the likes of Slave, Aurra, early Prince and Prelude Records, will knoe what to do when they hear "No More Love."

Written by Damon Riddick (US). Produced by Dâm-Funk.

'Various Assets - Not For Sale 2013' is available for free download from January 15th, 2014 via <a href="http://rbma.bandcamp.com">RBMA Bandcamp</a> and <a href="http://soundcloud.com/redbullmusicacademy">Soundcloud</a>.

Dâm-Funk - No More Love

Spotify
https://open.spotify.com/artist/0rFHElzeddB9ymDjgpBENX

Apple Music
https://itunes.apple.com/jp/album/yume/id805520623

Bandcamp
http://music.botanicalhouse.net/album/dream-cd-2014
--------------------------------
from the album called "Yume".
Lyrics: Kaori Sakaibara
Music: Taiyo Someya
Arrangements: Minami Kitasono https://soundcloud.com/organalog

A都市の秋

This is the song for when Kris (my wife) walks Nugget (my dog)

It is perfect for any dog or cat walking activities!

Kris Walks Nugget

「星間飛行」LIVE IN SWEDEN - RASMUS FABER PRES  PLATINA JAZZ

Early MP3 and FLAC available for Patrons. ► https://www.patreon.com/thesecondnarrator
Support me before I release the reward and it's gone!

As Link's Awakening album is stuck in limbo, it's time to move on to new tracks. Even though FFVI is my favorite in the series, including the soundtrack, I think the battle theme for FFVII is superior, and in a league of its own. Nobuo Uematsu went all out and redesigned the battle theme to underscore the upgraded visuals, the cinematic camera, and the intense fighting energy. This is the kind of music I would have trouble composing myself. There's no clear melodic progression, the phrasing is unpredictable, yet put together everything still sounds so catchy and iconic. I am simply in awe at how Uematsu came up with this.

I am very wary of arranging SquareEnix music, because they already do great arrangements with a live orchestra (Distant Worlds). However, I chose to take a crack at this one because I don't like the orchestrations floating around. The Advent Children piano solo is great, but leaves me still wanting the full arrangement. The version in the FF Battle Theme medley is too simple and short and not even complete, and the version at the end of Crisis Core is too cliche, with the awesome piccolo solo replaced with boring strings. Come on!

For my arrangement, I let the music it play out in three unique loops. Here's my process behind them.

I. Enhanced (Orchestrated)
The first loop is a straightforward sounding arrangement of the original version. This was particularly difficult for me to achieve, because when I recreated it using the same instruments and articulation, everything sounded too muddy. The snappiness of the brass section is gone, the piccolo is drowned out, and the strings sound so synthesized. To fix that, I started fading instruments out and only had them come in during the recognizable parts. Also, I used a lot of solo instruments. I tried out this measured tremolo technique for the strings and the flutes to really get that intense energy feeling of a battle scene. It's definitely one of my favorite parts.

II. Expanded
After satisfying the purists, it's time to go crazy with some insane phrasing. I felt that since the battle theme appears in the beginning of the game and all throughout the entire story progression, I should include instruments that represent other areas of the game world. The original version felt very military and only fits well in the context of Midgar and Shinra soldiers. I added the more eastern Taikos, woodblocks, and african drums as a means of recalling areas such as Wutai, Cosmo Canyon and generally the overworld monsters. Then I mixed up the instrumentation and have different combinations of them play each phrase. This adds to the fast paced nature of the battles and the infinite variety of attacks/party members/magic/monsters that comprise each encounter. Again, the use of solo instruments (instead of ensemble) makes each note clearer and enhances the "attack" of the notes. The climax piccolo section I've redone to sound like perfect limit break music. I could go on much more on this section as it probably took me 80% of the entire time spent on this orchestration.

III. Extended (Cool down)
Just like I did with Tal Tal Heights, I added a third section as a breather before looping back. If a battle were to last long enough that you reach this part of the music, that would mean the battle is probably more difficult, or filled with annoying enemies. Here I ease up on the instruments to represent the fighters either recovering from their wounds or strategizing how best to defeat the enemy.

In conclusion, modern soundtracks have traded catchy music for boring orchestrated atmospheric ambiance. Why can't we have both? This arrangement is my argument for more iconic NON-background music.

Get MP3 on Patreon

Let The Battles Begin! (Fighting) Orchestrated - from Final Fantasy VII

エレ樫

get my plugin! 🥁

solitude (I released Nymano AudioShaper plugin & a drumkit, link in bio!)

Some house song ~ 3~

Original MV out now here : https://www.youtube.com/watch?v=hnJIRPiCqRw

Released an EP with this song, this song will be free anyway but please support me! https://0101.bandcamp.com/album/sweety-sweety

Free Download

My Story [MV in description]

Dj Okawari-Afterschool

FREE at http://cartography.ocremix.org

Super Cartography Bros. is the 55th album published by OverClocked ReMix. It features seventeen tracks from fifteen artists in three unique versions, arranging map themes from nine soundtracks of the Super Mario series for various Nintendo platforms from the NES to the Wii U.

It was made by fans, for fans, and is not affiliated with or endorsed by any game publisher or developer; all images, characters, and original compositions are copyright their respective owners.

• Games: Super Mario World, New Super Mario Bros. Wii, New Super Mario Bros. 2, Super Mario 3D World, Super Mario Bros. 3, Super Mario World 2: Yoshi's Island, Super Mario 3D Land, Wario Land: Super Mario Land 3, New Super Mario Bros.

• Original Composers: Koji Kondo, Kenta Nagata, Shiho Fujii, Ryo Nagamatsu, Mahito Yokota, Toru Minegishi, Yasuaki Iwata, Asuka Hayazaki, Takeshi Hama, Kozue Ishikawa, Ryoji Yoshitomi, Hajime Wakai

• ReMixers: Funk Fiction, RobKTA, DarkSim, Flexstyle, XPRTNovice, Jewbei, DDRKirby(ISQ), bLiNd, Arceace, Desert Catz (KingTiger, Flexstyle), SREYAS, Kruai, DJ RoboRob, EAR, Beatdrop

Director/Mastering
• Michael Birch (Flexstyle)

DJ Mix
• Aaron Wu (Global-Trance) - http://global-trance.com

Artwork
• Maya Petersen (rnn) - http://prnnography.com

Website
• David Lloyd (djpretzel)

Trailer
• José E. Felix (José the Bronx Rican)

Project Assistant
• R. Corey Oltman (KingTiger)

QA
• Joe Zieja (XPRTNovice)

Creator
• Shariq Ansari (DarkeSword)

Executive Producers
• David W. Lloyd (djpretzel)
• Larry Oji (Liontamer)

Founded in 1999, OverClocked ReMix is an organization dedicated to the appreciation, preservation, and interpretation of video game music. Its primary focus is ocremix.org, a website featuring hundreds of free fan arrangements, information on game music and composers, resources for aspiring artists, and a thriving community of video game music fans.

For media inquiries (interviews, articles, conventions) or soundtrack development with OverClocked ReMix, please contact us!
http://ocremix.org/info/About_Us

Video by José the Bronx Rican (José E. Felix)
http://www.bronxrican.com

SUPPORT US:

OverClocked ReMix is a not-for-profit site that provides a ton of free music, which requires a ton of bandwidth and a pretty hefty web server. We need your help to keep the site running!
• http://ocremix.org/store/
• http://patreon.com/ocremix
• http://bit.ly/ocrPayPal

JOIN US:

• http://ocremix.org/forums/
• http://facebook.com/ocremix
• http://twitter.com/ocremix
• http://soundcloud.com/ocremix
• http://ocremix.tumblr.com

01 It's-a-Me (Super Mario World) [Funk Fiction]

The Elder Scrolls IV Oblivion OST- King And Country

Jazz Funk

Compilation from my private Collection....

Jazz-Funk

I do not own this song!
I am just sharing this as a huge fan of this amazing artist.

All copyright and music content rightfully belongs to: 
© DJ Okawari
http://www.djokawari.com/home.html

Please help support this artist by purchasing their album! ;)

DJ Okawari - Ｌｕｖ Ｌｅｔｔｅｒ

Lusrica - Nocturne

Strange Telephone クリア記念＆応援に。

Strange Telephone -Jazz Funk ver-

Walk Around

hey this is a song about moo moo milk
https://twitter.com/VideoGameDJ/status/799730490399830016

Moo Moo Milk

東方SKA
ニコ動： http://www.nicovideo.jp/watch/nm15138680

エターナル忘れ傘。 ～ 持ち主は死ぬ。

DJ Okawari - A Cup Of Coffee

[ Pink Neon Tokyo Gang Kill Them All #PNTGKTA ] Produced by ピンクネオン東京 (It's 420 joke)

HAPPY 420 DAY

SAD 少しだけ by Lil FIJI Vert

Limited Streaming. Please support us!
☆彡｡.:・*ﾟ☆彡｡.:・*ﾟ☆彡｡.:・*ﾟ☆彡｡.:・*ﾟ☆彡｡.:・*ﾟ

Support ピンクネオン東京 Collective:
twitter.com/pinkneontokyo
www.instagram.com/pinkneontokyo/

☆彡｡.:・*ﾟ☆彡｡.:・*ﾟ☆彡｡.:・*ﾟ☆彡｡.:・*ﾟ☆彡｡.:・*ﾟ

Lil FIJI Vert - SAD 少しだけ [PNTMM4201]

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Clair de Lune - Debussy

【SaGa Frontier2 サガフロンティア2】Heimatlose【Flute and Classical Guitar】

Scythe氏のチップチューンファーストアルバム『CHIPSCAPE』の3トラック目より「Lemonana」をアレンジしました。

"雨上がりの景色"と"懐かしさ"をテーマにしました

Composer : Scythe
Arrange : Casey

Lemonana (Nostalgic Arrange)

dreamin dreamin/capsule

Destiny Child Ragnabreak Season 9 Ost - RagnaBreakers Revolution

A selection of some 70's Jazz Funk Vibes

Tracklist:
Native Sun - Whispering Eyes
Grover Washington - Mr. Magic
Eumir Deodato - Skatin
Jeff Lorber Fusion - Fusion Juice
Bob James - Take me to the Mardi Gras
George Benson - Give me the Night
Herb Alpert - Rise
Herbie Hancock - Chameleon
Grover Washington - Let it Flow
George Benson - The World is a Guetto
Joe Jackson - Jumpin' with Synphony Sid

今回は完全にSynth1だけです。
外部エフェクトもオートメーションも何も使っていません。
マスタートラックにPro-L2だけ挿しました。

This song is used only Synth1.
I do not use external effects nor automation.
Synth1 is Free vst!!

MIDI & Synth presets ↓
https://www.pixiv.net/fanbox/creator/1522964/post/296549

Free DL

何も考えてない時の僕 [Free DL]

Ozomatli - Cut Chemist Suite (Cumbia Edit)

Midair

Aves

IIKA-IKA

Visions EP

On The Street Where You Live

My Romance EP

How Long Has This Been Going On

Days Of Wine And Roses

I Can't Give You Anything But Love

East River EP

Night and Day

Giant Steps

Love Letters

I'm An Old Cowhand

Old Devil Moon

I Only Have Eyes for You

music for the video game Rolled Out! One of 3 separate songs to the Bonus Stages in the game. The other two bonus stage tracks will have music from the other 2 composers for the game @baycunn and @d-video!

some useful links to learn more about the game if you would like to do that!
rolledoutgame.com/
twitter.com/RolledOut

Strange Telephone -Jazz Funk ver-

basutora